Coup de foudre au village de Noël

This was not one of Hallmark's better efforts. One issue is the complete lack of chemistry between Alison Sweeney and Luke Macfarlane. First time I have seen Macfarlane not connect with his leading lady. As someone who has always admired Marlo Thomas and enjoyed her performances over the year, I was disappointed that her role was so quirky and off center. I do not know what is happening over at Hallmark, but the quality of the Countdown to Christmas movies this year have been a disappointment. This film was so slowly paced and at no time did I feel the main characters were a match. I just kept hoping the story would develop, but it never did.

Allison Sweeney and Luke Macfarlane are better than this forced and fairly empty mess. Too easy to solve issues, too sappy and sugary and disgustingly sweet. Hallmark took an outline and filled it in with fluff and nonsense, but no heart. Why does the network feel it necessary to churn out mediocre junk in great numbers rather than make fewer but much better movies? The magic Christmas village was a wasted element that was tossed into the story to provide Christmas Magic? It didn't. I found Marlo Thomas's dated hippy philosophy and preachy tendencies distracting and annoying. (As was her plastic surgery face, especially as I am old enough to remember That Girl). I couldn't wait for the movie to end. It won't be on many Do Not Miss lists next year.

We always watch Alison Sweeney movies because she is such a real, natural actress. We figured the icing on the cake would be to see Marlo Thomas act again after not seeing her since a St. Jude commercial a couple of years back.

Well, Marlo's opening scene in the beginning of the movie was sort of shocking. She obviously saw the Jackson Family cosmetologist for her nose and Goldie Hawn's botox physician - to the point that her appearance distracted big time from what was going on. To Hallmark's credit, though, they gave Marlo a lot to do in this movie.

This wasn't just a couple of scenes for namesake value - she plays a fully developed character with many interactions with the rest of the cast. And, once you get used to her appearance, you realize that Marlo is really quite good. Let's face it and give her credit, this month she turns 85 and she can still give an honest, natural, and interesting performance, which ultimately becomes rather endearing.

As a matter of fact, she has a "show down" scene with Sweeney that is quite excellent and her second meeting with Macfarlane at a market is moving and sweet. Throughout, her scenes with Maesa Nicholson, playing her granddaughter are very well done and, at times, nicely humorous. Nicholson is an impressive young actress.

As far as the story goes, it really kept our interest - an elderly person going broke is not all that uncommon nowadays and the relationship between Sweeney and Macfarlane's characters is nicely developed. As usual, they give really fine performances, particularly Sweeney whose character she seems to be relaxed and comfortable with - so much so that her performance is more multi-faceted and complex than in other Hallmark roles she has been given.

It's not the best new Hallmark this season, but it's still enjoyable and worth a watch.

As staples of Hallmark movie casts, Sweeney and Macfarlane deliver solid acting and are the draw for the movie. It's great to see Marlo Thomas in a supporting role that is actually more developed than Luke Macfarlane's (which is unfortunate). Yes the plastic surgery is a distraction at first, but she's looking pretty darned good for 85! I really want to rate the movie higher because of these actors, however it just feels there's something missing in all the other characters' development.

There are plenty of choices each year for new Christmas movies. A Magical Christmas Village is entertaining enough to be worthy of 90 minutes of your attention and should make the cut.

The story strongly implies that the family's Christmas village set has magical powers that intervene in the lives of the story's main characters. One thread of the story is the developing romance between Allison Sweeney's Summer and Luke MacFarland's character. Another thread is the family struggles that center around Marlo Thomas' Vivian.

I am more than happy to imagine how Chloe can use the village's magic to find romance for her mother whom everyone says over and over is controlling. As controlling characters go, I found Summer to be not nearly as bad as many in this type of movie. I resent that the movie implies that there is something wrong with a woman who is financially responsible and works hard to accomplish the tasks before her through her organizational skills. Summer has rules for Chloe and holds to them, but in a reasonable way balancing carrot and stick in her parenting.

Vivian seems to think that overdue bills will be taken care of by the Universe in its own good time. Even Summer's sister recognizes her mother's challenges. She and Summer have a running joke about whether a discussion about mom is a "five alarm" discussion. Yet she seems to take mom's side when these differences create conflict within the family. This entire premise in the movie turned me off to what could have been fun.

Sweeney and MacFarland have chemistry. The dialogue in the movie is good, although not as sparkling as some movies. The acting is good.