Blandings

Saunders is always a fave but her lines omg. Her threats and superficial social climbing and Farthing and Spall are spot in. Poor put upon Butler Beach is such a great foil. Wow I laughed out loud a lot. Enjoy. Downtown Abbey gone off the rails.

I will easily fly in the face of recent opinion on this show. If you want Jeeves and Wooster, then just watch your old DVD:s. I'm sure the ambition was to make this series as funny, but even if it can't quite reach up to that level, it's still good quality entertainment.

We have great actors, relaxed performances, fun guests - and a huge fat pig:) Pretty happy right there:)

I'm not a Wodehouse purist or expert, but I still have a feeling he would have appreciated the efforts to make his writings worth checking out for a new generation. Give it it a shot, and don't be so jeevesed off!

When the brilliant and inspired Stephen Fry and Hugh Laurie did PG Wodehouse's "Jeeves & Wooster" in the 1990's it was a pure joy. Because they didn't appear to be acting. They seemed to somehow miraculously become those two characters. You couldn't see the strings.

The complete opposite is true of the BBC's new six-part adaptation of PG Wodehouse's Blandings Castle stories. As Lord Emsworth, Timothy Spall does little but put on a posh voice and dig in, like a knackered old repertory company actor playing Toad of Toad Hall for the umpteenth time, in yet another tatty production of Wind in the Willows.

As Emsworth's sister Connie, Jennifer Saunders looks equally bored and uninterested, as if she's hurriedly learned the lines for a quickie PG Wodehouse sketch in an episode of French & Saunders.

Worst of all is Jack Farthing as the idiot son Freddie. His upper class accent is about as convincing as a first year American drama student auditioning to play all the Hugh Laurie parts in a bad remake of Blackadder.

Farthing's on-screen strategy appears to be to pull as many stupid grimaces as possible, bump into the furniture, fall over, and hope for the best.

The only member of the company who isn't dismally miscast is Mark Williams, who's Beach the Butler is neatly underplayed, nicely observed, and completely believable – standing head and shoulders above the surrounding gaggle of tiresome, stereotyped, phone-it-in actors.

The pig is good. Very good. His flat, upturned nose can't help but put me in mind of Kevin Bacon (No pun intended. A genuine, physical similarity that is undoubtedly worth pointing out.) Blandings' early evening, weekend time slot makes me wonder just exactly who the target audience are intended to be. The poor slapstick and semi-Pantomine style appear to be aimed at a younger audience. Chuckle Brothers meets Downton Abbey? Yet that age group's unfamiliarity with the Wodehouse genre would surely only lead to utter confusion and bewilderment. I know Wodehouse pretty well and it left me cold.

The only thing that made me laugh during the whole of the first two episodes was the thought of a couple of streetwise urban teenagers accidentally switching on to Blandings and fruitlessly trying to work out who these people were, and what the hell they were all on about. I will not be returning a third time to this particular crumbling pile.

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We should not, I think, judge Blandings by the standards of realistic contemporary comedy. I agree that characters do not seem realistic in some respects and that the acting and effects in Season 1 are more artificially (Freddy's forelock rising and falling at the sight of a pretty female, for example), but both seasons have grown on me--I like them both. Both butlers Beach are wonderful, each in his own way. But both seasons are based on Wodehouse's brilliantly comedic language and absurd plots and unforgettably archetypal characters--plagues in the form of aunts/sisters, guardian-crossed lovers, butlers with more sense than their employers, frivolous young men who live for nightlife and fall in love with a succession of pretty young women, and leading male characters of the upper class who have a hobby-horse (in this case, the Empress) and are one cartload shy of a full load of fertilizer. I only wish there were 10 seasons of this delightful fluff.

I'm clearly much more easily pleased than some of my fellow reviewers, because I *love* this production. The cast is wonderful - Timothy Spall is toweringly magnificent as Lord Emsworth (though we did wonder why they tidied him up so much in Series 2?), Jennifer Saunders is very fine as the glowering Connie ("Im going .. to my room!"), the terrific Jack Farthing pretty nearly steals the show as the eternally daffy Freddie, Julian Rhind-Tutt is great as as the rakish Galahad, and Robert Bathurst provides sterling support as Emsworth's nemesis, "Stinker" Parsloe ... and of course, The Empress is gorgeous. I admit I haven't read the Blandings books yet, but I've seen many previous Wodehouse adaptations, and the tone of this series seems spot-on to me, without being slavishly intent on capturing every tiny nuance and detail of the original stories. And of course the sumptuous Irish locations are splendid. The only slight disappointment for me was the loss of the wonderful Mark Williams after Series One ... Tim Vine does a good job in Series Two, but Williams was so utterly *perfect* as the bibulous Beach that some slight disappointment is inevitable, and Tim perhaps played him a little too 'straight' ... but hey, it's a very minor quibble. I think you'd have to be an inflexible Wodehouse purist, or just a very hard-hearted viewer, not to find a great deal to enjoy in the delightful series - well-played, well-written, well-made. My family and I loved it unabashedly and wanted to watch it all over again as soon as it was finished. Pure delight.