IMDb RATING
6.5/10
7.7K
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A college grad takes a clerical job working for the literary agent of the renowned, reclusive writer J.D. Salinger.A college grad takes a clerical job working for the literary agent of the renowned, reclusive writer J.D. Salinger.A college grad takes a clerical job working for the literary agent of the renowned, reclusive writer J.D. Salinger.
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This film isn't a whirlwind of entertainment-much like the book. It's a leisurely Sunday read in the sun, accompanied by a gentle breeze. Or a late-night Saturday movie when the full moon keeps you awake. Wonderfully acted and grounded in realism, it thrives on sharp, engaging dialogue. Sigourney Weaver carries both herself and the film with every appearance, while Margaret Qualley is an absolute delight - she's undoubtedly going places.
Read the book and watch the film. Or watch the film and read the book. The order doesn't matter. This is a story for all book lovers, whether they've spent time with The Catcher in the Rye or not. A solid 7/10.
Read the book and watch the film. Or watch the film and read the book. The order doesn't matter. This is a story for all book lovers, whether they've spent time with The Catcher in the Rye or not. A solid 7/10.
Most people reviewing this film - understandably - look to it to be an examination of the world of New York literary agents, J.D. Salinger's work, aspiring writers, or some combination of all the above. Who can say - but it seems clear from seeing it just now (on its U.S. release) that it's a movie not principally concerned about those other things, but rather about its own central character, Joana Rakoff (as played by Margaret Qualley). It is, after all, *Joanna's* Salinger Year - not those other folks'; it's concerned with her *experience* of those things - not the things themselves. I find the movie to be highly underrated; indeed, it's got a few really standout moments (mostly things that play out in the confines of Joanna's mind) - as well as some good, solid performances. If you take it purely as a story of personal growth and development, *set against* the backdrop of the NY literary world, I think you'll enjoy it, as I did. It's "subtle," to be sure - but who needs sledgehammers? (Save that for "My Sledgehammer Year.")
This film starts off a bit slow and hard to follow until you start to feel you are back in that time of your life when you had your first notable job. The story unfolds and you start to care about the depth of the cast. The music accompanies the scenes nicely. The images of New York are always appreciated by me. This is a gentle movie for those who appreciate writers, books and agents.
While there is nothing particularly revelatory about My Salinger Year, it is a pleasant and neatly crafted film. There are obvious comparisons to be made with The Devil Wears Prada but this work seems far more honest and much less showy. There is humour but not to the camp heights of 'Prada'. Instead there are some great observations on the arrival of the internet and email into the long established world of New York literati, the story being set in 1995. The always striking Sigourney Weaver has fabulous command of comedy and makes these moments truly memorable. But an actor such as Weaver has so much more to give and does so in the small opportunities she his given to extend her character beyond two dimensions. Qualley is an adeqate lead, at times over then under playing her role. Fantasy moments are also woven in, which do feel awkward at first but then somehow seem to fit with the protagonist's wistfulness. A dance sequence is particularly lovely. If you are looking for a pleasant, not very challenging but intelligent adult film then My Salinger Year will satisfy a night out, or more likely, a night in.
It's not an eventful story, but somehow it really engages you with realistic characters and an engaging story. I find it heartwarming.
Did you know
- TriviaJoanna Smith Rakoff: the movie's real life subject matter appears when Joanna visits The New Yorker and sees Max with a woman entering an elevator.
- GoofsJoanna, referencing U.C. Berkeley, says she's like "a big cloud of East Coast irony haunting Southern California," but Berkeley is in Northern California.
- ConnectionsReferences Soy Cuba (1964)
- SoundtracksEveryday
Performed by Tinsley Ellis
Written by Bob De Pugh (as Bob DePugh) and Tinsley Ellis
Published by De Pugh Music, Frozen Inca Music
Courtesy of Alligator Records
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- My Salinger Year
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Box office
- Gross US & Canada
- $54,730
- Opening weekend US & Canada
- $28,851
- Mar 7, 2021
- Gross worldwide
- $957,592
- Runtime
- 1h 41m(101 min)
- Color
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