Elle s'en va

in a bitter manner. with an admirable script. story of a lady who desires to escape from her every day life. and the result. Catherine Deneuve does a fascinating role not only as remember of a long career but using new tools for create a character who has a profound force, convincing grace, delicate power.her great virtue - the links with the entire cast. and the fine exploration of each nuance. a film about family and choices. about happiness. and about fights. about beauty and honesty to yourself. nothing new. nothing complicated. only a beautiful film who propose few useful questions.and it is enough for discover the freshness of the new French cinema.

Three of the four films made in the last 11 years by Emmanuelle Bercot have Catherine Deneuve as the star. Bercot is one of those film directors who, being also an actress, knows very well how to highlight the actors who play in her films. I think that they appreciate and enjoy the freedom of expression and the collaboration with a filmmaker who understands their experiences and feelings well. 'Elle s'en va', the first film that brought the two together in 2013 (the title in the English distribution is 'On My Way') is a good proof of the advantages of such collaborations. Catherine Deneuve creates one of her good and consistent roles, and for Bercot this is one of the most successful films of her entire career as a director.

The opening scenes describe one of the most catastrophic days in the life of Bettie, the main heroine of the film. She is in her 60s and lives a secluded life, running together with her mother a family restaurant that is in danger of bankruptcy. The most important memory of her life is participating in a Miss France beauty contest that had taken place some 40 years ago. The sweetheart of her youth is dead, so is the husband she may or may not have loved, and she is just now finding out that her lover has left her for a much younger woman. Nervous, she starts smoking again and gets into the car, driving where the roads take her. Her journey gets on a purpose when her daughter calls asking her to take her 11-year-old grandson to his other grandfather, whom she has never met. Traveling by car from one end of France to the other helps her get to know a world from which she had been cut off, her grandson and ultimately herself.

In 'Elle s'en va' we see two films. One of them is a 'road movie' set in 'Deep France' seen from the perspective of a woman who chose (or fate chose for her) to spend four decades in an isolated corner of the country. The other is a family drama spanning four generations. I really liked the 'road movie' part. Wanting to distance herself from the American or German models of the genre, Emmanuelle Bercot presents a diverse and positive human perspective and landscape. With one exception, Bettie meets good people, even if some are strange, people who jump in to help her rather than rob her, and at no point does she feel threatened as a single woman traveling alone. It is perhaps also a reflection of the other drama he is experiencing, the personal one. Viewers will never find out if her isolation was voluntary, if her relationships failed more because of her own fault or not. Some interesting themes are rather sketched out than developed, such as the repeated failure of women in every generation of the family to live independently, away from or without the men they loved. The scenes of the reunion after many decades of the participants in beauty contests of the last century would deserve a separate film. The ending is far too conventional to be believable. Catherine Deneuve is, of course, amazing. Not only does she seamlessly play the part of a woman ten years her junior, but she does so with sensitivity and depth, filling the screen with beauty and personality, just as she did 50 years before and will do 10 years from later. The role is written for her, the camera follows her from far and near, and the actress enters the role and imposes her persona and personality on her. Here, however, is the problem and perhaps the weakness of the film: Deneuve is so dominant that everything that happens around her character is overshadowed. It is as if we are in the central square of a city in the middle of which a superb statue or fountain absorbs the eyes of the visitors and does not allow them to see the beauty of the surrounding houses.

Quintessentially French in almost every way, from the extended stare shots to an abundance of cigarette smoke and, of course, numerous mental breakdowns from a character vainly trying to find her place in the universe, Emmanuelle Bercot's (Backstage) road trip dramedy On My Way has all the stylings of a heartfelt foreign gem, but never fleshes out the very promising relationships forged by its cast, opting instead for mediocrity through melodrama.

The inarguable highlight is the performance of Catherine Deneuve, one-time sex kitten turned French film royalty, who – still stunning in her late sixties – keeps the film rolling with her dedicated, complex portrayal of Bettie, an aimless restaurant owner who tries to stitch up her frayed relationship with daughter Muriel (singer-songwriter Camille) by taking her grandson, the flamboyant Charly (Nemo Schiffman) on a cross-country road trip.

Like most car-buddy films, the reward lies in the journey, not the destination. On My Way runs into both peaks and troughs in this area, with some moments deftly illustrating the different worlds Bettie and her grandson come from (especially touching is the pair sharing terrible Chinese food in a two-star motel while discussing love and loss), while others leave you demanding Charly cop a smack around the head from his decidedly pushover grandma.

When Bettie finally delivers Charly to the mansion of his estranged grandfather – now the mayor of a remote country village – the film's loose ends struggle to catch up to an ambitious ending that unfortunately closes on a whimper, not a bang. On My Way is a pleasant ride, sure, just not a memorable one.

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about family. about the discover of the nuances of past. about ages and links and duty ad a road to yourself. about forms of joy, nostalgia, understanding of reality and humor. special humor. Catherine Deneuve is herself. master of exploration of the levels of role, giving more than a splendid job but a delicate homage to the force and fragility of an age, proposing a trip in the essence of appearances and the way to reconquest the lost time. a film who impress. for the science of director to present, in convincing manner, a story of every day, exploring each significance. for the young actor performance. for the moments of trip. for emotion. and, sure, for the transformation of Bettie. beautiful. and useful.

"On My Way" (2013 release from France; 113 min.; original title "Elle S'en Va") brings the story of Bettie (played by Catherine Deneuve), a sixty-something widow who runs a small restaurant somewhere in Bretagne. Things are not well with Bettie: the restaurant is barely surviving, and her love life is in tatters. One afternoon, Bettie leaves the restaurant, on the pretense of getting some cigarettes, but instead Bettie hits the road. In a separate but parallel story line, Bettie's daughter Muriel, a single mom, has a job offer in faraway Brussels, and can Bettie pick up Charly, Muriel's 11 yr. old son, and take him to Charly's grandfather (on Charly's dad's side). Bettie reluctantly agrees. To tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: first, this movie is written and directed by French actress/director Emmanuelle Bercot, specifically with Catherine Deneuve in mind for the role of Bettie. Second, I have seen many movies of Catherine Deneuve, and this is yet again a top notch acting performance. Hard to believe that she is 69 years when this was filmed! It comes as no surprise that this role netted her yet another, the umpteenth, nomination for Cezar Best Actress (the Oscar equivalent in France). But kudos as well to newcomer Nemo Schiffman who is outstanding as the 11 yr. old boy. Third, a good chunk of the movie plays out like a true road movie, French style of course. The movie takes us on the back roads of various regions in France, including of course Bretagne, but also the Loire region, and Haute-Savoie. Last but certainly not least, while there is a good amount of "family drama", the movie is also an ode to life in rural France that is becoming more and more out of reach or simply disappearing. Check out the long scene where the entire family is having dinner outside. So French! Bottom line: this movie is an unexpected pleasure which I enjoyed from start to finish. This movie showed up this weekend without any pre-release hype or advertising at my local art-house theater here in Cincinnati, and I figure this won't play long so I went to see it right away. The matinée screening where I saw this at today was better attended than I had expected. If you are in the mood for a top quality foreign movie that is miles away from your standard Hollywood fare, and where you get to watch one of the top actresses of this generation, by all means, don't miss this, be it in the theater or on DVD/Bly-ray. "Elle S'en Va" is HIGHLY RECOMMENDED!