Orphan Black
- TV Series
- 2013–2017
- Tous publics
- 44m
A streetwise hustler is pulled into a compelling conspiracy after witnessing the suicide of a girl who looks just like her.A streetwise hustler is pulled into a compelling conspiracy after witnessing the suicide of a girl who looks just like her.A streetwise hustler is pulled into a compelling conspiracy after witnessing the suicide of a girl who looks just like her.
- Won 1 Primetime Emmy
- 70 wins & 96 nominations total
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Featured reviews
IMDB only lets you do one review for a show and I think it is only fair to review it as a whole.
At it's best, Orphan Black it a tense, intelligent, dystopian sci-fi thriller. But ultimately, the complexity of the story becomes unsustainable.
Seasons 1&2 are fantastic and would rate a 9/10 if the show had stopped there. There are a couple of episodes that miss the mark, but the rate of story development is so fast that they don't linger on the weak points. It's a tense, mysterious drama about a group of female clones who have grown up with no idea of their background, and who now have various dark forces trying to control them.
Season 3 takes a markedly different direction, with a more military setting and another group to focus on. It's not bad, but it loses some of the focus and believability that made the first two series such a success. 7/10.
Season 4 does an amazing job of ret-conning almost all of the events in Season 3, and goes back to the urbanised, commercial dystopianism of the first two seasons, with an increasing number of flashbacks to explore the characters stories in more depth. However, when you are effectively re-telling a different version of the story in Seasons 1&2 it's hard to make a big impact. 7/10.
Season 5 is where it all falls apart. The writers very cleverly left little nuggets of information in earlier seasons which weren't fully explored. This season tries to bring them all together, and neatly tie up all the loose ends, both in terms of the storylines, and the characters that have been involved. It's too optimistic an undertaking and it just doesn't work. The psychological tension is mostly replaced by gore. Many of the rules that rooted the show in a degree of reality previously are broken. It's a step too far into fantasy, and it's a chore to get through. 3/10.
Tatiana Maslany is exceptional - granted a couple of the characters are a bit annoying (Sarah/Cosima)- but some of them are fantastic creations (Helena/Alison/Krystal). The brilliance of the performance is that she includes little details that mean you know who is who, even when their hair and clothing are hard to tell apart.
The show is bold enough to get rid of key characters. It's a risk that a lot of shows aren't willing to take. Unfortunately the cast and characterisations in later series is not as strong as at the start.
Long running dramas like Orphan Black always suffer from the same problem. There is a great story to be told in 10 episodes. But if the audience likes it, they will want more of it. The networks will want more of what the audience wants. And the writers would be fools to say no to another 3 months production budget. Which means that "jumping the shark" becomes inevitable - at some point you will run out of good material to extend the story further.
Orphan Black did really well to keep the quality up for 4 seasons. And were wise enough to end it in the 5th.
At it's best, Orphan Black it a tense, intelligent, dystopian sci-fi thriller. But ultimately, the complexity of the story becomes unsustainable.
Seasons 1&2 are fantastic and would rate a 9/10 if the show had stopped there. There are a couple of episodes that miss the mark, but the rate of story development is so fast that they don't linger on the weak points. It's a tense, mysterious drama about a group of female clones who have grown up with no idea of their background, and who now have various dark forces trying to control them.
Season 3 takes a markedly different direction, with a more military setting and another group to focus on. It's not bad, but it loses some of the focus and believability that made the first two series such a success. 7/10.
Season 4 does an amazing job of ret-conning almost all of the events in Season 3, and goes back to the urbanised, commercial dystopianism of the first two seasons, with an increasing number of flashbacks to explore the characters stories in more depth. However, when you are effectively re-telling a different version of the story in Seasons 1&2 it's hard to make a big impact. 7/10.
Season 5 is where it all falls apart. The writers very cleverly left little nuggets of information in earlier seasons which weren't fully explored. This season tries to bring them all together, and neatly tie up all the loose ends, both in terms of the storylines, and the characters that have been involved. It's too optimistic an undertaking and it just doesn't work. The psychological tension is mostly replaced by gore. Many of the rules that rooted the show in a degree of reality previously are broken. It's a step too far into fantasy, and it's a chore to get through. 3/10.
Tatiana Maslany is exceptional - granted a couple of the characters are a bit annoying (Sarah/Cosima)- but some of them are fantastic creations (Helena/Alison/Krystal). The brilliance of the performance is that she includes little details that mean you know who is who, even when their hair and clothing are hard to tell apart.
The show is bold enough to get rid of key characters. It's a risk that a lot of shows aren't willing to take. Unfortunately the cast and characterisations in later series is not as strong as at the start.
Long running dramas like Orphan Black always suffer from the same problem. There is a great story to be told in 10 episodes. But if the audience likes it, they will want more of it. The networks will want more of what the audience wants. And the writers would be fools to say no to another 3 months production budget. Which means that "jumping the shark" becomes inevitable - at some point you will run out of good material to extend the story further.
Orphan Black did really well to keep the quality up for 4 seasons. And were wise enough to end it in the 5th.
I watched the first season of Orphan Black in just two days. Yes, it was that addicting. Such a fast-paced first season as well, the thrills never stop, the twists and turns never let down. But what's most remarkable is Tatiana Maslany, who plays these various characters brilliantly. It's not just that she plays many characters though, it's how she does it, and how when you see a different one you can see the difference in characterization that she's able to give them. She honestly deserves to win the Emmy at this point, and I truly hope she gets the nomination. Still, the first season of this sort of reminds me of other shows' first seasons where the quality takes a drastic downturn. Something built like this in its structure certainly is always at risk of getting too outlandish or stupid, but thankfully this never did.
Her acting skills are phenomenal and anyone who loves acting should watch this series for that reason alone. But the story is also fascinating and even if your not into sci-fi, it's still very entertaining and a original show to watch.
A title that I had stumbled upon and never looked back. At first, I wasn't sure if I'd like the premise of the show since it wasn't really my cup of tea. However, there have been very few shows that have intrigued me from the very first episode to the series' finale. Ophan Black is one of those shows. Tatiana Maslany deserves every praise she receives from this show and then more on top of it. Her acting was diverse and extraordinary. Orhan Black would not be what it is had any other actor played the roles that Maslany did.
I thoroughly enjoyed Seasons 1 & 2. The premise, acting, settings and character interactions were well done.
Seasons 3 & 4 were OK but were on a downward slide.
Season 5 I struggled to watch and had to force myself just so I could satisfy my curiosity on how the show ends.
From Season 3 onwards, the show became more of a soap opera, with lots of love interests, characters re-appearing, hurt feelings, etc. There were too many sudden plot twists that made little sense. The stories in subsequent seasons, were the same stories from the previous seasons, but used new characters and new corporations.
My favourite character- Helena.
Seasons 3 & 4 were OK but were on a downward slide.
Season 5 I struggled to watch and had to force myself just so I could satisfy my curiosity on how the show ends.
From Season 3 onwards, the show became more of a soap opera, with lots of love interests, characters re-appearing, hurt feelings, etc. There were too many sudden plot twists that made little sense. The stories in subsequent seasons, were the same stories from the previous seasons, but used new characters and new corporations.
My favourite character- Helena.
Did you know
- TriviaTatiana Maslany said in an interview that she has a continuity team that keeps her from mixing up the characters. For instance, if she's doing a scene that has both Alison and Sarah in it and she's playing Alison, if the script tells her to roll her eyes, they make sure it's an 'Alison' eye roll and not a 'Sarah' eye roll.
- GoofsCosima mentions in season 1 that Katja's fingerprints would be close enough to Sarah's that running Katja's prints through standard police search would pull up Sarah's rap-sheet. No one seems worried that Beth's fingerprints should have been just as similar, and as a police officer her prints would definitely be in the system. Why didn't Sarah's rap-sheet emerge when Beth applied to become a police officer? Why did the system match Katja to Sarah but not to Beth? The system may have matched Sarah to Beth, but other data would not have matched, such as date of birth, place of birth, parents etc. The match would have been seen as a false positive which often occurs in fingerprint matching systems. Even in ten-print matches, depending on what level of search was employed. In many systems, technician intervention is required to eliminate candidate matches.
- ConnectionsFeatured in Chelsea Lately: Episode #7.115 (2013)
- SoundtracksMain Title Theme
Written by Two Fingers
Performed by Two Fingers
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Details
- Runtime
- 44m
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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