Ballerina

Something tells me there's more to the film than just a wannabe ballerina setting out to achieve her dreams. I could be very wrong but I believe his to be a personal accomplishment for French director/screenplay writer Eric Summer who comes from Brittany himself, where this story starts at an orphanage in 1879.

Enlisting the talent of French animator who was partly responsible for one of my favourite animated movies, Belleville Rendez-vous, Éric Warin sits alongside Summer in the director's chair and what they give us is a delightful underdog story.

The focus of the story is on Félicie, voiced by Elle Fanning, an ambitious yet rebellious orphan girl who dreams of becoming a dancer, constantly attempting to flee the orphanage to Paris, in pursuit of her ambition.

She's not alone in either dream-chasing or escaping the orphanage. Victor, voiced by Dane DeHaan, an obvious admirer of hers also wishes to leave to become a famous inventor, so the two of them embark on an adventure finally reaching Paris and with various strokes of good fortunate, end up where they both want to be.

The voices don't necessarily match their characters, DeHaan being far to old (apologies, 30 isn't old, but...) to voice a teenage orphan. Pop singer Carly Rae Jepsen does a fine job of voicing broken ballerina, Odette, but I'm most impressed with Sia's music video dancing star, Maddie Ziegler, voicing the spoilt, stuck-up Camille.

It has all the ingredients of a simple yet pleasing underdog story with some impressive and enticing animation. The dances themselves are superbly gracefully and the details are brilliant. There's troublesome emotions, difficult choices and quite a few triumphs with a clear message of never giving up and what ever you do, do it with heart.

It's predictable but that's forgivable being a children's film. It's loaded with touching gestures and typical twists that make the film memorable but is equally loaded with unnecessary silliness and feels a little rushed in places, possibly to keep children's attention.

It's not a musical but the soundtrack that accompanies the film really stands out with some great tracks from Magical Thinker, Chantal Kreviazuk and Camila Mora. Klaus Badelt does a graceful and enchanting score that does well to stand alone from Tchaikovsky's ballet greats of Swan Lake and the Nutcracker.

It's good sign not hearing any disturbances for the young audience and my God-Daughter seemed to enjoy it giving a little dance at the end. It's far from perfect but there's some great scenes and you can see the effort was put in. It's good light-hearted entertainment for the whole family.

Running Time: 8 The Cast: 6 Performance: 7 Direction: 7 Story: 8 Script: 7 Creativity: 8 Soundtrack: 9 Job Description: 9 The Extra Bonus Points: 0

69% 7/10

Tired of watching modern dance movies that has you say: Another one of Hollywood street dancer groups with all its acrobatics that must have come from America's got talent aiming for Hollywood that tosses aside the traditional dance of Ballet?

Produced at L'Atelier Animation in Montreal, Canada, Ballerina (2016) is majestic at all levels from the animation to the story itself.

A basic story of a young orphaned girl Félicie (Elle Fanning) who dreams to become a ballerina leaves with her friend Victor (Dane DeHaan) who also has a dream that of becoming a famous inventor, both go to Paris to meet their destiny.

What makes this a beautiful animation is that the story is not bogged by irrelevant metaphors or irony that distracts from the story that would have us distracted to the relevance of the movie based on something that could happen anywhere such as achieving one's goal. One does not say during the film that this scene is ridiculous that it diverts us from the message.

A success indeed.

First of all, the story itself. Set back in the 1800's where Paris is growing and where all hope is possible and notwithstanding the fact that Félicie (Elle Fanning) will take the identity of another person Camille Le Haut (Maddie Ziegler) is not new in the move world. Yet, the story progresses logically to have her be discovered as a fraud. What Merante (Terrence Scammell) sees in Félicie when he discovers the truth is what he sees in himself, one with passion. As a fact when he says to Camille and Felicie why they dance, in his harshness in his selection of candidates lies his humanity. He doesn't insult Camille but asks her why she dances?

Here we have the theme: Are we born to dance or do we become dancers that can be applied in all aspects of society? Are we born with a gift or do we become the gift?

Secondly, the choreography is absolutely amazing. It compares with all the acrobatics seen on America's got talent or in movies such as Rocky Balboa. Remember his training against this Russian guy? We see two types of training, the natural versus the mechanical training using modern equipment.

What about the competitive choreography between the two girls? Superbe!

If the film gave me shivers three times then I admit to the success of the film animation to have struck a chord in me. And, if my grandchild was able to relate to his life one scene which was the union of Félicie and as Odette (Carly Rae Jepsen) and which has also brought me back to when I bought tickets to the Ballet then I consider this animation a true marvel to which I give 10/10.

Watch the first ten minutes and tell me this isn't a rip off of Anastasia! Red headed orphan girl with male orphan friend escapes off to Paris and all she has is a music box from her mother....? Obviously the story then transitions into one about dance and following your dreams (wonderful idea and one I had so much hope for), but the horribly matched voice acting, the teeny bopper music in place of classical ballet music... so many simple things that could've made this movie so much better.

I have no idea why they started the film as they did. The starting scene is just nothing new, childish, and makes the film seem for younger audiences. I suspect that someone told them they needed to start with an exciting scene with lots of action, so this is what happened... Nevermind the beginning, once the kids get to Paris things start to shape up and an actual narrative emerges. Nothing too revolutionary here, in terms of story or plot, but solid work.

Well, I praise a lot, particularly the European animations for preserving the 2D animation. That does not mean they lack behind in 3D format. The recent film 'The Little Prince' was the perfect example of a quality 3D animation outside Hollywood. Pars with Disney, Pixar standards. Technically, as well as the story contents. But the quantities are very less and also making it a bit expensive. So they usually prefer producing it in the English language for the wider/international market, keeping North America particularly in mind. This is a French English-language film that co-produced by Canada.

This is a nice film, that particularly targets little kids and mostly the girl audience to inspire Ballerina. Cute characters and scenes, but very familiar story. Shares lots of similarities with 'August Rush', except the field of interest. I am not an expert or know all about Ballet, but some of the parts involving them were turned me off. I know the gravitation force is irrelevant in animation since they're not real world to comply with science, but maybe I'm being an adult and knowing that stuff might have influenced me to think that way. It reminds me I'm really an adult, though this film should be watched as a kid despite whatever you are. However, nothing affected me from enjoying it.

It sets in the 80s of the 19th century France. At the time when Eiffel Tower and Statue of Libery were on the construction, a poor orphan girl named Felicie escapes orphanage with another boy to pursue her dream to be a ballerina. Then they arrive in Paris, and very soon they find their separate ways to achieve the goals. Not all smooth sail, especially for her. So she takes the opportunity that comes her way, even after knowing it was wrong to do.

❝You have something that she can only dream of: passion!❞

From there, with all the complications tailing her, how far she could go to make her dream come true. Which also includes the amount of dedication put on her undertaking to meet the expectations of her trainer, rivals and many others. And to show the world the interest is not simply based on enthusiasm, but willingness to sacrifice anything for it. Her journey from nothing to the edge of something new to define her life is the film that briefs for just short of 90 minutes.

This is not another 'Billy Elliot'. Animations are usually comedy, fantasy and musical, but recently the adventures and science fictions are surging. I don't remember I ever have seen an animated dance flick. Not the classical dance, not in the modern 3D animation format. The closest one was a decade old 'Happy Feet'. So that makes it is a unique product and comes under a must see for all the animation fans. But the storyline is predictable and many sequences were intentionally dragged to be cliché. Because it works, particularly if they're aiming for the younger generation who haven't seen many films in their lives. Only we the grownups whine.

Most of the voice-over artists are well known Americans actors which boosted the film. The character combinations are good. It brought the variety, especially slightly to ride off the main theme in a few occasions. Like the boy's interest in inventing things which were other major parts of the twist and turns in the narration. It is not a great animation if it was from Hollywood, but coming from France and the theme it focused on, the effort must be appreciated. Overall a much better film than what the average reviews and ratings around the internet says. It is a ballet film means not those who love it should watch it, but those target audience should not miss it. That means generally worth a watch, but not for everyone.

7/10