Watson
- TV Series
- 2024–
A year after the death of his friend and partner Sherlock Holmes, Dr. John Watson resumes his medical career at a clinic dedicated to the treatment of rare diseases. However, he soon finds t... Read allA year after the death of his friend and partner Sherlock Holmes, Dr. John Watson resumes his medical career at a clinic dedicated to the treatment of rare diseases. However, he soon finds that his old life is not done with him yet.A year after the death of his friend and partner Sherlock Holmes, Dr. John Watson resumes his medical career at a clinic dedicated to the treatment of rare diseases. However, he soon finds that his old life is not done with him yet.
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Summary
Reviewers say 'Watson' receives mixed feedback, often compared unfavorably to 'House' for its medical mystery themes. Criticisms include uninspired writing, formulaic plots, and shallow characters. Morris Chestnut's performance is praised, yet the supporting cast is deemed underwhelming. The blend of medical drama with Sherlock Holmes elements feels disjointed. Positive reviews note potential for character growth and unique medical cases, but overall, 'Watson' is seen as derivative with some redeeming qualities.
Featured reviews
It was called Rosewood. Minus the beauty woman detective and the badass classic car. Only other difference is he's working with live people instead of working with the dead. Both shows he goes against what everyone else thinks. He physically and mentally has issues that he doesn't want others to know about. And he's surrounded by young people whom he sees potentially in but wants them to dig deeper. As far as the Sherlock Holmes theme goes we will have to see how that unfolds. If it wasn't for the ending of the first episode I probably wouldn't continue watching but it has me a little bit curious.
CBS's "Watson" feels like it was created by an algorithm that watched "House, M. D." and "Rosewood" but failed to understand what made those shows compelling. Following Dr. John Watson (Morris Chestnut) after his partnership with Sherlock Holmes, the series attempts to blend medical mysteries with detective work, but the result is a tepid, by-the-numbers procedural that lacks both shows' distinctive charms.
Where "House" thrived on Hugh Laurie's caustic wit and brilliant characterization, and "Rosewood" succeeded through Morris Chestnut's charismatic portrayal of an optimistic pathologist, "Watson" provides neither. Despite Chestnut's proven talent, his Watson feels constrained by flat writing and predictable storylines. The show seems afraid to let him be either abrasive like House or charming like Rosewood, leaving the character in a bland middle ground.
The medical mysteries themselves lack the intellectual complexity that made "House" engaging or the local flavor that gave "Rosewood" its Miami pulse. Each case follows such a formulaic pattern that you can practically set your watch by when the first wrong diagnosis will occur or when the obligatory personal connection to the patient will be revealed.
While Morris Chestnut remains as charismatic as ever, both his Watson and the supporting cast just aren't clicking. The ensemble lacks the spark that made shows like "Rosewood" so engaging, and it's particularly frustrating knowing that the entire "Rosewood" cast is currently available - making one wish CBS had opted to revive that superior show instead. The show tries to create tension through Watson's past connection to Holmes, but these references feel more like name-dropping than substantial plot elements. The chemistry between characters is virtually non-existent, making their interactions feel forced and professional to a fault.
Production values are adequate but uninspired. The hospital setting looks like every other medical show's set, and the visual style lacks distinction. Even the music seems pulled from a stock "tense medical moment" library.
The biggest disappointment is how "Watson" wastes its unique premise. The idea of exploring Holmes's former partner as a medical professional could have been fascinating, but instead of diving deep into Watson's psychology or how his time with Holmes shaped his medical approach, we get surface-level procedural fare.
In trying to appeal to fans of both "House" and "Rosewood," "Watson" ends up satisfying neither. It's not unwatchable, but in today's crowded TV landscape, being merely adequate isn't enough. This is especially frustrating given Morris Chestnut's proven ability to carry a medical show, as demonstrated in "Rosewood."
If you're craving medical mysteries, you're better off rewatching "House." If you want Morris Chestnut solving cases with style, return to "Rosewood." "Watson" proves that sometimes, the best elements of two successful shows don't add up to a compelling new one.
Where "House" thrived on Hugh Laurie's caustic wit and brilliant characterization, and "Rosewood" succeeded through Morris Chestnut's charismatic portrayal of an optimistic pathologist, "Watson" provides neither. Despite Chestnut's proven talent, his Watson feels constrained by flat writing and predictable storylines. The show seems afraid to let him be either abrasive like House or charming like Rosewood, leaving the character in a bland middle ground.
The medical mysteries themselves lack the intellectual complexity that made "House" engaging or the local flavor that gave "Rosewood" its Miami pulse. Each case follows such a formulaic pattern that you can practically set your watch by when the first wrong diagnosis will occur or when the obligatory personal connection to the patient will be revealed.
While Morris Chestnut remains as charismatic as ever, both his Watson and the supporting cast just aren't clicking. The ensemble lacks the spark that made shows like "Rosewood" so engaging, and it's particularly frustrating knowing that the entire "Rosewood" cast is currently available - making one wish CBS had opted to revive that superior show instead. The show tries to create tension through Watson's past connection to Holmes, but these references feel more like name-dropping than substantial plot elements. The chemistry between characters is virtually non-existent, making their interactions feel forced and professional to a fault.
Production values are adequate but uninspired. The hospital setting looks like every other medical show's set, and the visual style lacks distinction. Even the music seems pulled from a stock "tense medical moment" library.
The biggest disappointment is how "Watson" wastes its unique premise. The idea of exploring Holmes's former partner as a medical professional could have been fascinating, but instead of diving deep into Watson's psychology or how his time with Holmes shaped his medical approach, we get surface-level procedural fare.
In trying to appeal to fans of both "House" and "Rosewood," "Watson" ends up satisfying neither. It's not unwatchable, but in today's crowded TV landscape, being merely adequate isn't enough. This is especially frustrating given Morris Chestnut's proven ability to carry a medical show, as demonstrated in "Rosewood."
If you're craving medical mysteries, you're better off rewatching "House." If you want Morris Chestnut solving cases with style, return to "Rosewood." "Watson" proves that sometimes, the best elements of two successful shows don't add up to a compelling new one.
I love, love, love Morris Chestnut but this show is overly dramatic and boring. I'm not sure who this show is for. As a medical professional it's just a silly show trying to be smart. Watson is a halfway interesting character, but the rest of his physician crew are stereotypical smarties with bad attitudes. I really wish they had made the series more like Bones. With smart people really wanting to find the answer to a medical problem to benefit normal people or to help people who don't have access to such care.
Of course, at the conclusion they had to throw in their overarching mystery. By that time, I didn't care.
Of course, at the conclusion they had to throw in their overarching mystery. By that time, I didn't care.
**"Watson" is a show that seems to have a bit of an identity crisis**. It doesn't seem to know if it wants to be a "House" clone, a Sherlock Holmes reimagining, or its own thing. If you are a fan of medical procedural dramas you may want to check this show out, but if you're looking for something with more of a Sherlock Holmes theme, you might want to wait and see if it finds its footing.
Watched first ep with a lot of curiosity, especially with the Sherlock Holmes connection, and while it wasn't exactly what I expected, there were some things to appreciate.
First off, if you're tuning in expecting a classic Holmesian mystery, you might be surprised. It definitely takes a turn towards a medical procedural, with more than a few echoes of "House M. D." - the show is trying to be "House" with a bit of a Sherlock Holmes theme thrown in.
The pilot episode was a bit of a mixed bag, I have to say. **Some of the dialogue felt a little clunky and unnatural, like something out of a soap opera parody**.
The acting was okay. Morris Chestnut's delivery-his voice is low, and he speaks fast, making some of his lines a little hard to understand. The cast overall had a unique set of backgrounds, which was a nice touch. The cinematography was also nicely done, which helped with the overall viewing experience.
For a show that's got Sherlock Holmes in its DNA, it felt a little bit formulaic at times, almost like it was checking boxes rather than trying to deliver something unique. One of the more interesting bits was the character of Moriarty.
**The cases themselves were engaging enough, and I thought that the medical issues were actually quite interesting.**
Show was a bit flat, and maybe didn't really pull me in initially as much as it should have. Some parts, felt dull.
The attempts at a deep, dark mythology felt a bit convoluted and didn't quite land. The show is quite heavy and brooding, which might be off-putting if you're looking for something light-hearted or fun.
It seems like they were trying to go for a dark, gritty vibe, but without the humour of "House," it didn't quite resonate as it could have.
Some of the premise was promising. It's possible that as a procedural, this show might work. Or not!
. . . . . . . . . .
Watched first ep with a lot of curiosity, especially with the Sherlock Holmes connection, and while it wasn't exactly what I expected, there were some things to appreciate.
First off, if you're tuning in expecting a classic Holmesian mystery, you might be surprised. It definitely takes a turn towards a medical procedural, with more than a few echoes of "House M. D." - the show is trying to be "House" with a bit of a Sherlock Holmes theme thrown in.
The pilot episode was a bit of a mixed bag, I have to say. **Some of the dialogue felt a little clunky and unnatural, like something out of a soap opera parody**.
The acting was okay. Morris Chestnut's delivery-his voice is low, and he speaks fast, making some of his lines a little hard to understand. The cast overall had a unique set of backgrounds, which was a nice touch. The cinematography was also nicely done, which helped with the overall viewing experience.
For a show that's got Sherlock Holmes in its DNA, it felt a little bit formulaic at times, almost like it was checking boxes rather than trying to deliver something unique. One of the more interesting bits was the character of Moriarty.
**The cases themselves were engaging enough, and I thought that the medical issues were actually quite interesting.**
Show was a bit flat, and maybe didn't really pull me in initially as much as it should have. Some parts, felt dull.
The attempts at a deep, dark mythology felt a bit convoluted and didn't quite land. The show is quite heavy and brooding, which might be off-putting if you're looking for something light-hearted or fun.
It seems like they were trying to go for a dark, gritty vibe, but without the humour of "House," it didn't quite resonate as it could have.
Some of the premise was promising. It's possible that as a procedural, this show might work. Or not!
. . . . . . . . . .
I like it better the first time when it was called House M. D. I mean it's not that it has some resemblance, it is an outright copy. It's as if someone decided he wanted to make a 2020 version of House, and when he couldn't get permission to do it he figured he could do it without anyone noticing by making it a conglomerated kludge by taking on the Sherlock Holmes mystique. Well, you ain't fooling anybody. As every moment passes while I write this (on my IPad, a tedious job that it is) I see more and more moments of House. I even expect they'll start using old scripts from that show.
It's a good thing you're not ripping off Harlan Ellison - you'd be in a heap of trouble (just ask James Cameron about The Terminator). Wait - come to think about it he passed away a while back. Never mind. Oh, and talk about plagiarism, I did shamelessly ripped off David Spade's schtick. I'm sure he doesn't mind.
The ending, though, does offer some intrigue about the future. And that guy - wasn't he the one who played the FBI Agent in the MCU?
It's a good thing you're not ripping off Harlan Ellison - you'd be in a heap of trouble (just ask James Cameron about The Terminator). Wait - come to think about it he passed away a while back. Never mind. Oh, and talk about plagiarism, I did shamelessly ripped off David Spade's schtick. I'm sure he doesn't mind.
The ending, though, does offer some intrigue about the future. And that guy - wasn't he the one who played the FBI Agent in the MCU?
Did you know
- TriviaIn the Sherlock Holmes novels, Holmes fell into the Reichenbach Falls of Switzerland, as a result of engaging in a mortal struggle with Moriarty. Arthur Conan Doyle killed the character off as a result of boredom and he felt that it overshadowed his writing career in the sense that the public was so enamored with Holmes, they were not interested any other works he had to offer.
- ConnectionsFeatured in The Late Show with Stephen Colbert: Drew Brees/Morris Chestnut (2025)
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