First Thing We Do, Let's Kill All the Lawyers
- Episode aired Jul 14, 2013
- TV-MA
- 53m
IMDb RATING
8.0/10
1.8K
YOUR RATING
A lawyer interviews Will McAvoy about an institutional failure at ACN related to a news story that has been proved inaccurate.A lawyer interviews Will McAvoy about an institutional failure at ACN related to a news story that has been proved inaccurate.A lawyer interviews Will McAvoy about an institutional failure at ACN related to a news story that has been proved inaccurate.
Benjamin Koldyke
- Cyrus West
- (as Ben Koldyke)
Featured reviews
This is an important Sorkin episode, tackling a crucial part of reporting the news -accuracy. Watching it a dozen years after the broadcast adds a quaint aspect - how the issue of rampant misinformation and disinformation (see: Fox News) makes this issue seem less relevant.
Daniels and his producer Emily Mortimer are in real hot water: high-powered lawyer Marcia Gay Harden and her team have been called in to deal with the damage of a false report having been aired on their show. Sort of like the fabricated story about George W. Bush's military record that cost Dan Rather his job.
The ins and outs of politics and protests plus office politics and personal relationships make for solid subplots, especially when Zev Patel gets excited over the nascent Occupy Wall Street movement, and nobody but him takes it seriously.
Sorkin's pointed dialogue and wonderful sarcasm holds up well, but the sands have shifted so much since 2013 that most of the issues he raises here seem almost trivial. It's not that Sorkin's P-O-V is incorrect or slanted (I am coming from the same place and appreciate how forceful he is) but events have overwhelmed us - could his fictional Newsroom survive today at all?
Daniels and his producer Emily Mortimer are in real hot water: high-powered lawyer Marcia Gay Harden and her team have been called in to deal with the damage of a false report having been aired on their show. Sort of like the fabricated story about George W. Bush's military record that cost Dan Rather his job.
The ins and outs of politics and protests plus office politics and personal relationships make for solid subplots, especially when Zev Patel gets excited over the nascent Occupy Wall Street movement, and nobody but him takes it seriously.
Sorkin's pointed dialogue and wonderful sarcasm holds up well, but the sands have shifted so much since 2013 that most of the issues he raises here seem almost trivial. It's not that Sorkin's P-O-V is incorrect or slanted (I am coming from the same place and appreciate how forceful he is) but events have overwhelmed us - could his fictional Newsroom survive today at all?
This was a fast-paced start to the second season. As always it was an intellectual roller- coaster - the kind that goes from 0 to 60 mph in the first few seconds. (We cannot watch this show when we are tired....) The dialogue was rapid-fire and challenging - as before. The flash-back approach to the story-telling was new (to this show) and was very well done. This technique, when it is done well, adds tension to the plot and knowing (some of) the outcome does not spoil the telling. New characters are deftly introduced and immediately likable/hate-able. Existing characters continue to be developed and we continue to fall a little more in love with them.
This was a very clever and entertaining entrée to the season, and Aaron Sorkin continues to write generously and with respect for the audience. Honestly, I am surprised by other Luke-warm reviews We love this show, and we are excited to see how this season unfolds.
This was a very clever and entertaining entrée to the season, and Aaron Sorkin continues to write generously and with respect for the audience. Honestly, I am surprised by other Luke-warm reviews We love this show, and we are excited to see how this season unfolds.
My first disappointment and bewilderment, was the new arrangement of the theme song played during the opening credits. What possessed Sorkin to tweak perfectly good theme music we've all gotten used to and I personally enjoyed, to a an arrangement trying to keep the basic melody, but messed with to the point of almost ruining it.....who knows. It is probably one of the weirdest waste of a series' budget in Network history.
That aside, the show was still as creative as prior episodes, but deciding to use a fictional story to justify the crew being spanked by the network's lawyers, was a slight letdown for me. It really depends on what driving force draws you to watch this show.
My infatuation with the series was the fact that real news stories were used, and the fictional part of the show was the fluff surrounding the character's love lives. In the season opener we are shocked to see "Maggie" (Allison Pill) with a trashed haircut and screaming red hair. The excuse was, that something terrible happened to her on a trip to Africa, and she cut it off and colored it in frustrated depression.
However, the way it plays out on screen, it sounded more like a bad plot excuse for Miss Pill's new haircut she botched in the off season.
Personally, I am tired of "Flashbacks" in movies and TV shows. The way it appears from the 1st episode, the entire new season may be a flashback to justify the first scene in the first episode.......we'll see.
One other negative plot idea in my opinion is that Jim (Senior Producer) is all of a sudden "so in love with Maggie", that he tells his boss "Mac" to either send him out of town on Romney's campaign bus, or fire him. I think that was a dumb plot excuse to have him disappear for two weeks so another Senior Producer that takes his place, could take the blame for whatever they're all being spanked for.
Other than those little tweaks, it's business as usual for the Newsroom Series, that still entertains despite its bewildering aspects.
That aside, the show was still as creative as prior episodes, but deciding to use a fictional story to justify the crew being spanked by the network's lawyers, was a slight letdown for me. It really depends on what driving force draws you to watch this show.
My infatuation with the series was the fact that real news stories were used, and the fictional part of the show was the fluff surrounding the character's love lives. In the season opener we are shocked to see "Maggie" (Allison Pill) with a trashed haircut and screaming red hair. The excuse was, that something terrible happened to her on a trip to Africa, and she cut it off and colored it in frustrated depression.
However, the way it plays out on screen, it sounded more like a bad plot excuse for Miss Pill's new haircut she botched in the off season.
Personally, I am tired of "Flashbacks" in movies and TV shows. The way it appears from the 1st episode, the entire new season may be a flashback to justify the first scene in the first episode.......we'll see.
One other negative plot idea in my opinion is that Jim (Senior Producer) is all of a sudden "so in love with Maggie", that he tells his boss "Mac" to either send him out of town on Romney's campaign bus, or fire him. I think that was a dumb plot excuse to have him disappear for two weeks so another Senior Producer that takes his place, could take the blame for whatever they're all being spanked for.
Other than those little tweaks, it's business as usual for the Newsroom Series, that still entertains despite its bewildering aspects.
Did you know
- TriviaThe title of this episode is a quotation from 'William Shakespeare (I)' 's "Henry VI: Part II".
- Quotes
Rebecca Halliday: Fourteen months ago, you went on the air and called the Tea Party 'the American Taliban'.
Will McAvoy: I did.
Rebecca Halliday: And?
Will McAvoy: The Taliban resented it.
- SoundtracksFriday
(uncredited)
Written by Clarence Jey and Patrice Wilson
Sung by Jeff Daniels
Will McAvoy sings to himself during a commercial break
Details
- Runtime
- 53m
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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