Riot

GBH aka Riot (2012) Directed by Simon Phillips. GBH aka Riot is the tale of Damien crossing the line between being a London football hooligan to becoming a member of her majesty's Metropolitan Police force on the edge between both sides of the fight. Nick Nevern plays the part well as things around him spiral out of control. You can feel the intensity of it all as the movie progresses.

Kelly Shirley, ( Carly Wicks in Eastenders) who plays his rookie cop love interest, fits the bill along with Nick to make the movie believable. Damien tells her that he was in and out of care all of his life because of anger management issues. A police officer told him "he'd got so much rage in his eyes and should use it to get back at the life he hates so much." That's why he became a policeman. That scene in this movie epitomises what this movie all about and watching it, which starts off a bit slowly, is like looking like a time bomb and you, the viewer are just waiting for it to explode in your face. bcarruthers-76500

Poor dialogue, clumsy editing, terrible story. Some nice shots in it but avoid

Another movie designed to get the London Tourist Bureau running for the hills. it is supposedly set during the big riots we experienced three years ago. In reality though, only the final scenes touch upon that major incident. Instead, we follow the life of a former hooligan now turned cop, and his attempts to juggle his new job with his old loutish friends, who either see him as a sell out, or a person who they can extract favours from.

There are about as many surprises here as finding a plastic toy in a Kinder Egg, as our anti-hero experiences the predictable dual pressures of dealing with human trash on the beat, and even worse garbage in the form of his 'mates' off it. How any right minded person would want to spend five seconds in the company of his former buddies I don't know, but at least he's making a bit of an effort to get away from them.

They are many, many breaks in the action to inform us that one scene took place ONE WEEK AGO, ONE HOUR AGO etc. You can tell it's trying to pretend it's telling a complex story, but this mediocre script is clearly nothing of the sort. Delusions of grandeur, perhaps. It's watchable, it's efficient, but aside from a rather upsetting sequence involving a serious assault on a female officer, there's little here to stir the imagination.

Even the Downer Ending has been done to death in this genre. As soon as our rogue lawman gets that look in his eyes, there's only one possible conclusion. So... file under 'average'. 5/10

One month before the title event, I'm not clear on what's going on or whether it has a connection with the title event.

We see the words "Two weeks before". "One week before". "One hour before". I don't know what happens at each of these times. I'm just saying we are told this. Not in a way that really makes clear what is happening when.

I'm not at all certain what is going on half the time or what the connection is to the title event. Between the accents and the curse words that get bleeped, it's difficult for me to follow anything.

What I do know is there are tragedies connected with the title event.

This movie has some pleasant moments, even a few laughs. But mostly it is depressing. And when there is violence, it is quite graphic. No guns. Just fists. The leading actors seem to do a good job and I'm sure the writing is well done. This just isn't the sort of thing I can enjoy.

G.B.H wasn't entirely irredeemable, Nick Nevern did have a great brooding intensity that he brought to his lead character, and Kellie Shirley(whose acting has grown since her stint on EastEnders) is affecting. For me though, that's it for the saving graces. The rest of the acting is poor, Steven Berkoff for example doesn't seem to have a clue as to what to do and how to play his role. Though in all fairness they weren't helped at all by sketchily written characters that were largely sidelined throughout the film, the juiciest side character was Con O'Neill's but that is not saying very much. The dialogue resorts to a lot of clichéd banter, while the way G.B.H is shot looks cobbled together(like some of it was done in one stretch with a gap and then in another stretch after). And I do have to agree about the wildly inaccurate portrayal of the police force, it is not only inaccurate but completely unbelievable too. There was a good story in G.B.H somewhere, no matter how many times we've seen its plot points on other films and television shows, the structure was just so clumsy and disorganised with no tension that that potential didn't ever come out. It was also very difficult to be drawn in by, it was purposefully grim and bleak which is not a problem in any way, it was just dealt with in such a tedious and heavy-handed way that the tone was more wearying(and increasingly so) and overly-aggressive in alternative to tense and properly involving. Overall, apart from the leads I found it by difficult to be drawn in by G.B.H. 2/10 Bethany Cox