Conjuring: L'heure du jugement

The conjuring and the conjuring 2 remain some of the best horror films within the last 15 years for my taste. Some would even say the conjuring is one of the top horror films of all time. WAN found his niche within his created conjuring universe with the likes of these films, insidious, and all of the other spin offs. With this has come quite a few more filler movies from other directors that are much less experienced aside from (Whannell) at the helm. Michael Chaves is not a bad director by any means, but this simply does not hold a candle to the first two films or even the last one which was actually decently solid. This one just feels like the most uninteresting of the four and while it has a few decent demonic scares and visuals, it simply does not serve that much of a purpose other than a supposed ending. I actually do not think this will be truly the last of the conjuring films either, though I think it should've ended after the last one. I can think of at least three other films within the universe that aren't even great by any means, but are still more interesting than this. Annabelle Creation, The Nun, and even insidious 4 are all more effective . That's not to say this doesn't have a few redeeming qualities if you're a fan, but if it really was the end, Wan should've ended the Warren's story ...

I went into this flick hoping for a grand send-off. What I got was a limp, recycled mess that felt more like a bad spin-off than the franchise's finale. The setup had promise, but the movie just dragged until the halfway point. By then, I'd already checked my watch 2 times.

The screenplay? Paper thin. Characters exist just to be spooked, and the scares are predictable jump-outs you can see a mile away. There's no tension, no atmosphere, just loud bangs and cheap tricks. At this point, you can practically set a stopwatch to when the next door will slam.

And then there's Michael Chaves. Let's be real-this isn't his first stumble. La Llorona was weak. The Devil Made Me Do It barely felt like a horror movie. The Nun II was a snooze. And now here we are again, same bag of empty tricks. He confuses loud noises for scares and speed bumps for suspense. If James Wan built this house of horror with care, Chaves has turned it into a carnival ride running out of batteries.

Who in their right mind thought that hey let's give the guy who delivered 3 trashes in a row another story to butcher? Perfect for a franchise closer.

Sure, Patrick Wilson and Vera Farmiga do their best, as always. Their chemistry still works, but they can't carry a whole movie on their backs. A "heartfelt farewell" means nothing when the movie itself can't even scare a nervous teenager in a dark theater.

First off, the based on a true story tagline is like that one friend who tells you that he met a extremely good looking girl and that she was extremely down for him the whole night, but in reality, these two just had a coffee and talked about the economy or smth the whole night, maybe she slightly striped her feet upon his knee or something but... that's it.

These film are overly-exaggerated pieces of HALFWAY real events, and I don't mean that by scenario or concept, I also mean that by performance and cinematography. When you look at a film like The Exorcist from 1973, it roughly cuts fast, it is very slow paced for today's standards, the camera holds itself long, not many effects or anything, the whole horror is made by build-up and performances... it's the simple things. Lightning and Sound-Design are top tier and makes you feel unease. Here, we have so much of it, and it still feels flat. Why? Because they don't know how to CREATE and USE tension. It is a tool to boost emotional development of the characters. It is also a tool to increase our feeling of unease for example. And to anyone who says, The Exorcist was the first film and is hella old, they can't just redo that all the time, you don't get the point.

Veronica, a Spanish horror film, made in I believe 2013, falls into this category of great reality-inspired horror. It is terrifying because it doesn't hold or loses its tension, it does neither of that. It just FLYS by, and what we care for, is her psychological well-being and the survival of his brother. We gotta care, and know that THESE characters aren't safe, these films don't play anymore with psychological fears of the human mind that are deeply rooted in our nature. Recently I watched and film from France, Spoorlos, or The Vanishing. Without context, there's a scene where a character lies in an tomb alive. That was scary and made me feel uneasy, it made me sick for minutes. Same with claustrophobic environments, they just want to scare us with LOUDNESS and unexpected things. And that is the main problem.

There are a few scenes where that feeling gets transported, for example when someone looks around and see's a demon in silent darkness, or when someone suddenly starts to throw up glass and blood, these scenes are great, especially the second one catched me, but that is made by the performances of her and everyone standing beside her.

Conjuring's Final isn't bad by any means, but It is so exaggerated in its simplicity of that makes sense. It's not bigger, it's not more intense, it's just overly-more exaggerated in the way it pays-off its scenario. The actual characters, especially the Main Cast, they deliver well and the chemistry of Lorraine and Ed is again what makes this film halfway good. I just think they're chemistry and love is perfect and felt through every scene of these films, especially in this one.

I enjoy it for what It is, but looking back, the first Conjuring was something that still gave you shivers weeks after watching only by thinking about it...

Let's get one thing straight: technically this movie works. If you want a night of pure scares, if you want to be shaken, frozen in your seat, and jump at every shadow on the way home.. this movie delivers. In 4DX, people were literally walking out disheveled, laughing nervously about how they "almost died." The atmosphere is there. The sound design is oppressive. The possession sequences are cold and terrifying. For raw horror execution, this is still the best franchise of the decade.

And that's exactly why the disappointment stings so much. Because when you peel back the scares, the story is garbage.

Last Rites was marketed as the Smurl case, which in real paranormal lore is one of the nastiest, longest, most infamous hauntings ever tied to the Warrens. This could have been the darkest Conjuring yet. Instead, the Smurls are basically window dressing. Their nightmare is pushed into the background so the script can revolve around... a haunted mirror. Yes, a mirror. The entire plot boils down to Ed, Lorraine, and Judy Warren holding hands in front of some cursed glass.

The result? We don't get The Smurl Haunting. We get Warren Family Values.

Fans wanted horror first, casefile first. What we got was a forced farewell story, sentimental, glossy, more about "love conquers all" than the true nightmare they promised. And that's frustrating, because the film had the perfect chance to go bold. Imagine a version where the Warrens are finally out of their depth, forced to admit they can't control what's happening. Imagine a film that actually leans into their controversial legacy instead of polishing it. That would have been a legendary ending. Instead, we get a Hallmark conclusion with some jumpscares.

Ed and Lorraine are treated once again as untouchable heroes, which is laughable when you know the real history behind them. The studio has turned two very questionable figures into horror superheroes, and by film four it feels like we're just watching brand management instead of a story.

So here's the bottom line: yes, it's scary. Yes, it's better than 90% of horror in 2025. But if you came for the plot, if you were hoping the infamous Smurl case would finally be given the full terrifying treatment, you'll leave frustrated. The Conjuring started as top-tier horror storytelling. Last Rites ends it as just another franchise movie, big on chills, empty on substance.

We wanted fear rooted in a real case. We got a haunted mirror and a love story.

The movie has a slow build-up but lacks interest in developing the story of the demon, or it had a rushed ending with a lot of questions not being answered. As the movie has a few sequels, we expect more as an audience. For me, The Conjuring 2 is still the best, with a perfect build-up and living up to the characters. It was a shame to see such a good story turn into another "fast food" movie.