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7.1/10
6.4K
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A family migrates to the city after a tragic loss. When they reunite in their hometown 30 years later, buried emotions and painful secrets resurface.A family migrates to the city after a tragic loss. When they reunite in their hometown 30 years later, buried emotions and painful secrets resurface.A family migrates to the city after a tragic loss. When they reunite in their hometown 30 years later, buried emotions and painful secrets resurface.
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- 1 win & 2 nominations total
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Featured reviews
A film signed by Berkin Oya, who deserves the title of 'Auteur' director even before he is 45 years old.
The movie wasn't actually made for Netflix. Netflix later joined the project and bought all the rights of the film without being a passenger of the Antalya Film Festival.
Berkun Oya, who has worked at every stage of a set and gained experience, presents us with the master framing, actor/actress management and script language that we are used to in this film.
The advantage of having full control in the series, theater plays, films and even in writing is a plus.
If we talk about this movie; The fact that he used the experienced actors and actresses for the cast and inexperienced actors in the same frame and the equal distribution of roles in each frame is proof of how much he trusts himself.
Having started his career as a cameraman, Yagiz Yavru's cinematography is magnificent.
Ali Aga, on the other hand, made the film even more watchable with an edit worthy of him.
Eli Haligua and Fatih Ragbet did a great job in sound engineering.
It would take pages to praise the names in the cast of the movie one by one, everyone in the cast believed in the work, many of whom had already worked with Berkun Oya...
But a round of applause is needed for Okan Yalabik and Nur Sürer...
The movie wasn't actually made for Netflix. Netflix later joined the project and bought all the rights of the film without being a passenger of the Antalya Film Festival.
Berkun Oya, who has worked at every stage of a set and gained experience, presents us with the master framing, actor/actress management and script language that we are used to in this film.
The advantage of having full control in the series, theater plays, films and even in writing is a plus.
If we talk about this movie; The fact that he used the experienced actors and actresses for the cast and inexperienced actors in the same frame and the equal distribution of roles in each frame is proof of how much he trusts himself.
Having started his career as a cameraman, Yagiz Yavru's cinematography is magnificent.
Ali Aga, on the other hand, made the film even more watchable with an edit worthy of him.
Eli Haligua and Fatih Ragbet did a great job in sound engineering.
It would take pages to praise the names in the cast of the movie one by one, everyone in the cast believed in the work, many of whom had already worked with Berkun Oya...
But a round of applause is needed for Okan Yalabik and Nur Sürer...
The film is so stagnant that the director has nothing to tell, but look, I have the opportunity, I have money, I understand these things, and he puts out a task as if he is wasting your time, just as I waste my time. The expectation from a movie is consistent with the name of the movie, but the movie "Cici" is far from its name and beyond being cute in terms of its subject and flow. With these possibilities, a great emotional Anatolian drama could have come out with this cast, but it didn't. No, I think the director should keep trying, but on the condition that before starting a new project, watch Cici from start to finish without speeding up and skipping.
Definitely a reliable analysis of traditional Turkish families: Traditional Turkish families - if not all, most - are characterized by terrible communication among family members due to sub-par individual maturity of Turkish people. Turkish men are work-oriented machines whose emotional development is almost always incomplete and, depending on the family milieu and neighborhood, they can be very harsh on children. Many Turkish women are unaccomplished passion storehouses who are too often deprived of equal opportunities in childhood. The children such people raise - even when these children attend university and adopt an urban lifestyle that requires a higher degree of self-awareness - are almost always immature and have difficulty exploring, understanding, and facing their own individuality, psychology, and the emotional immaturity that always govern their relationships. The director did a remarkably successful reading of Turkish family and societal dynamics, based on realistic characters. Definitely worth your time.
First of all, I liked the picture. The terrain is perfect and reminded me my own childhood and i like the pictures that i could relate.
Secondly actor performances is perfect. If I should be more specific I loved the the way that Ayca Bingol acted.
Even though actor performances are brilliant, build up is weak. One minor event led huge consequences which is not believable for me. In Turkey's world almost everybody has much more trauma that we need push down so I would expect more strong back story from Berkun Oya who is very capable to do so.
I can not wait to watch next project of Berkun Oya.
Secondly actor performances is perfect. If I should be more specific I loved the the way that Ayca Bingol acted.
Even though actor performances are brilliant, build up is weak. One minor event led huge consequences which is not believable for me. In Turkey's world almost everybody has much more trauma that we need push down so I would expect more strong back story from Berkun Oya who is very capable to do so.
I can not wait to watch next project of Berkun Oya.
Experiencing someone's trauma was well executed.
Switching to now and past is an awesome idea. The acting part was just perfect, I felt all the emotions of every character. When we are watching the movie, it feels like we are watching someone's photos frame by frame, but this time we know the backstory. "twist" of the film wasn't that big, and I think it made the movie clean. There is nothing too much, and nothing less. While you watch it you get more and more curious about the story like you are listening to someone's tale or gossip about someone's story that tells you everything about the characters but not in order.
Switching to now and past is an awesome idea. The acting part was just perfect, I felt all the emotions of every character. When we are watching the movie, it feels like we are watching someone's photos frame by frame, but this time we know the backstory. "twist" of the film wasn't that big, and I think it made the movie clean. There is nothing too much, and nothing less. While you watch it you get more and more curious about the story like you are listening to someone's tale or gossip about someone's story that tells you everything about the characters but not in order.
Did you know
- TriviaThere is exactly 30 years in real life between the actress Funda Eryigit, who played the youth version of "havva" in the movie, and the actress Nur Surer, who played the 30-year-older version of the same character. (1954-1984)
- GoofsAt the very beginning there is a confusion old TRT channel logos. In 1983 and 1984, this TV channel used it's logo around TRT word with ellipse circle, just for color broadcasting. And without ellipse circle for black & white broadcasting. It reversed at the very beginning of the movie.
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- Gorgeous
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- Runtime
- 2h 31m(151 min)
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