Sand Castles

I am a movie lover. I watch movies every day and night. My husband and I should be movie critics I know everybody's taste is different but we know a good movie when we see one and especially if the film maker is good etc. We started making jokes saying well this is not a cheap made movie they can afford a helicopter and the trees look real. No lie. We are horror movie addicts but decided tonight we would watch something else.

Let me just add that when these people rank this movies any of them from horror to comedy in the best movies, top movies etc it is a joke so must of the time watch for yourself.

This movie was the best. Good storyline so many emotions. This is the first movie I have came on and actually sat down to write this much or give a movie so much good credit. From start to finish amazing. Now one well mainly is at the top of my list as best film ever made in a very long time. You get such a real look at life, what tragedy does, what good life is and a bittersweet end. This is a must watch movie and if you are a movie lover like we are you won't regret it. I give this movie 10 out of 10 starts. Definitely a must see.

It always makes me question the quality of the movie when the highest review ratings are by people who have only reviewed this movie and no others. Are they attached to the movie somehow? I watched 20 minutes and could have gone longer but it seemed like a movie very a low budget - not that there is anything wrong by that, but I need to be in the right mood to see it through. The 20 minutes I watched wasn't bad, I just didn't want to spend the rest of an hour on it. If I go back to it, I'll update my review. Sorry guys.

Ten years ago, little Lauren Daly (Anne Winters; Wicked City) was abducted while on a family trip to the beach. Devastated, the remaining family members spend the next ten years battling against alcoholism, depression, and suicide. Sand Castles depicts a tragic story of a lost childhood and the lives affected by that loss.

Ten years on and Lauren's brother, Noah Daly (Jordon Hodges), is taking care of his now alcoholic mother with help from his uncle Tommy (Randy Spence). Quick flashbacks reveal why Noah's father is no longer in the picture; an event that also took its toll on their family. The household is squeaking out a type of existence although it is clear that Lauren's disappearance hit them hard. But then they get a visit from the detective who has been on the case since he was a rookie. He informs them that they have found Lauren alive and it throws their new world for a loop.

Now a teenager and unwilling and/or unable to speak, Lauren tries to reintegrate into her broken family with the detective and a case worker looking over their shoulders. The case worker does her best to help Lauren, including taking her to a play based on a worn out book she carries around. But the presence of alcohol does not help. Lauren's mysterious return also re-energizes the investigation into her disappearance. Clint Howard co-stars as an eye witness who believes he saw Lauren getting dropped off where she was found; an account that leads Tommy down a dark, potentially heart breaking path.

The use of flashbacks is nearly perfect in this film. They tended to be short little clips introducing characters or circumstances just when that information is most useful. For example, when the detective is introduced, they have a quick flashback to him as a rookie getting the call of a missing person (Lauren). It's not too drawn out, gets the exposition out of the way, and keeps the story flowing at a decent pace.

Overall, Sand Castles is an interesting, emotional roller coaster. The characters are (mostly) likable and the actors are very respectable in their parts. The plot is depressingly believable and shows that your world can change in an instant both for the worse and for the better. I would have preferred a bit more closure regarding Lauren's kidnapping, but stick around during the credits for a bonus scene that does wrap up a few last threads of that mystery.

• Bradley Smith, Red Carpet Crash

Set in rural Indiana, Sand Castles tells of the impoverished Daly family continually haunted by a tragedy that occurred more than a decade ago. It's a nightmare that never ends. After a family trip to the beach, little Lauren Daly mysteriously disappeared, snatched by a stranger.

The devastation felt by the remaining family members understandably causes their lives to spiral down, out of control, resulting with dad taking his life while mom (an outstanding Saxon Trainor) drowns in a world of cigarettes and booze, leaving their son Noah (Jordon Hodges) to basically fend for himself.

Then, a decade later, the unimaginable occurs. "There's no easy way to say this," a cop tells the family. "We found Lauren."

Somehow, the little girl, now a teenager, has escaped from the confines of wherever she was held captive, but the trauma of the past ten years or so has resulted in a complete shutdown: she doesn't speak. The only potential clue to what might have happened to her is a well-worn copy of the Charles Dickens classic Great Expectations. The significance of the novel and why the young girl appears to read and re-read the book is later revealed, but to the frustration of the social worker assigned to the case, Alison Paige (Daniella Grace), Lauren refuses to allow anyone to touch her dog-eared copy. In an attempt to break through the young girl's silence and hopefully open up a channel of communication with her, Alison buys her own copy of the book and even takes both Lauren and Noah to a local community theatre production of the novel.

Sand Castles - a title referring not only to that fateful day at the beach but also the fragility of an existence that can be swept away by a single wave in one, brief, unexpected moment – is an impressive debut from Jordon Hodges, who here does triple duty as actor, writer and co-producer. There's little wonder as to why the film has already collected a number of festival awards; Sand Castles has its flaws, but the overall impression you're left with as you leave the theatre is one of immense satisfaction, the result of witnessing an ambitious story well told and the introduction to a new talent; Jordon Hodges.

As writer, Hodges uses only slight reveals to illustrate important key moments. It's up to us, the audience, to recognize the clues. Imagine trying to fit pieces of a jig-saw into place but without the aid of the picture on the box. Flashbacks occur, but they're brief; they flash on the screen in the same way a thought may suddenly spring to mind, lasting just a few seconds, often shorter. With an economy of dialog, feelings are often illustrated by the briefest of glances or an accusatory look. When ex-cop and close family member, Tommy Daly (Randy Spence) buys Lauren her own, small fridge - the kind a student may have for convenience in the dorm - the young girl unexpectedly runs forward and hugs her uncle, burying her head in his chest. It's a touching and genuinely heartfelt family moment made all the more effective due to the simple absence of dialog. But occasionally there are the odd missteps.

The scene where Tommy's ex-partner, now detective (Scott Jemison) angrily berates Lauren out of frustration for her continual silence develops into something unnecessarily overwrought and not particularly well-played, plus the sudden romance between Noah and the attractive social worker occurs completely out of nowhere. The moment when Alison suddenly kisses Noah is meant to surprise, which it certainly does, but up until that moment there has been no indication whatsoever of the social worker's attraction to Lauren's big brother. The romance needs to happen in order for later events to occur, but somehow that initial moment feels both wrong and unnatural. There's also the appearance of an important, extra scene that runs in the middle of the closing credits. It's not an add-on; it's an integral part of the mystery and needs to be seen earlier rather than at the conclusion of the cast list.

However, backed by an outstanding, atmospheric score from musician Todd Maki and solid performances from Hodges, Trainor and Spence, plus an effective appearance from Clint Howard whose somewhat creepy presence only adds to the overall mystery of Lauren's kidnapper, director Clenet Verdi-Rose has delivered a feature that needs to venture further than the confines of the festival circuit. More importantly, it introduces us to Jordon Hodges. Remember the name.

• Valley Screen and Stage: David Appleford's Film and Theatre Reviews

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Look hey is it the worst movie I've seen.. not by any stretch. There was some potential there but, to me, they wasted it.

The acting does in fact leave something to be desired and while I enjoy subtlety in a movie this one does not really give you quite enough to know what really is/did happen... Really some guesswork without any answers that actually make sense. Sure you want to do a piece about human unpredictability fine but to me this is the writers being unpredictable not the story.

In some ways I do get that people liked it and you may as well, but from my perspective it was quite drawn out and mostly focused on family dynamics and sort of tried, unsuccessfully, to tie it into a 'neat little bow'.. that's not so neat.