Black Sea

Robinson (Jude Law) is laid off from his salvage company, but learns about a German sub deep in the Black Sea that is loaded with gold from WWII. Robinson gets the funding, an old Russian sub and a crew of 12 consisting of Russians and English to go after the gold.

All of the above sounds really good, but here's the thing: the crew members don't like or trust each other and tensions rise. Here is what I didn't understand: most were out of work and readily available to search for the gold. Yet, they acted like this was business as usual and would have liked it if some members were killed off and that would mean more money for them. Did someone say "greed." Robinson did say that all members would receive an equal share and this message was good and understood, by all, for about 20-seconds.

The Russians spoke Russian and Robinson needed translations. Why not let the Russians speak English as we sometimes hear in movies? I mean if the translations were deceptive, then I could understand their speaking Russian, but there were no deceptions. See?

One more thing: they hit something that breaks their drive shaft and they see the German sub and need to get that drive shaft to be able to move. Three go out with limited air supply in their tanks to retrieve the drive shaft and once inside the German sub, they discover the gold. Now here's the thing: a winch materializes out of nowhere to move the gold and the drive shaft. There is no talk of limited air supply and all work together to get the winch to move the gold and the drive shaft in the sea bed mud. Limited air supply indeed !

Then comes the big twist. I truly forgot there would be a twist. Hey, it happens. And it happened because I was so engaged in this tension-filled story, but there it was. Bummer.

The acting and tension all around were so good I felt as though I was on that sub, too, and yes, I was looking over my shoulder every 10-seconds like everyone else in these cramped quarters.

There are some holes in here, but this is still a good sub story. (7/10)

Violence: Yes. Sex: No. Nudity: No. Language: Yes.

All of the classic drama/suspense elements are there; intrigue, plotting, betrayal, redemption, class conflict, heroes, bad guys, the mandatory weasel...and a pretty darned cool submarine.

They really didn't break any new ground but there is certainly room for another, 'Holy crap...we're really deep underwater in a tin can' movie.

Unlike 'The Hunt for Red October', this movie was mostly dark with intermittent moments of hope but little humour...which is OK since as a pure drama, things moved along nicely. Good acting, dialogue and direction gave this film a finished and crafted look and feel.

Jude Law gave a truly gritty performance, which I really doubted he had in him. I expected some of the more typical smart mouthed, foppy behaviour we've come to expect from Jude, but he fit right in with the other rough and tumble members of the crew.

It's well worth seeing on the big screen but you better hurry...tonight I was completely alone in the theatre...which means a lot of people are missing out on some fine entertainment, and it probably won't be around much longer.

As submarine movies go, Black Sea is probably the best one this year. That it may be the only one certainly helps. Kevin McDonald (The Eagle, The Last King of Scotland) has delivered a Boy's Own adventure under the sea that is part thriller, part drama and could easily have been a Desmond Bagley novel forty years ago. And that's no bad thing.

When submarine pilot Captain Robinson (Jude Law) is made redundant, he seeks solace in the company of a pint and some former colleagues. One of them mentions a missing German U-boat that was lost in the Second World War, laden with gold bullion from Russia, Robinson sets a plan in motion to seize the gold and end their financial woes. With an investor in place, a rusted submarine and a motley crew comprised equally of Brits and Russians, Robinson heads into the depths of the Black Sea for a deep water heist, but a tin can filled with greedy, desperate, jealous men doesn't bode well…

There is nothing remarkable about Black Sea. It lacks the tension of Das Boot, doesn't rewrite history quite as horribly as U571 and doesn't quite hit the (dated) adventure of The Hunt for Red October, but it is an enjoyable romp of angst, betrayal and underhand tactics that fills an evening quite adequately.

Screenwriter Dennis Kelly (Utopia) either doesn't understand the law of physics or has decided to bend them anyway but the screenplay rattles along quite nicely, building the drama, adding the odd explosive scene and even managing one or two very funny quips. He establishes a crew of embittered men on opposing sides without making any of them too much of a caricature. There are a few missing beats and some clunks as logic and reason tumble down the gangway but, for the most part, Black Sea holds the attention and entertains. There is little to surprise but, as long as the viewer isn't too bothered by historical or scientific accuracy, there is nothing to really disappoint.

Jude Law makes for an enjoyable, grizzled hero though he isn't given enough to add depth to his character. The soft flashbacks and memories of his estranged wife and son are intended to add meat to his bones but there isn't enough in them to make us really care and they are more distracting than affecting. We understand and care more about Tobin's (Bobby Schofield) emotional predicament through a brief exchange between captain and junior than the entirety of flashbacks from Robinson.

Black Sea has the feel of a movie dumped on the world because it is too light to feature in the summer blockbusters, too small (of budget) to compete against Hollywood's big studio flicks and doesn't even pretend to have any merit when it comes to awards season. For a low budget British adventure thriller it serves perfectly well on a cold, damp, winter's evening for a certain type of cinemagoer who is already sick of the barrage of Christmas schmaltz and family fare at the multiplex.

If you want entertainment with a smidgen of mystery, a dollop of action and a hint of thrills, Black Sea does the job adequately.

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"I know a way to not be like this. I know a way to get money." Captain Robinson (Law) is a submarine captain who has just been told he is no longer needed. When he tells his crew about this they are wondering what the next step in their lives will be. The idea comes up about trying to salvage a sunken sub full of Nazi gold and they agree to look for it. What starts off as a way to make money becomes something so much more. This is a movie that I can not do justice to in a review. The movie is nothing amazing and is not a classic but this is one of the biggest surprises I have seen in a while. I was sucked in right away and was interested and intrigued all the way until the end, which seemed to come almost too soon. This movie takes all the great aspects of a heist movie and moves the setting to a claustrophobic submarine. I could go on about how much I liked this movie but I will just say this is one you have to see to understand. I recommend this. Overall, nothing that will win awards or become a classic, but it was entertaining and very much worth your time. I really enjoyed this. I give it a B+.

Greetings again from the darkness. One of my first favorite TV shows as a little kid was "Voyage to the Bottom of the Sea". Each week I sat wide-eyed in front of the tube (yes, it was actually a cathode ray tube back then) anxiously awaiting underwater adventure. It wasn't until later that I discovered Irwin Allen's 1961 movie of the same name, and more importantly, Jules Verne's novel "Twenty Thousand Leagues Under the Sea", which featured the wild exploits of Captain Nemo and the Nautilus. Since then, count me in for just about any movie based aboard a submarine (Down Periscope being a rare exception).

Director Kevin MacDonald is best known for his excellent 2006 film The Last King of Scotland (with Forest Whitaker's Oscar winning performance as Idi Amin). This time he works with a script from playwright Dennis Kelly to deliver a gritty, tense thriller that is lacking any traditional Hollywood fluff … it's a down and dirty look at greed, desperation and the survival instinct.

Inherent to a story based aboard a submarine is the immediate and constant threat of claustrophobia and death. This one adds another element of danger by blending a crew of Russians and Brits with the goal of bringing back millions of dollars in gold locked away on a sunken German U-Boat in the Black Sea waters. Lest you think the Russians are just another group of southern California actors faking the accent, director MacDonald confirmed that he cast actual Russian actors – including Grigoriy Dobrygin (A Most Wanted Man), Konstantin Khabenskiy (one of the most popular actors in Russia), and three others named Sergey, which MacDonald acknowledged contributed to on-set confusion. This decision elevates the onboard tension between adversarial characters to an armrest-gripping level. Yet another slightly psychotic Ben Mendelsohn (Animal Kingdom) role doesn't hurt, either.

Jude Law continues the second phase of his career – far removed from his pretty boy early films – as a tough, revenge-seeking sub captain fired by his long-time employer. Should you doubt Law's acting range, I would recommend not just this film, but also last year's Dom Hemingway (a wild ride). Law's performance here is very strong as he transforms from a p.o.'d former employee to an eye-on-the-prize, win-at-all-cost treasure seeker. The onboard tension mounts every time there is interaction between the Russians and Brits, and Law's character attempts to mediate. The progression of this three-way dynamic is fascinating to watch as it unfolds.

To provide that true underwater feeling, MacDonald filmed some scenes onboard an old Soviet submarine that is moored in the River Medway in Kent (UK). We never have that feeling of Hollywood soundstage; instead we as viewers share in the tight space and constant dread. This combination of characters, setting and mission deliver an intense thriller that is sure to please, and feels uncommonly welcome this early in the year.

The pinnacle of submarine movies is Das Boot (1981), a must-see for any movie lover. Other popular sub films include Crimson Tide (1995), The Hunt for Red October (1990), and K-19: The Widowmaker (2002), and for those of us who are fascinated by life (and possible death) under the sea, we gladly welcome a new entry to the sub-genre, especially one as well made and tension-packed as Black Sea.