A woman running her family's noodle restaurant receives an invitation to join the fine-dining industry under the tutelage of an infamous chef.A woman running her family's noodle restaurant receives an invitation to join the fine-dining industry under the tutelage of an infamous chef.A woman running her family's noodle restaurant receives an invitation to join the fine-dining industry under the tutelage of an infamous chef.
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Very engaging film for any food lover. The main character played by Chutimon Chuengcharoensukying did a terrific job as an actress. You can really feel the emotions during the intense scenes. Sadly she was the only character with any depth. It felt like her world and everyone was just living in it. The supporting roles were kind of interesting but only surface level.
Many of the plot turns were pretty cheesy. The scenes of violence and the reasons behind them were random, weird and had no build up. The head chef was cool, and stoic, which is to be expected from many successful chefs, however, he had outbursts that didn't make that much sense.
There was a few ominous scenes of rich people living out their gluttony with depictions of them eating flesh-like food. It was a clear dynamic between rich people betrayed as greedy while low-status people betrayed as simply, caring, loving, yet frustrated. It was very interesting to see this depiction, especially during the flashback scene of the Head Chef's upbringing. The comment about the caviar had me burst out laughing.
The cinematography was enjoyable and the dishes looked great. Its probably was kept me engaged the most.
Overall, this film was good. I would recommend it for sure. Many aspects were rushed, and had little development, but remained exciting and had scenes that moved me. The ending will leave most with lots of questions and unfulfilled, but you will give reflections.
Many of the plot turns were pretty cheesy. The scenes of violence and the reasons behind them were random, weird and had no build up. The head chef was cool, and stoic, which is to be expected from many successful chefs, however, he had outbursts that didn't make that much sense.
There was a few ominous scenes of rich people living out their gluttony with depictions of them eating flesh-like food. It was a clear dynamic between rich people betrayed as greedy while low-status people betrayed as simply, caring, loving, yet frustrated. It was very interesting to see this depiction, especially during the flashback scene of the Head Chef's upbringing. The comment about the caviar had me burst out laughing.
The cinematography was enjoyable and the dishes looked great. Its probably was kept me engaged the most.
Overall, this film was good. I would recommend it for sure. Many aspects were rushed, and had little development, but remained exciting and had scenes that moved me. The ending will leave most with lots of questions and unfulfilled, but you will give reflections.
This is a film of two halves - unfortunately, these two halves belong in different movies.
The first half has the tone and feel of scabrous satire, clearly wanting to deliver social commentary. Here we are skirting really, really close to the same territory explored by The Menu. The second half discards this and, instead, mimics the dynamic and arc of Wall Street - only with restauranteurs. Which is a shame: the first half was visually arresting and had the potential to be both provocative and interesting. The second half less so.
This is another one of those movies which cause me to scratch my head: what did this want to be? What does the film maker imagine this film to be about?
If you're interested in writing, film-making or whatnot, there is such a thing as the elevator pitch. You're in a lift with some hotshot producer. You've got until those elevator doors ping to pitch your movie. This film, alas, fails that simple test.
The first half has the tone and feel of scabrous satire, clearly wanting to deliver social commentary. Here we are skirting really, really close to the same territory explored by The Menu. The second half discards this and, instead, mimics the dynamic and arc of Wall Street - only with restauranteurs. Which is a shame: the first half was visually arresting and had the potential to be both provocative and interesting. The second half less so.
This is another one of those movies which cause me to scratch my head: what did this want to be? What does the film maker imagine this film to be about?
If you're interested in writing, film-making or whatnot, there is such a thing as the elevator pitch. You're in a lift with some hotshot producer. You've got until those elevator doors ping to pitch your movie. This film, alas, fails that simple test.
I was shocked after watching this film. Obviously the film on the surface is about cooking, kitchens etc, and then on the next level down it becomes about greed, snobbery and privilege. How far are we willing to go to get what we want and what is meaning of it all?
But there is another level to this movie which left me feeling sick to my stomach. And it's not because of blood or gore. It is more to do with the way that the whole world is going, in a biblical sense the worshipping of false idols that in the end prove to be wrong. The way that we are being led by our greed and jealousy, into a place that is as far from reality as you can get.
But thankfully the film does pull it around in the end and gives mankind a glimmer of hope.
But there is another level to this movie which left me feeling sick to my stomach. And it's not because of blood or gore. It is more to do with the way that the whole world is going, in a biblical sense the worshipping of false idols that in the end prove to be wrong. The way that we are being led by our greed and jealousy, into a place that is as far from reality as you can get.
But thankfully the film does pull it around in the end and gives mankind a glimmer of hope.
Hunger is a compelling and thought-provoking film that explores the world of cooking and the class divide that exists in society. The movie follows the story of Auy, a young cook who manages her father's old noodle house. Auy is given the opportunity to work with Chef Paul, the owner of a very popular catering business that caters to the elite.
The film's portrayal of the culinary world is captivating, and the cinematography is excellent. The photography of the cooking process is especially impressive, and it truly brings the audience into the kitchen. The film does an excellent job of showing the stark difference between the food that the poor and the rich eat.
As the story progresses, Auy realizes that she cannot condone Chef Paul's policies and unlawful acts. She decides to quit and forms her own cooking team with the help of an entrepreneur. Her restaurant, Flame, quickly becomes a phenomenon in social media, and she is able to compete with Chef Paul when they are both invited to cook for a socialite personality.
However, the film's ending falls short of expectations. It feels somewhat rushed, and the resolution is not as satisfying as it could have been. The film could have benefited from a different ending that tied up loose ends and provided a more satisfying conclusion.
Overall, Hunger is a movie worth watching for foodies and those interested in exploring social issues through the culinary world. Despite the lackluster ending, the film's excellent cinematography and compelling story make it a must-see.
The film's portrayal of the culinary world is captivating, and the cinematography is excellent. The photography of the cooking process is especially impressive, and it truly brings the audience into the kitchen. The film does an excellent job of showing the stark difference between the food that the poor and the rich eat.
As the story progresses, Auy realizes that she cannot condone Chef Paul's policies and unlawful acts. She decides to quit and forms her own cooking team with the help of an entrepreneur. Her restaurant, Flame, quickly becomes a phenomenon in social media, and she is able to compete with Chef Paul when they are both invited to cook for a socialite personality.
However, the film's ending falls short of expectations. It feels somewhat rushed, and the resolution is not as satisfying as it could have been. The film could have benefited from a different ending that tied up loose ends and provided a more satisfying conclusion.
Overall, Hunger is a movie worth watching for foodies and those interested in exploring social issues through the culinary world. Despite the lackluster ending, the film's excellent cinematography and compelling story make it a must-see.
The Thai food movie that's a mix of "The Menu" and "Whiplash" is somewhat similar in some ways, but it's not entirely a copy because it has its own storyline. The story is about a middle-class girl who dreams of elevating herself in high society by showcasing her cooking skills. However, her successful recipe doesn't make her as famous as she expected, and the villainous chef is straightforwardly evil. The characters lack depth in the latter part of the movie, turning it into a typical good vs. Evil scenario, leading to a happy ending that's too easy and predictable. Darker viewers may be slightly disappointed, but overall, the movie is enjoyable, with the lead actor charmingly portraying the role, making the viewers engaged in every scene. There are many beautifully shot cooking scenes, and the production value is high. It is the first Thai movie on Netflix that feels like it has reached a high international standard.
Did you know
- TriviaThe house in the opening scene is the same as that of the movie Parasite
- How long is Hunger?Powered by Alexa
Details
- Runtime
- 2h 26m(146 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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