Sound City

When he left Seattle with his band Nirvana in the early 1990s, drummer Dave Grohl was initially excited his group would be recording their first major label album at famous Sound City recording studios in Van Nuys, CA...that is, until he saw the place. Described by many as "a real s***hole," the cluttered, crowded studio--downwind of a brewery!--was considered outdated by 1992, but was about to experience a resurrection after Nirvana's "Nevermind" went to number-one. Now closed for business, Sound City's history is fascinatingly laid-out by director and co-producer Grohl, who charts the studio's early successes beginning in 1973 with help from the artists who were there (Lindsey Buckingham, Mick Fleetwood, Stevie Nicks, Tom Petty, Neil Young, Rick Springfield). Grohl--who purchased Sound City's revolutionary analog mixing console, the Neve 8028, and moved it into his home studio--proves to have a surprisingly sentimental side for the ramshackle place and its colorful crew, but comes up short on narrative (at one point, engineer Keith Olsen defects and opens his own studio "next door," but we never see the studio and aren't told of its fate). The documentary's third act, with Grohl and his all-star friends recording a hard-rocking tribute album to Sound City using the Neve, is stretched out too far and stalls the nostalgic momentum, but otherwise this is a respectful, thoughtfully-composed and moving musical journal. *** from ****

Everyone gave applause at the end of this documentary. It actually has relevance to anyone who enjoys popular music. However, musicians who see this movie will find a special message imparted to them.

During the 1970s, there was Disco. At this time, music became more repetitive, even boring to some listeners. The soul was being manufactured. Then another assault on soul or the "human element" began with the computer processing of tunes. What then makes that special element that says to the ears; "This music is created by humans with a heart!" This movie attempts to answer such a question. And it answers it through the many examples of artists who called this special recording studio "home". You will be surprised by the top names and albums that were recorded in this studio.

I saw this movie in San Francisco at a small theater; but the audience was packed. I felt that I had a more realistic grasp of the music industry and its unvarnished history as a result of seeing this film. I left with a good feeling; and, I would recommend this movie to others. There is no outrageous behavior that would offend very sensitive or religious people.

The quality of this movie sometimes approaches a "home movie" given that they are using real historical footage and personal pictures from the past; but it never seems scattered. It's always entertaining. There is a message to be told; and a history to be seen. It has been edited well. It was enjoyable to hear real confessions of top people in the industry on film. Another film of this same type or category, a combination "home movie with pro editing," would be "MAGIC TRIP" with Ken Kesey. IN THIS PARTICULAR CATEGORY of "historical home movie documentary" I gave it a "10". This movie has the stars, the unique history, and a beating heart.

I got my monies worth.

I give this a 10. It's absolutely brilliant from start to end. I was just sad... it ended. Dave congratulations man. I'm deeply touched by this. He gathered some of my favourite musicians and some of my best memories. It's about Sound City, about the Neve, about Rock, about making music with your soul, it's about the true essence of music, us, the humans, and them, the instruments and our interaction with both. It doesn't, in any way, like most are saying, defend analog over digital. The message is clear, make music with new technology, but do not let new technology make music for you. As I said, I'm truly touched by this. After watching I felt like: "God, I wish I could rehearse tonight to kick the ***t out of my guitar with my band." It's an inspirational documentary for us musicians. To have the chance to see this guys, together in a room, writing songs... I mean, McCartney and Grohl, and Reznor and Homme, among many others. This... This is something special. Truly special. I wish I could shake these guys hands, but I can't, so here are my words for them: Thank you very much for this. It blew me away.

I've never been a huge fan of Nirvana or Foo Fighters (I do like a few things here and there but overall they're not my thing) but as a person I have a lot of respect for Dave Grohl. He seems like a great guy and it's really cool how he's dipping into film with his directorial debut Sound City, a documentary about the studio which is home to Nevermind, Rumours and all kinds of classics. I had no idea about these connections. I love a good Fleetwood Mac origin story, so although it was a few things I knew, it was still interesting. The first half works as a great chronological account of anecdotes, focusing on acts like Fleetwood Mac and Rick Springfield, and the highs and lows of the company. It really showed how Sound City was unique for its Neve soundboard and makes me want to seek them out. The documentary is shown in a very typically MTV way with its graphics and soundtrack but it makes it very entertaining (even if there's a very irritating use of flashing frames back and forth). However, the last half hour is devoted to the recording of the Sound City soundtrack that Grohl collaborates with artists formerly mentioned and as we only get snippets of each track, it feels like it's simply an endorsement to buy the soundtrack and it knocks the doc down a peg. Still a good start to 2013.

7/10

Sound City was a recording studio in Van Nuys, California which began to make its' mark with Fleetwood Mac in 1972. Stevie Nicks made an album with Lindsay Buckingham which tanked and by chance, they joined up with Mick Fleetwood and made their first hit record, which put the studio on the map. Dave Grohl of Nirvana and Foo Fighters fame, is the producer and director, and he keeps it very interesting, with interviews ranging from Rick Rubin and Tom Petty to Trent Reznor and Rick Springfield, among many others. The music is excellent, including off the cuff sessions with Reznor and a rollicking jam with Paul McCartney playing guitar and belting out a new tune which reminded me of Helter Skelter from the Beatles White album. If you love rock and roll, you will especially appreciate Sound City.