Elle s'en va

Deneuve is magnificent. Story could have been tighter but it's a leisurely picaresque tale through the French countryside. It's great to see good roles for grandparents! Someone needed to strangle that daughter though!

My score of 4 might be a bit high for this one, as there really wasn't a lot to love about this one. Catherine Deneuve's acting was nice....but apart from that I can't see much reason to see this film.

The film begins with Bettie (Deneuve) working hard in her restaurant as well as dealing with a mother she really doesn't like. When she goes for a short drive, however, she just keeps driving...abandoning her business without notifying anyone. Soon, however, her freedom is interrupted when Bettie's very angry daughter calls and demands that Bettie drop everything to pick up her grandson...a boy with whom she's had very little contact. The two then go on a roadtrip together and you are supposed to think they've bonded...but I just thought the kid was in insufferable brat.

The biggest problem about this film is that no one seems to like each other very much and the context for all this is missing...as if you've walked in a room with a family you don't know and you aren't introduced. And, to make it worse, you just find that you don't care about any of them. A misfire...with some decent acting.

Meandering but always on target account of Granny and one time Miss Brittany Catherine, exasperated by the problems of her small town life to the point of getting into the car and driving across France, only to get caught up in the dramas of her daughter, needing her to supervise the grandson who she has to shuffle to his already ticked off paternal grandfather - and we end up with yet another out of doors meal.

Though it avoids the touristy locations this one is a remarkable non judgmental cross section of 21st Century France, peopled by vivid characters just short of real. Deneuve continues to find vehicles which show off her stellar presence.

If there was a blueprint for one, this would tick a lot of boxes (no pun intended). It also includes a young boy, which is always a bit of a risk no matter the genre. But the kid holds his own, which is not an easy task "against" one of the best female french actresses. It's still more about her and her (characters) intention/goal to find herself. That road to self fulfillment is a weird one and will not be to everyones taste, as this drama evolves slowly.

But if you are into those things, then you will have a good time (as much as is possible and even through the tough moments of course). You might not always feel empathy or can relate to everything our main character is doing, but her moves do make sense in some weird way. But can you stomach a movie like this?

about family. about the discover of the nuances of past. about ages and links and duty ad a road to yourself. about forms of joy, nostalgia, understanding of reality and humor. special humor. Catherine Deneuve is herself. master of exploration of the levels of role, giving more than a splendid job but a delicate homage to the force and fragility of an age, proposing a trip in the essence of appearances and the way to reconquest the lost time. a film who impress. for the science of director to present, in convincing manner, a story of every day, exploring each significance. for the young actor performance. for the moments of trip. for emotion. and, sure, for the transformation of Bettie. beautiful. and useful.