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4.8/10
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A leader killed by his own gang, gets offered a chance by Satan himself to escape damnation.A leader killed by his own gang, gets offered a chance by Satan himself to escape damnation.A leader killed by his own gang, gets offered a chance by Satan himself to escape damnation.
Radu Andrei Micu
- Washington
- (as Radu Micu)
James Carroll Jordan
- Father Paul
- (as James Jordan)
George Remes
- Deputy Tom Morris
- (as Remes George)
Ioan Cortea
- Deputy Cade Hudson
- (as Ioan Mihai Cortea)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Man, what happened to Rourke? After "The Wrestler," he had a second act career resurgence that appeared to be another great Hollywood comeback story. He had a string of high-profile blockbuster films -- "Expendables," "Iron Man 2" among them -- and a whole list of films on IMDb that were slated in pre-production, many with large casts and studios.
He swore in all his cover story interviews around the release of The Wrestler that he'd "learned his lesson" the hard way by bad-mouthing Hollywood in the '80s and '90s, and that he wouldn't allow his career to become ruined again, as he had resorted to straight-to-video flicks in the late '90s and early '00s when his career was in truly dire straits. (He claims a narrative that he was out of work entirely for a decade, but the truth is, he was just appearing in really crap films.)
But he didn't heed his own words of wisdom. Within a couple years, these things had happened: he publicly dissed The Expendables 2, claiming he wouldn't return unless they paid him more. He was never cast in the film, and the plot was re-written to involve a younger character in his place. After the worldwide success of EX2, which could have been another franchise for Rourke, a producer on the film was asked whether he'd be back for round three. "Maybe if he doesn't act so crazy," was the reply from the producer. As of September 29th, the third film is in production, and Rourke's name is absent from the cast.
He also publicly bad-mouthed writer/director Martin McDonaugh (In Bruges), claiming he wasn't being paid enough by the "creep" to star in the film Seven Psychopaths; he dropped out, and was replaced by Woody Harrelson. The film wasn't a big hit financially, but critics loved it, and it had a huge ensemble cast. Instead of starring in that film, he starred in a straight-to-video movie with Kellen Lutz...if you don't know who that guy is, it's because he was one of the shirtless vampires in Twilight.
Then he bad-mouthed Marvel Studios, claiming they butchered Iron Man 2. Not a huge deal since his character had no chance of coming back anyway, but it's more burnt bridges. He also annoyed the crap out of Robert Downey Jr on the set of the film (RDJ went out on a limb for him and fought to have him cast in the film after Rourke's pay demands were deemed too high by Marvel, btw); apparently his Method Acting routine was hugely obnoxious to cast and crew, as he demanded odd flourishes such as blaring Gnarls Barkley's song "Crazy" at full volume before filming every one of his scenes.
My point of this long-winded rant is that Mickey Rourke has essentially ruined what could have been a golden opportunity comeback to fulfill his early potential as one of the great actors of all time, and now he has resorted to starring in utter dreck like this film, which is an absolutely abysmal production and something that any actor should be embarrassed to list on their resume.
It's a standard revenge flick, set in a western atmosphere. It is poorly made (the low budget stands out at every turn), poorly acted (Anthony Michael Hall is the villain - enough said), and poorly shot (the lighting is atrocious at times). Danny Trejo has experienced some kind of grindhouse-type career revival thanks to Robert Rodriguez, but he's best buried as a minor character in ensemble films, and he does not have the charm or charisma to carry a full-length picture.
The only remotely interesting thing about this film? Rourke plays the devil incarnate. Which, if you've ever seen his 1987 psychological thriller "Angel Heart," is an interesting twist. Unfortunately this film isn't remotely similar to Angel Heart in any other regard, which was one of the best films of the 1980s in this humble critic's opinion; Dead in Tombstone, by contrast, is Dead On Arrival (har, har) and a truly bad film.
Rourke, you only have yourself to blame for this.
He swore in all his cover story interviews around the release of The Wrestler that he'd "learned his lesson" the hard way by bad-mouthing Hollywood in the '80s and '90s, and that he wouldn't allow his career to become ruined again, as he had resorted to straight-to-video flicks in the late '90s and early '00s when his career was in truly dire straits. (He claims a narrative that he was out of work entirely for a decade, but the truth is, he was just appearing in really crap films.)
But he didn't heed his own words of wisdom. Within a couple years, these things had happened: he publicly dissed The Expendables 2, claiming he wouldn't return unless they paid him more. He was never cast in the film, and the plot was re-written to involve a younger character in his place. After the worldwide success of EX2, which could have been another franchise for Rourke, a producer on the film was asked whether he'd be back for round three. "Maybe if he doesn't act so crazy," was the reply from the producer. As of September 29th, the third film is in production, and Rourke's name is absent from the cast.
He also publicly bad-mouthed writer/director Martin McDonaugh (In Bruges), claiming he wasn't being paid enough by the "creep" to star in the film Seven Psychopaths; he dropped out, and was replaced by Woody Harrelson. The film wasn't a big hit financially, but critics loved it, and it had a huge ensemble cast. Instead of starring in that film, he starred in a straight-to-video movie with Kellen Lutz...if you don't know who that guy is, it's because he was one of the shirtless vampires in Twilight.
Then he bad-mouthed Marvel Studios, claiming they butchered Iron Man 2. Not a huge deal since his character had no chance of coming back anyway, but it's more burnt bridges. He also annoyed the crap out of Robert Downey Jr on the set of the film (RDJ went out on a limb for him and fought to have him cast in the film after Rourke's pay demands were deemed too high by Marvel, btw); apparently his Method Acting routine was hugely obnoxious to cast and crew, as he demanded odd flourishes such as blaring Gnarls Barkley's song "Crazy" at full volume before filming every one of his scenes.
My point of this long-winded rant is that Mickey Rourke has essentially ruined what could have been a golden opportunity comeback to fulfill his early potential as one of the great actors of all time, and now he has resorted to starring in utter dreck like this film, which is an absolutely abysmal production and something that any actor should be embarrassed to list on their resume.
It's a standard revenge flick, set in a western atmosphere. It is poorly made (the low budget stands out at every turn), poorly acted (Anthony Michael Hall is the villain - enough said), and poorly shot (the lighting is atrocious at times). Danny Trejo has experienced some kind of grindhouse-type career revival thanks to Robert Rodriguez, but he's best buried as a minor character in ensemble films, and he does not have the charm or charisma to carry a full-length picture.
The only remotely interesting thing about this film? Rourke plays the devil incarnate. Which, if you've ever seen his 1987 psychological thriller "Angel Heart," is an interesting twist. Unfortunately this film isn't remotely similar to Angel Heart in any other regard, which was one of the best films of the 1980s in this humble critic's opinion; Dead in Tombstone, by contrast, is Dead On Arrival (har, har) and a truly bad film.
Rourke, you only have yourself to blame for this.
While it is nice to see Mickey Rourke in any role and Danny Trejo has become Legend (one way or another) with Machete, this movie is not really great. It does have some really good costumes though and the set design is good too (I can't imagine them having a lot of money to spend, so it must be from another set or shoot ... no pun intended).
Action scenes are OK, the story not complicated, it's more or less what you'd expect from a movie like this. Dina Meyer has not really that much to do and she is the female lead in this. The angle on the good versus bad thing is not that bad, because it's not really a good guy doing the work here. Though obviously it doesn't really make that much sense (the "Deal" that is). But you shouldn't start thinking with movies like these
Action scenes are OK, the story not complicated, it's more or less what you'd expect from a movie like this. Dina Meyer has not really that much to do and she is the female lead in this. The angle on the good versus bad thing is not that bad, because it's not really a good guy doing the work here. Though obviously it doesn't really make that much sense (the "Deal" that is). But you shouldn't start thinking with movies like these
Westerns... so hard to find a good one, and mixing evil, I mean the devil, guns and horses
after watching "Gallowwalkers" a deep sense of disappointment made me sight with disapproval, because if I remember well I haven't seen a good one since "Good for Nothing" because "True Grit" was just a remake, so cautiously I started watching "Dead in Tombstone". To begin with, Mickey Rourke is more likable than when he was in his youngest days and Danny Trejo no much to say: always looking tough and mean. Both actors are a good-odd combination; one as Lucifer, and the other one as undead, make this clear, not a zombie!, I could say that this is one of the best performances of Danny Trejo; "Guerrero" fitted him like a ring! This movie has the entire elements to keep you entertained, is believable as a western and visually acceptable with its supernatural theme. The direction and writing is at his best, and considering its budget very well done, the editing keeps the pace of the movie and the soundtrack keeps up with it, it reminded me of those old movies where the actors where "forced" to act, back then when CGI wasn't so imposing. Of course this movie is far to be Silverado, but between choosing to watch the latest entry of "Chucky" or "Dead in Tombstone" I'll stick with the black horse and the long leather trench coats, in a way that I wouldn't mind a sequel as long as the story is as good or better than this one, to tell the truth I like this movie better than I did "Machete" with all its stars. Sometimes, less is better!
Danny Trejo is an acquired taste. Since being given cult status by the likes of Quentin Tarantino and Robert Rodriguez, fearless Danny has now earned headliner status in movies built around him. Good for Danny, he's paid his dues. That being said, even the iconic presence of Mr. Trejo can't save this direct-to-DVD supernatural western. Trejo has maybe five states of being and facial expression in his acting repertoire. but only two are utilized by the director of this spooky oater. Danny looks grim. Danny looks grimmer. That's all folks. Still he tries, but he's just not cut out for leading man status.
A paper thin plot drags its story out for around 100 minutes here, filling the spaces between the actual story with repetitive gunfights, slow motion death, general mayhem, and an occasional visit to Hell, where the real-life horror show called Mickey Rourke pretends to be Satan (the character is referred to as "The Blacksmith" in the credits). Danny has been betrayed by his homies, the Blackwater Gang. His half brother Red (played by a nearly unrecognizable Anthony Michael Hall) murders him and Danny ends up in Hell. Tortured by Mickey Rourke (in a sleepwalking tour-de-force of acting as Satan), Danny strikes a bargain to win his soul back. Mickey wakes up long enough to accept this bargain using the worst dubbed-in voice for Rourke imaginable. Danny returns to life, and sets out to kill his homies in revenge. End of plot.
This could have been really interesting in the hands of a better director. Unfortunately, no one told the actual director Roel Reiné that he wasn't making a music video. This entire movie is shot in 2-6 second scenes, underlit and too dark to penetrate, too many flashy jumpcuts, etc. If you don't come out of a viewing of this without acquiring epilepsy, lucky you. The end resolution is poorly thought out. Still, the Romanian locations and costumes are worth a look here and earn the first two stars I give. Danny T. gets the other two for really giving his all...I think. Maybe Mickey Monster Rourke slipped Danny one or two of the sleeping pills he must have been gulping down during filming. An interesting/headache inducing flick for those with short attention spans.
A paper thin plot drags its story out for around 100 minutes here, filling the spaces between the actual story with repetitive gunfights, slow motion death, general mayhem, and an occasional visit to Hell, where the real-life horror show called Mickey Rourke pretends to be Satan (the character is referred to as "The Blacksmith" in the credits). Danny has been betrayed by his homies, the Blackwater Gang. His half brother Red (played by a nearly unrecognizable Anthony Michael Hall) murders him and Danny ends up in Hell. Tortured by Mickey Rourke (in a sleepwalking tour-de-force of acting as Satan), Danny strikes a bargain to win his soul back. Mickey wakes up long enough to accept this bargain using the worst dubbed-in voice for Rourke imaginable. Danny returns to life, and sets out to kill his homies in revenge. End of plot.
This could have been really interesting in the hands of a better director. Unfortunately, no one told the actual director Roel Reiné that he wasn't making a music video. This entire movie is shot in 2-6 second scenes, underlit and too dark to penetrate, too many flashy jumpcuts, etc. If you don't come out of a viewing of this without acquiring epilepsy, lucky you. The end resolution is poorly thought out. Still, the Romanian locations and costumes are worth a look here and earn the first two stars I give. Danny T. gets the other two for really giving his all...I think. Maybe Mickey Monster Rourke slipped Danny one or two of the sleeping pills he must have been gulping down during filming. An interesting/headache inducing flick for those with short attention spans.
For me dead in tombstone is not a terrible movie. But it is also not that great. Danny trejo being the star is the whole selling point of this movie and without his gruth gun slinging talk it would not be entertaining. Bassically in this movie trejo is the lead of a band of men that gets killed by some bandits. We think he is dead and I thought great now the film will be boring. But not. He wakes up in hell and micky rouke playing a type of devil says he can be alive if he brings the souls of the six men responsible for his death. Then he gets bloody revenge there are some explosions and fire and its alright. Not a great movie altogether. Alright cast but entertaining for what it is.
Did you know
- TriviaFifth collaboration of Rourke and Trejo. They have previously worked together on Once Upon a Time in Mexico, Point Blank, Animal Factory, and the music clip Hero.
- GoofsMost of the small weapons used during the shooting scene did not exist at that time the movie is set; e.g., a Colt .38 Special Police Service weapon (on markets after the turn of the century) and several Magnum-type revolvers (S & W .357 Magnum) which did not exist before the 1960s. Very special are Guererro's revolvers, which are simply fantasy weapons: a three-barrel Colt Dragoon front mounted on a Le Mat rear end with the Le Mat nine-shot cylinder.
- ConnectionsFollowed by Dead Again in Tombstone - Le Pacte du Diable (2017)
- SoundtracksBeat the Devil's Tattoo
Written by Peter Hayes, Robert Levon Been, Leah Shapiro
Performed by Black Rebel Motorcycle Club
Courtesy of Vagrant Records
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Thị Trấn Của Kẻ Chết
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,200,000 (estimated)
- Runtime
- 1h 40m(100 min)
- Color
- Aspect ratio
- 1.78 : 1
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