IMDb RATING
7.8/10
7.8K
YOUR RATING
A look-alike commoner is secretly hired to take the place of a poisoned king to save his country from falling into chaos.A look-alike commoner is secretly hired to take the place of a poisoned king to save his country from falling into chaos.A look-alike commoner is secretly hired to take the place of a poisoned king to save his country from falling into chaos.
- Director
- Writers
- Stars
- Awards
- 25 wins & 16 nominations total
Jeon Bae-soo
- Hyeong-pan - Minister of Justice
- (as Bae-Su Jeon)
Lee Bong-ryun
- Royal Kitchen Court Lady 1
- (as Bong-ryeon Lee)
Moon Chang-gil
- Prime Minister
- (as Chang-Kil Moon)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This movie is the reason why I love cinema so much. A beautiful film that conveys so much emotion from you, I cried so much during this movie. Every actor did an amazing job but the main character showed some serious acting chops with his performance. When the scenes switch between the impostor and the real king, you don't for a single second think "Oh it's the same guy". It's two completely different and separate people despite being played by the same actor, now that takes some serious acting skills to pull off. The cinematography, sets, costumes, script, and everything was perfect. I hoped that the ending would have turned out different but being that it's a historical movie, it can't be helped. I don't usually like historical movies aside from WW2 movies, but this one is now my absolute favorite. Before watching, I knew literally nothing about Korean history but this movie has definitely made me a fan. Would recommend to anyone who likes inspiring, beautiful, funny, and emotional films.. so basically everyone. An easy 10/10.
Last year's South Korean box office champion (a No. 3 all-time grossing picture in the history of Korean cinema), this period drama stars Byung-hun Lee for a meaty dual role, the king and his doppelgänger scoundrel, intricately chronicles a spell of 15 days' clandestine regency under the helm of the said doppelgänger.
A grandeur of a period drama pivots heavily on its art design, set decoration, makeup and costumes whether or not can conjure a believable world of that time, as a result MASQUERADE is impeccable in all these aspects. Despite basically it is an interior chamber piece, a few outdoor shots meticulously dispense us legitimate solemnity and natural quaintness.
The outline of the story is quite straightforward, and all the ramifications are predictable, the transformation from a good-to-nothing to a righteous and gallant role model is the unflagging keynote, director Chang-min Choo interposes effectual gags in-between the brooding atmosphere, first time we saw a king breaks wind on screen and his eye-opening defecation formalities, which is gross at first glance, but the comical reaction is pure golden! (Hollywood should learn how to turn repellent vulgarity into some genuine laughter from it).
Finally Lee scoops up his representative work on big screen which could testify his talent beyond the awful exploitation of his taciturn Asian fighter figure in Hollywood action potboilers. Acting with his mother tongue, the constant changeover of manners and tones is a demanding task, he successfully nail both the imperial majesty and the antic street-smartness. What is more touching is among the set pieces where the expendable side characters face their doom, Lee's reactive performances are wonderfully empathetic, effectively efface the cliché and sappy default of a thin plot. Seung-yong Ryoo (the helping hand), Hyo-ju Han (the queen) and Gwang Jang (the eunuch) all offer a bit subtler presence pertains to their different functions.
There is an elephant in the room since everyone knows the impostor cannot be spared at any rate, so the film cunningly contrives a twist to lift the culmination which we cannot say is a mind-blowing one, at least it is a tenable one. Overall, the film is slightly over-stretching its sentimentality but nevertheless stands for a universal crowd-pleaser and a top-notcher of South Korean film industry.
A grandeur of a period drama pivots heavily on its art design, set decoration, makeup and costumes whether or not can conjure a believable world of that time, as a result MASQUERADE is impeccable in all these aspects. Despite basically it is an interior chamber piece, a few outdoor shots meticulously dispense us legitimate solemnity and natural quaintness.
The outline of the story is quite straightforward, and all the ramifications are predictable, the transformation from a good-to-nothing to a righteous and gallant role model is the unflagging keynote, director Chang-min Choo interposes effectual gags in-between the brooding atmosphere, first time we saw a king breaks wind on screen and his eye-opening defecation formalities, which is gross at first glance, but the comical reaction is pure golden! (Hollywood should learn how to turn repellent vulgarity into some genuine laughter from it).
Finally Lee scoops up his representative work on big screen which could testify his talent beyond the awful exploitation of his taciturn Asian fighter figure in Hollywood action potboilers. Acting with his mother tongue, the constant changeover of manners and tones is a demanding task, he successfully nail both the imperial majesty and the antic street-smartness. What is more touching is among the set pieces where the expendable side characters face their doom, Lee's reactive performances are wonderfully empathetic, effectively efface the cliché and sappy default of a thin plot. Seung-yong Ryoo (the helping hand), Hyo-ju Han (the queen) and Gwang Jang (the eunuch) all offer a bit subtler presence pertains to their different functions.
There is an elephant in the room since everyone knows the impostor cannot be spared at any rate, so the film cunningly contrives a twist to lift the culmination which we cannot say is a mind-blowing one, at least it is a tenable one. Overall, the film is slightly over-stretching its sentimentality but nevertheless stands for a universal crowd-pleaser and a top-notcher of South Korean film industry.
I am not a fan of costume drama/movie and have limited knowledge of the truth historical events which the story is based upon. I even have doubt of watching this movie at the first place. But the slogan drew me in, 'The Kingdom in the hands of a layman for 15 days".
The front part for about 30 minutes is kind of pale. But I am happy that I got through that. Because what follows is the one of the most intriguing and interesting plot I had watch for a long time.
It is simple plot. A king is afraid of an assassination plan (later got drugged) and proceed to hide himself and put a fake on the throne for 15 days. The story follow Ha-seon, a layman impersonate as the fake king puppet during his 15 days reign of Joseon Kingdom and the relationship with his servants and the queen.
Lee Byung Hun is terrific as King Gwanghae and Ha-seon. The transition through and forth is clearly display. The affection towards his maid, Sawal, the Queen and the royal chief secretary is so well acted.
This movie give people something to think about. A king and a layman is not much different. A king is made to rule the country but he is not necessary the best man for the job. In the other way round, a layman with little literature education who had experience the poverty and difficulties as a citizen should not have the ability to rule a kingdom. BUT, HE DOES WITH HIS OWN WAYS AND MADE CHANGES THAT TURN THE KINGDOM INTO A BETTER PLACE.
The front part for about 30 minutes is kind of pale. But I am happy that I got through that. Because what follows is the one of the most intriguing and interesting plot I had watch for a long time.
It is simple plot. A king is afraid of an assassination plan (later got drugged) and proceed to hide himself and put a fake on the throne for 15 days. The story follow Ha-seon, a layman impersonate as the fake king puppet during his 15 days reign of Joseon Kingdom and the relationship with his servants and the queen.
Lee Byung Hun is terrific as King Gwanghae and Ha-seon. The transition through and forth is clearly display. The affection towards his maid, Sawal, the Queen and the royal chief secretary is so well acted.
This movie give people something to think about. A king and a layman is not much different. A king is made to rule the country but he is not necessary the best man for the job. In the other way round, a layman with little literature education who had experience the poverty and difficulties as a citizen should not have the ability to rule a kingdom. BUT, HE DOES WITH HIS OWN WAYS AND MADE CHANGES THAT TURN THE KINGDOM INTO A BETTER PLACE.
This was an absolutely stunning film. It is amazing to me that a director with relatively minimal experience can produce a masterpiece like this film. The story, the dialogue, acting, the costumes, the set decorations, the locations. Everything was absolutely pitch perfect. If only Hollywood could make films this good. I understand why it won so many awards. An absolutely stunning achievement.
'Masquerade' is kind of movie that is hardly to find weakness from it. It is so beautiful and entertaining from the beginning through the end. The first half of the movie is about how Ha-seon adapts in palace environment which is interesting to see and sometimes really funny, and the last 45 minutes of the movie is just so tense. This is an example movie that is handled by professional cast and crew members. Chang-min as director built a dazzling and powerful movie, the cinematography is beautiful captured and solid frame by frame, the make-up and costume design are also did their responsibility well. Cast member also had done an incredible part especially Byung-hun as King Gwang-hae and Ha-seon. His name has already known internationally as a tough fighter in 'G.I. Joe series' and will be in 'Red 2' too but you wouldn't find him acts like in this kind of movie, it's totally worth to see. Byung-hun acts really convincingly as two different character here, a serious charismatic king and a naughty lazy comedian. Without the right guy who plays exceptionally in the main role, this movie wouldn't be that great. Overall, 'Masquerade' is a serious making movie with great storyline and strong performances although the ending is not so extraordinary. No wonder 'Masquerade' is appreciated and so successful in South Korea which it well deserved.
Did you know
- TriviaThe idea for Masquerade developed from the true story of missing records totalling 15 days from the Annals of the Joseon Dynasty. Knowing that the king was kind, but paranoid, the staff constructed this idea as something that could have happened during that undocumented time.
- ConnectionsRemade as Un trésor appelé Amour (2015)
- How long is Masquerade?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Masquerade
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $922,921
- Gross worldwide
- $94,268,432
- Runtime
- 2h 11m(131 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content