The Radleys

A bit harsh the ratings this lighthearted vampire flick gets on here. Well that's only my opinion, and my wife's I guess as she enjoyed it as well. Okay it's not a movie that will blow you away, but which one really does in this genre? It's certainly good enough to watch once, and although some actors could have done better overall it wasn't all that bad. I've seen Damian Lewis and Kelly MacDonald doing better in other movies but they were still enjoyable to watch. I'm glad I watched it. Would I watch it again in the future? Probably not, unless I forget everything about it and then I wouldn't mind rewatching it.

The Good: Interesting themes as metaphors for Vampirism (sexuality, addiction, ancestry, teen angst), decent performances from Kelly McDonald and Damian Lewis, original British town-setting of Whitby, gorgeous cinematography.

The Bad: Falsely adveritised as a comedy-horror/thriller. "The Radleys" is none of those things, not scary or dark enough to be a horror, not funny enough to be a comedy, or thrilling enough to be a thriller. If you want a comedy-horror/thriller, check out any of the greats from the 80's ("Fright NIght", "An American Werewolf in London", "The Lost Boys" etc.) No suspense or stakes (pun intended). No particularly engaging characters, they're all just a bit meh (even Uncle Will). Shaun Parkes is criminally underused as a practical mute throughout the whole film, despite maybe 5 lines of dialogue. Very poorly paced.

The Verdict: At best, "The Radleys" can only be described as a familial-drama with specks of horror (it doesn't romanticise the horror enough or show you the seductive sleazy appeal of the other side to be classified as suburban-gothic like, say, "American Beauty"). Despite the interesting above-mentioned themes and parallels raised in a grounded setting, none are properly developed nor explored ("Bones & All" does it waaaaaaaaaay better) and for all the talk of bloodlust being the most pleasurable thing in the world, you never see anyone having any fun with it. The best part is probably the third and final act (last 15 minutes), but it's a snooze-fest to get there and makes you wish it was something more... satisfying than a TV movie. Even more so as a brit-flick that dares not belong to the gamut of historical epics, rom-coms, or biopics.

An attempt at bringing something new to the vampire canon but literally bites off more than it can chew with a story that progresses to an absolute snore fest of disinterest and unwelcome turns. Literally no element of the story pays off and the telegraphing of the eventual and obvious ending provides little more than a very basic resolution to a story that will age like old milk. It's well made and the cast are admirable in an obvious attempt to be part of some sort of subversive take on the vampire genre, unfortunately it will be forgotten and make barely a blip with any dark horror fan. If the writers had spent more time trying to properly build the intrigue with the ex policeman and his attempt to discover the truth about his wife or explored how they covered their tracks or their mind control powers rather than shelving literally every element in effort to push what is a really weak narrative with all the obvious modern tropes and gay/bi characters. It's a streaming title for those with a non critical take on film and enjoy Damien Lewis, saying that I do feel that Kelly Macdonald needs to avoid these type of roles because she seems almost typecast in them. As a movie, it's in the horror genre but is not scary or gory, it's also in the comedy genre without being funny, it isn't edgy, far from intriguing and not overly entertaining, just a movie that showed some potential but proved to be nothing more than 'just a good trailer' because at its core it treads an obvious path that others have been down thousands of times before. I marked it down because it seems to aim for such mediocrity, it almost feels like it had more to offer and got lost in the edit.

Matt Haig was recommended to me this year and I've read little else since. His non fiction books such as reasons to live are a must and really resonate, The Midnight library was brilliant too (fiction). Being a lifelong horror (and especially vampire genre) fan to boot m, I therefore refused to follow our house rule of not watching anything less than a 6/10 IMDb rated film, I subsequently had to go solo and ultimately paid the price for deviating. This is a poor adaption of the what is one of Matt's less engaging books and with too much background missing and story changes to appease some misguided social duty it really misses the mark. I gave it a 5 as I could appreciate what it should have been having read the book, however if you went straight in to the film I think it would be less. I really hope future film adaptions of his books are more worthy as he is a fantastic story teller and human being!

This one will probably leave the shock and horror addicted as cold as the corpses of the victims.

This is a new take on the vampire theme exposing the internal challenges on the other side of the fence.. It starts with a seemingly ordinary family with a dark secret: they are vampires. They choose not to drink blood Kelly Macdonald and Damian Lewis manage to pull off the difficult task of showing the nuances behind giving into cravings and fighting those cravings in search for something better and the dangers of not dealing from truth. I very much doubt this movie would have been successful without stars of this caliber.

The rest caste have supported and exposed the sensitivities and choices that lead down the path of darkness or the bumpier road to something more meaningful and each was given their time to shine.

A bit of a Hollywood ending wraps it all up.

I liked it.