Twenty years after the disappearance of her daughter, a recovering alcoholic is preparing to host her family's Christmas celebration when her estranged ex-brother-in-law arrives unannounced,... Read allTwenty years after the disappearance of her daughter, a recovering alcoholic is preparing to host her family's Christmas celebration when her estranged ex-brother-in-law arrives unannounced, bearing nostalgic gifts and a heavy secret.Twenty years after the disappearance of her daughter, a recovering alcoholic is preparing to host her family's Christmas celebration when her estranged ex-brother-in-law arrives unannounced, bearing nostalgic gifts and a heavy secret.
- Awards
- 1 win total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Darlene Hagen (Anna Gunn) is still struggling 20 years after the disappearance of her daughter Sally. Jack Kingsley (Linus Roache) comes by claiming car trouble. In fact, he has a dark secret to reveal. Her friend Gretchen Sullivan (Janeane Garofalo) joins the horrific gathering.
New filmmaker Alison Locke is trying to write and direct a low budget feature. I don't know how, but she got three solid actors to do this. They make this as interesting as possible. The script isn't much. It has one surprise in the first half and the second half struggles. It has no more twists or turns to keep the interest. Mostly, this concept needs a few additions to keep it going all the way to the end.
New filmmaker Alison Locke is trying to write and direct a low budget feature. I don't know how, but she got three solid actors to do this. They make this as interesting as possible. The script isn't much. It has one surprise in the first half and the second half struggles. It has no more twists or turns to keep the interest. Mostly, this concept needs a few additions to keep it going all the way to the end.
After twenty years of sobriety a grieving mother finally learns the truth about what happened to her daughter who's has been missing as long as her sobriety by a very unlikely person who shows up at her home to confess to her everything that happened to her daughter. With a very small budget and cast, this was a decent and very quick story of a missing person reveal. I was actually ready to turn it off because I thought it was going no where but after the reveal of the daughter's demise, my interest piqued and I decided to stay engaged and watch to the end. A dialog film more than a visual meaning that you could easily just listen and not watch the film and still manage to follow the story without missing anything. Not sure why it fell under the genre of horror and thriller because it's neither. It's a suspense dialog in one place with a cast of three people done proper. And let me just add one more thing, some family members are absolute trash and sometimes end up being your worst enemy.
This is a script which seems to have just gone ahead and filmed the second draft.
Anna Gunn; she's good. She's much more thank Skyler White. Jeneane Garafalo is always worthy of a watch - she's completely wasted here. Linus Roache does a great job playing both sleazy and urbane. That's pretty much been his whole career.
But the dialogue- ugh- way too much exposition and it was all delivered so awkwardly. The writer/director just didn't seem to believe the audience could fill in blanks using context or other means.
Perhaps that was something the producers insisted on?? But, audiences are not stupid (for the most part), and we can gather clues ourselves.
If you're looking for a good single-setting drama, there are far worse out there.
Anna Gunn; she's good. She's much more thank Skyler White. Jeneane Garafalo is always worthy of a watch - she's completely wasted here. Linus Roache does a great job playing both sleazy and urbane. That's pretty much been his whole career.
But the dialogue- ugh- way too much exposition and it was all delivered so awkwardly. The writer/director just didn't seem to believe the audience could fill in blanks using context or other means.
Perhaps that was something the producers insisted on?? But, audiences are not stupid (for the most part), and we can gather clues ourselves.
If you're looking for a good single-setting drama, there are far worse out there.
The subject matter is bleak and depressing, but could have made for a good film (especially seeing as it has been done before).
With Janeane Garofalo as one of the title characters, there was even more of an expectation that the IMDB score of 5.5, was a fluke and/or that reviewers were just missing the point. Say what you will about Garafolo, but she's a powerhouse of acting skills and much more charismatic and attractive than some give her credit for being. Anna Gunn too, was a draw. THE woman who portrayed Skyler White of BB fame SO distastefully well, that the character's name became synonymous with cold, unsupportive wives everywhere, and this was something I could not miss.
Lamentably, after watching it, I kind of wish I had.
Among the worst of the film's foibles is that given the aforementioned talent, surprisingly, the acting from all three leads left a lot to be desired. Most of the interactions between Gunn and Garafolo felt forced and not very organic - almost as if you are watching two strangers working at attempting to form a friendship. Worse still, the portrayal of the sleaze bucket by Linus Roache, was exceptionally terrible. Perhaps it isn't that he was not believable as said sleaze bucket; maybe it is that he was too believable as a sleaze bucket - and nothing else. The range of emotions necessary to pull off the nuances of his role, were never part of the actor's almost uninterested delivery.
On a better note, the soundtrack to The Apology is pretty good, with the Ages and Ages version of the closing "Auld Lang Syne", being SO particularly noteworthy and resonant, that I bought it.
With Janeane Garofalo as one of the title characters, there was even more of an expectation that the IMDB score of 5.5, was a fluke and/or that reviewers were just missing the point. Say what you will about Garafolo, but she's a powerhouse of acting skills and much more charismatic and attractive than some give her credit for being. Anna Gunn too, was a draw. THE woman who portrayed Skyler White of BB fame SO distastefully well, that the character's name became synonymous with cold, unsupportive wives everywhere, and this was something I could not miss.
Lamentably, after watching it, I kind of wish I had.
Among the worst of the film's foibles is that given the aforementioned talent, surprisingly, the acting from all three leads left a lot to be desired. Most of the interactions between Gunn and Garafolo felt forced and not very organic - almost as if you are watching two strangers working at attempting to form a friendship. Worse still, the portrayal of the sleaze bucket by Linus Roache, was exceptionally terrible. Perhaps it isn't that he was not believable as said sleaze bucket; maybe it is that he was too believable as a sleaze bucket - and nothing else. The range of emotions necessary to pull off the nuances of his role, were never part of the actor's almost uninterested delivery.
On a better note, the soundtrack to The Apology is pretty good, with the Ages and Ages version of the closing "Auld Lang Syne", being SO particularly noteworthy and resonant, that I bought it.
This is not a Shudder horror movie, but it is excellent drama by first-class actors around a horrifying subject.
It reminded my husband and me a little of when we first started watching David Mamet's movies. At first, you're a little taken aback, because all of his characters speak in such a way that the words, not the emotional delivery, convey the power of the moment, so that when you first start watching a Mamet film, you think for a moment, "What's wrong with all these people?", and then the magic clicks, and you're entranced.
Not that Locke's style in anyway copies Mamet, it's all her own. Nevertheless, we had a similar experience with this movie. At first, we wondered why these wonderful actors seemed a little awkward, and then suddenly what was being conveyed clicked, and we were caught up.
Excellent film.
It reminded my husband and me a little of when we first started watching David Mamet's movies. At first, you're a little taken aback, because all of his characters speak in such a way that the words, not the emotional delivery, convey the power of the moment, so that when you first start watching a Mamet film, you think for a moment, "What's wrong with all these people?", and then the magic clicks, and you're entranced.
Not that Locke's style in anyway copies Mamet, it's all her own. Nevertheless, we had a similar experience with this movie. At first, we wondered why these wonderful actors seemed a little awkward, and then suddenly what was being conveyed clicked, and we were caught up.
Excellent film.
Did you know
- TriviaAll entries contain spoilers
- SoundtracksAuld Lang Syne
Arranged by Tim Perry
Performed by Ages and Ages featuring The Sea The Sea
Courtesy of Needle and Thread Records
By arrangement with Terrorbird Media
- How long is The Apology?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Извинение
- Filming locations
- Wisconsin, USA(Exterior)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 32m(92 min)
- Color
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content