Friendly but forgetful blue tang Dory begins a search for her long-lost parents and everyone learns a few things about the real meaning of family along the way.Friendly but forgetful blue tang Dory begins a search for her long-lost parents and everyone learns a few things about the real meaning of family along the way.Friendly but forgetful blue tang Dory begins a search for her long-lost parents and everyone learns a few things about the real meaning of family along the way.
- Nominated for 1 BAFTA Award
- 17 wins & 48 nominations total
Ellen DeGeneres
- Dory
- (voice)
Albert Brooks
- Marlin
- (voice)
Ed O'Neill
- Hank
- (voice)
Kaitlin Olson
- Destiny
- (voice)
Hayden Rolence
- Nemo
- (voice)
Ty Burrell
- Bailey
- (voice)
Diane Keaton
- Jenny
- (voice)
Eugene Levy
- Charlie
- (voice)
Sloane Murray
- Young Dory
- (voice)
Idris Elba
- Fluke
- (voice)
Dominic West
- Rudder
- (voice)
Bob Peterson
- Mr. Ray
- (voice)
- …
Kate McKinnon
- Wife Fish
- (voice)
Alexander Gould
- Passenger Carl
- (voice)
- …
Torbin Xan Bullock
- Gerald
- (voice)
- …
Andrew Stanton
- Crush
- (voice)
- …
Featured reviews
This is a really good sequel. Taking characters from the first one and putting new ones in there as well, it never gets boring or seems to repetitive. And you don't even have to be Dory, I mean forgetful, for this to work for you. Yes it does make sense to watch the first one (Finding Nemo) then, although I reckon you could watch it and enjoy it as a standalone too.
The characters and their traits are strong and there are a lot of side jokes built in to this too. Humans are being treated like extras and we wouldn't have the time to deal with them anyway. That is apart from one major voice - but it's being highlighted too as if one of the writers or Ellen herself might have a crush there. But you can't blame them for that. On the contrary you can congratulate everyone involved for a really good movie
The characters and their traits are strong and there are a lot of side jokes built in to this too. Humans are being treated like extras and we wouldn't have the time to deal with them anyway. That is apart from one major voice - but it's being highlighted too as if one of the writers or Ellen herself might have a crush there. But you can't blame them for that. On the contrary you can congratulate everyone involved for a really good movie
Right from the start I could easily tell why Finding Dory isn't the most appreciated. It wasn't as brilliantly written as Finding Nemo was and in the opening, it immediately showed your throat with the main plot about Dory's parents and all.
I must admit it wasn't a bad film at all. It definitely had a ton of great things going on, it was still enjoyable and I liked some of the new characters introduced. Look if this was a standalone film or if Finding Nemo was around the same quality, my review would have been normal but I just have to compare it with the superior original
What happened with the insanely brilliant ways the first was written in? Don't get me wrong, Finding Dory still had some clever ways to get the plot going but it definitely didn't have the Pixar magic for me, I never laughed during this film. One thing to add that severely affected my experience was Dory's short-term memory loss. I know people with it suffer like she does but Dory just experiences it way too many times, in Finding Nemo it was alright because they had some comedy in them plus it was mainly focused on Marlin and Nemo. But as I said I didn't find it funny so each time she would experience her short-term memory loss, I would get frustrated because it genuinely gets on my nerves. If the writers didn't show it into your face that Dory has it, I would have been in a completely different mood
But as I said Finding Dory is still good film, it was entertaining, fun and overall a fun experience but it was lacking
Rating: 7.0/10.
I must admit it wasn't a bad film at all. It definitely had a ton of great things going on, it was still enjoyable and I liked some of the new characters introduced. Look if this was a standalone film or if Finding Nemo was around the same quality, my review would have been normal but I just have to compare it with the superior original
What happened with the insanely brilliant ways the first was written in? Don't get me wrong, Finding Dory still had some clever ways to get the plot going but it definitely didn't have the Pixar magic for me, I never laughed during this film. One thing to add that severely affected my experience was Dory's short-term memory loss. I know people with it suffer like she does but Dory just experiences it way too many times, in Finding Nemo it was alright because they had some comedy in them plus it was mainly focused on Marlin and Nemo. But as I said I didn't find it funny so each time she would experience her short-term memory loss, I would get frustrated because it genuinely gets on my nerves. If the writers didn't show it into your face that Dory has it, I would have been in a completely different mood
But as I said Finding Dory is still good film, it was entertaining, fun and overall a fun experience but it was lacking
Rating: 7.0/10.
'Finding Nemo' to me has always been one of Pixar's best, colourful, imaginative, hilarious and poignant with great characters (who cannot love Bruce the shark, plus Dory speaking whale is one of Pixar's funniest moments).
Pixar have been hit and miss since 'Up', with some great films like 'Toy Story 3' and 'Inside Out' (which are two of my favourites from the studio) and some disappointments like 'Cars 2' and 'The Good Dinosaur' (don't hate them as much as many others do though, also didn't think 'Brave' was that bad, though it was not the best animated film that year, and liked 'Monsters University'). While it is not as good as 'Finding Nemo', 'Finding Dory' is a worthy sequel and one of their better efforts since 'Up'.
The film does meander in places with occasional draggy pacing and a couple of rather too convenient plot devices, and Dory's memory loss shtick does get repetitive quickly that it does grate too early on. However, the animation is wonderful with an even richer colour palette perhaps than 'Finding Nemo' and matches that film in meticulous detail and visual imagination. The music score is rousing, whimsical and nuanced.
Where Pixar has always excelled at its best is the balance and execution of humour and pathos. Humour and pathos are balanced deftly in 'Finding Dory', with the humour hilarious and in abundance and the pathos bringing genuine tears and emotional power. The story is flawed and doesn't have the imagination or originality of 'Finding Nemo', but the energy, humour and emotion shine through more than brightly and one does relate to Dory in her quest, one that anybody can relate to if in her situation.
Good characters always help and actually are crucial in making a film work. 'Finding Dory' has them, not just Dory, who has lost none of her comic timing but moves the viewer as well, or Marlin and Nemo who bring sweetness and poignancy to the story, but also the scene stealing seals and gleefully entertaining Hank who provides many great moments. One does miss Bruce though. The voice acting is terrific, with Ellen DeGeneres, Albert Brooks and Ed O'Neill being particularly spot on.
To conclude, 'Finding Nemo' is a great film, this reviewer found 'Finding Dory' to be a worthy sequel. 8/10 Bethany Cox
Pixar have been hit and miss since 'Up', with some great films like 'Toy Story 3' and 'Inside Out' (which are two of my favourites from the studio) and some disappointments like 'Cars 2' and 'The Good Dinosaur' (don't hate them as much as many others do though, also didn't think 'Brave' was that bad, though it was not the best animated film that year, and liked 'Monsters University'). While it is not as good as 'Finding Nemo', 'Finding Dory' is a worthy sequel and one of their better efforts since 'Up'.
The film does meander in places with occasional draggy pacing and a couple of rather too convenient plot devices, and Dory's memory loss shtick does get repetitive quickly that it does grate too early on. However, the animation is wonderful with an even richer colour palette perhaps than 'Finding Nemo' and matches that film in meticulous detail and visual imagination. The music score is rousing, whimsical and nuanced.
Where Pixar has always excelled at its best is the balance and execution of humour and pathos. Humour and pathos are balanced deftly in 'Finding Dory', with the humour hilarious and in abundance and the pathos bringing genuine tears and emotional power. The story is flawed and doesn't have the imagination or originality of 'Finding Nemo', but the energy, humour and emotion shine through more than brightly and one does relate to Dory in her quest, one that anybody can relate to if in her situation.
Good characters always help and actually are crucial in making a film work. 'Finding Dory' has them, not just Dory, who has lost none of her comic timing but moves the viewer as well, or Marlin and Nemo who bring sweetness and poignancy to the story, but also the scene stealing seals and gleefully entertaining Hank who provides many great moments. One does miss Bruce though. The voice acting is terrific, with Ellen DeGeneres, Albert Brooks and Ed O'Neill being particularly spot on.
To conclude, 'Finding Nemo' is a great film, this reviewer found 'Finding Dory' to be a worthy sequel. 8/10 Bethany Cox
A regal blue tang embarks on a journey to find her parents.
'Finding Dory' is an enjoyable sequel with some memorable moments.
The plot is quite heartwarming as we follow Dory in search of her parents and it is this premise that carries a film with little else to say.
As nice as it is to see these characters again, I find it a stretch to stay interested for 97 minutes. There is more of an emphasis on action-oriented visuals than was the case in 'Finding Nemo' and it feels like some of the spectacle is there to pad the movie out. Also Marlin and Nemo seem mostly to be along for the ride this time.
That being said there are some standout moments, mostly involving Dory and her parents. There is one spectacular slow motion sequence that is very well done and makes good use of a popular song.
Visually, as with most Pixar movies it is very impressive. The character designs and underwater backdrops are as fabulous as the original.
'Finding Dory' is an enjoyable sequel with some memorable moments.
The plot is quite heartwarming as we follow Dory in search of her parents and it is this premise that carries a film with little else to say.
As nice as it is to see these characters again, I find it a stretch to stay interested for 97 minutes. There is more of an emphasis on action-oriented visuals than was the case in 'Finding Nemo' and it feels like some of the spectacle is there to pad the movie out. Also Marlin and Nemo seem mostly to be along for the ride this time.
That being said there are some standout moments, mostly involving Dory and her parents. There is one spectacular slow motion sequence that is very well done and makes good use of a popular song.
Visually, as with most Pixar movies it is very impressive. The character designs and underwater backdrops are as fabulous as the original.
Everyone's favourite forgetful fish, Dory (Ellen DeGeneres), is back on the big screen a whopping 13 years after joining Marlin (Albert Brooks) on a quest to find his missing clownfish son. This time, however, Dory takes centre stage. Shifting the focus from Nemo to Dory for this belated follow-up is a no-brainer; it allows Pixar to concoct a new ocean-spanning adventure without feeling too repetitive, whilst cleverly bringing the broader plot full-circle by having the child now looking for the parents. Even with the huge gap between movies, there are still obstacles to be circumvented in order to avoid sequelitis. Most of these are handled with the intelligence and elegance we have come to expect from Pixar, though some hurdles prove to be too big. The story goes to very different places from both a narrative and location perspective, but the messages behind the film – don't judge a book by its cover, spontaneity can be liberating, you can do anything if you try hard enough, etc – are all too familiar. With glorious cutting-edge animation, a string of creative sequences and a barrel-full of laughs, there won't be a single audience member, regardless of age, that'll be bored; yet there's also a lack of truly memorable moments that stop this from being a classic like its predecessor. It goes without saying that Dory is the star of the show, although the range of hilarious supporting characters is impressive. Ed O'Neill's cantankerous, camouflaging octopus Hank and Ty Burrell's self-doubting beluga whale Bailey shine brightest. It might not be in the top echelon of Pixar outings, but Finding Dory is a charming, amusing and thoughtful family flick worth visiting the cinema for.
Did you know
- TriviaHank has only seven tentacles because the animators realized they could not fit eight onto his body. His backstory was rewritten to account for the missing limb. For similar reasons, in the classic sci-fi film Le monstre vient de la mer (1955) special effects genius Ray Harryhausen was only able to create a stop-motion giant octopus with six tentacles.
- GoofsBailey the beluga whale and Destiny the whale shark are kept in an adjoining enclosure, separated by a rock wall with a metal grate that indicates they are sharing the same water. A beluga whale makes its home in Arctic and sub-Arctic waters, whereas the whale shark is indigenous to tropical and sub-tropical waters. Factually, they would not be kept adjacent to each other in shared waters.
- Crazy creditsIn a post-end credits scene, Fluke and Rudder repel another attempt by Gerald to join them on the rock, while the Tank Gang from Le Monde de Nemo (2003) floats by, still in their bags, which are filthy after crossing the ocean -- except for Jacques' bag of course. They begin to celebrate their arrival before being promptly scooped up by researchers from the Marine Life Institute and thrown into a cooler where they will be presumably rescued, rehabilitated and released. The ordeal distracts Fluke and Rudder long enough for Gerald to sneak onto the rock behind them.
- ConnectionsFeatured in The Saturday Show: Episode #1.3 (2015)
- SoundtracksWhat a Wonderful World
Written by Bob Thiele (as Robert Thiele) and George David Weiss
Performed by Louis Armstrong
Courtesy of The Verve Music Group
Under license from Universal Music Enterprises
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Buscando a Dory
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $200,000,000 (estimated)
- Gross US & Canada
- $486,295,561
- Opening weekend US & Canada
- $135,060,273
- Jun 19, 2016
- Gross worldwide
- $1,029,266,989
- Runtime
- 1h 37m(97 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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