Gone Girl

Amy and Nick Dunne are young, stylish and charming. The immaculate dream couple? It seems so, at least on the face of it. But infidelity and financial troubles let the glamorous façade crumble. One morning, Amy disappears without a trace, and Nick becomes suspect. Did he kill his wife? The media depict him as an uncaring husband, and he's trying desperately to correct that image. But what if he really is the murderer everyone believes him to be?

"Gone Girl", based on the Gillian Flynn novel of the same name, is a masterful thriller, a sharp-sighted media satire and a cynical analysis of modern marriage. Flynn herself wrote the screenplay for the movie adaptation, and David Fincher turns the already disturbing story into something even darker. "Gone Girl" is a perfect fit for Fincher, as it is concerned with two of his favorite themes: gender issues and modern media. The main topic here is how the media are shaping our own identities. Nick Dunne has to adapt to the expectations of the public in order to survive. As his lawyer Tanner Bolt puts it: "This case is about what people think of you."

Amy and Nick both just play a character. They pretend to be a perfect couple. The movie suggests that pretending and being are not as far apart as we tend to think. When everyone plays along, the shallow masks are going to work. The much-maligned ending underlines this insight perfidiously. It's the point where "Gone Girl" becomes a pitch-black social satire. The last act isn't a thriller anymore, it's a grotesque caricature of modern relationships. I've never seen anything like it, and I can't praise Fincher enough for the risk he took with the last half an hour of this movie.

Ben Affleck is great as the insipid husband Nick. You love to hate him. Rosamund Pike is simply mind-blowing. You'll also see Neil Patrick Harris and Tyler Perry in unusual roles. My personal favorite is Carrie Coon as Nick's caring yet foul-mouthed sister Margo. She's the heart of this movie, because unlike everyone else, she genuinely speaks her mind. Kim Dickens as the clever detective Rhonda Boney is pretty approachable, too.

"Gone Girl" might be Fincher's most splendid masterpiece yet. This movie is so unsettling and cynical, it feels like it was directed by the love child of Alfred Hitchcock and Lars von Trier. If that's not awesome, I don't know what is.

There's no denying that this is a great film and from what I've heard a great book as well, you can see that I gave it a 9/10 rating, but there's a catch especially for me personally with this movie. The shorts version I can tell you and with my hand to God no lie this movie single handedly put the nail in the coffin for my marriage without me even being the wiser. So for as much as I do appreciate the detailed and intriguing story, watching it years later after my divorce it sends chills through my body knowing that my ex wife and I enjoyed this movie together, and obviously me not knowing just how much she loved it but how it inspired her to go about divorcing me in the way that she did, be weary because there are sick people (men and women) in this world that will vindictively assassinate someone else's character and well being just to avenge whatever perversion that they're transfixed on in their own mind. I'm not looking for sympathy or anything, I'm just stating a fact that happened to me, I don't advise watching this for the first time with a love partner, it could unhinge the mind beyond a point of no return, I'm absolutely 100% serious about this, this is not a joke.

This is a 2.5 hour movie and sometimes these days it's difficult for me to stick with the longer movies but this never felt long. You were always curious what was going on. Let's just say it didn't quite go the way I expected but I was intrigued the whole time. The acting was great. This could for sure be considered a slow burn and I'm actually currently watching the TV show Sharp Objects by the same author and this is paced much better than that. There's a couple things I didn't particularly thing got solved or like how they went at the end but overall a great movie.

David Fincher has done what i thought was the impossible, by making a movie from a book, and it actually being good, i'm even going to say better than the book, and i don't give that out lightly.

First off, the use of sound within the film, both diegetic and nondiegetic really sell this film to me, it does a great job in unnerving us as an audience and its just a little off, if i looked at the score of the film, i wouldn't be surprised if it comprised of tritones (For those who don't know, tritones make music sound just that tad off), and the synth sorta sound reminds me a lot of Alex Forrest's signature tune from "Fatal Attraction (1987), Adrian Lyon"

The Story is fantastic it really shows the disconnect between people in the modern day, and how the media influences everything so strongly.

In Summary this movie is a great watch, and if you enjoy the genre, or just trying to put together pieces of a metaphorical puzzle you will enjoy this movie.

I'm not one for reviews, but I tremendously enjoyed this film but felt empty at the end of it. That ending was shockingly bad, such a let down to a great film. Still worth watching but you will end up cursing the writers, producers and perhaps even the actors for that low quality ending. Even if the story was written to end this way, it could have been communicated far better and with far more realistic excitement. It seems like they just plonked it at the end rather than continue the story. What the hell happened? Did they run out of time or needed to release it by a specific date or did the original scriptwriter run off? The end the film was not of the same quality of the rest of the film and left me feeling shortchanged.