Departure

Not many directors start their full-length future film careers with powerful films. The few examples I can think of include Jean-Luc Godard with his 'À bout de soufflé' ('Breathless'), Alejandro González Iñárritu's 'Amores Perros', Gus van Sant's 'Mala Noche', Larry Clark's 'Kids' and Xavier Dolan's 'I killed my mother' ('J'ai tué ma mère'). And now there is another one on my list: Andrew Steggall's 'Departure'.

Elliot (Alex Lawther) and his mother Beatrice (Juliet Stevenson) are vacating their holiday home in the south of France. As they are packing, a picture unfolds. Once happy times don't seem so happy anymore. Could the absent husband be part of the problem? It is not that simple. We gradually get to know the mother and her son. Beatrice's life is slowly crumbling away, while Elliot, on the other hand, seems to be living in his own world. Elliot meets a French lad, Clément (Phénix Brossard) a few years older than him and develops a crush on him. Both boys have issues to deal with, influencing their friendship. When Elliot's dad arrives, matters come to a point.

This film has several strong points: The cinematography by Brian Fawcett is outstanding, be it of the forest and river landscapes, or indoor scenes. I found the acting excellent; special mention must be made of the powerful performances of Juliet Stevenson and Alex Lawther. My only negative comment is that the editing could have been a tad tighter, particularly regarding the underwater footage that seems to be over-emphasized. This is only a minor issue and has no serious impact on this rewarding film. I am looking forward to Andrew Seggall's next film. I score 'Departure' an excellent 8/10.

Teenage Elliott and his mother Beatrice return for one last time to the beautiful family house in South-West France in the autumn, to pack up and sell it. Whilst there, they meet someone who touches them both.

"Do you think you can know something before it happens?" asks the young Elliott. As the autumn leaves fall and Elliott explores his sexuality, he realises the summer of innocence is gone forever.

Juliet Stevenson and Alex Lawther are perfect in this haunting film. The photography is stunningly beautiful and complimented by a wonderful soundtrack including Oliver Daldry.

This is a film you will want to see again.

Last year there was only one film that completely shocked me, that put in turmoil the brain and heart, occupying a place for a very long time. It was MOMMY, by Xavier Dolan. DEPARTURE had a similar effect on me. It's a small film, independent, a debut. And perhaps for all these three reasons, there is an urgency so sincere to tell this story to make its strength and its power literally unstoppable. DEPARTURE is a wonderful piece of cinema, which reveals a great director of the future. Powerful, bright, completely honest. Well written, well directed, well played. It comes from the heart. And it goes to the heart.

Andrew Stegall's film 'Departure' tells the story of a son and his mother under pressure when they have to sell their holiday home in the wake of the break-up of her marriage; and simultaneously, of the son's nascent interest in a local youth. At times, we're dangerously close to Joanna Hogg territory (and I don't mean that kindly), but the characters are mercifully drawn with more warmth and we're allowed enough of a glimpse of the back-story so that the film makes sense. It's still not quite right, however, with alterations between sections that are well-crafted, dull Hogg-like periods where nothing happens save for the characters sulking in their misery, and occasional moments oddly presented as ephanaic in a way that jibes with the mood of the rest of the film. It's not awful, but I found it hard to get engaged.

This is one of those character driven movies that draw you in from beginning to end.

The movie follows mother and son over a week as they pack up a vacation home and ready it for sale. They meet a local boy enters their lives and complicate matters.

Although slow moving at times, I found this a fascinating watch with believable characters and situations.