Lullaby

This film tells the story of a dysfunctional family, who is reunited by the terminally ill father's decision to pull himself off life support.

"Lullaby" is named quite the opposite of what it really is. It is a dark film with a lot of arguments and dysfunctional interactions. It is not easy to watch. The pacing is very slow, and I think the film can be a lot shorter, especially by cutting out the music scenes that are unnecessarily long. Jennifer Hudson is memorable as a nurse with attitude, I am quite unsure if nurses in the States really act like that! The ending speech by the daughter is very touching, but it is still not enough to save "Lullaby" as a tedious film.

One of the many problems of this movie is the cast. People like Amy Adams and Terence Howard are wasted in small roles. RIchard Jenkins as always is great but he can't rescue the bad script, bad dialog and bad direction that often feels so forced and at times really cringeworthy. Look out for the scenes where the family falls into "fake" laughter. So you potentially have some really good actors but what do you do? You center the movie about the one who is attempting to act. Garrett Hudlunds acting is horrendous. I have never seen him being good but also never as painfully bad as here. I am sure he is trying but it just never works. And I don't know if it is him or the director but in every scene you get the feeling he is positioned in the scene a certain way to accentuate his looks. His pseudo artsy hair- and beardstyle doesn't help. He is a good looking dude but this is not a RomCom it is a drama. Focus on the acting not on looking good.

Andrew Levitas makes his screen writing and directing debut in this little film LULLABY and for a first time effort, despite all the rough unfinished edges of the canvas, he gives notice of a man with a fairly keen perception of the complex interrelationships of dysfunctional families.

Jonathan Lowenstein (Garrett Hedlund) lives in Los Angeles attempting to become a singer of note and has been estranged from his wealthy New York family for years, always feeling as though he was unable to live up to his father's expectations. One day, he suddenly receives word that his terminally ill father Robert Lowenstein (Richard Jenkins) wishes to be taken off life support after a 12 year struggle with lung cancer and has 36 hours to live. When he agrees to visit his father, he unintentionally sets up a family conflict with no easy resolution. His mother (Annie Archer) has been caretaker of Robert and is happy to have the family reunited: Karen (Jessica Brown Findlay), the younger sister in law school, struggles with resentment for Jonathan, Jonathan detests the fact that he must observe the dying wishes of Robert (including setting up Seder when Jonathan has a history of disregarding his Jewish heritage), cope with Karen's acerbic flairs, deal with a stranger Meredith (Jessica Barden) who is 17 years old and dying of bone cancer who shares her needs with Jonathan and he with her, and re-encountering his lost love Emily (Amy Adams). Some of the best moments are provided by Jennifer Hudson as the potty mouth bitchy nurse, Terence Howard as the attending physician who is to aids Robert's 'assisted suicide', and Daniel Sunjata as a policeman who joins in the Seder. Though there are funny moments the story hangs on the subject of death and end of life situations, sharing the manner in which we evaluate our lives and our purposes in this life at that transformative moment of death of a loved one.

Though falling frequently into the overplayed anger/grief/sobbing triad the actors are very fine and they make the film worth watching. Grady Harp, July 14

The story centers around a son's and daughter's responses to a father's desire to end all palliative treatment, designed to keep him alive, in spite of his having an incurable cancer. Unfortunately, I didn't really know where this movie was going with the story. I saw a family of three arguing mostly, and going through emotional breakdowns without an ounce of genuineness.

The son is a musician who had a falling out with the family. Nothing else is mentioned about him. He grunts and yells, and goes through some emotional wrangling as he tries to accept his father wishes. The daughter's response is even more incomprehensible. Since her father took her and his son off his will, she started getting upset. Then she goes on about a person's right to die versus a responsibility to help family by staying alive. A little speech is inserted attesting to this. The mother mostly cries but has a few emotional breakdowns. That, in essence, was the movie, except that it was punctuated by a few "heartwarming moments" with a former girlfriend and young cancer patient, moments that didn't help with the unevenness of the script.

I saw no chemistry among the actors. The script was messy and the emotional reactions constantly displayed throughout the film became distracting. All four actors and their abilities were wasted on a poor script.

(2014) Lullaby DRAMA

Co-produced, written and directed by Andrew Levitas that has inspired rock musician, Jonathan (Garrett Hedlund) returning back home to NYC to see his dad, Robert (Richard Jenkins) who suffering immensely from cancer, deciding to finally pull the plug. He wants to do this, not with his wife (Anne Archer) and son but also with his successful lawyer daughter, Karen (Jessica Brown Findlay) who is attempting to prevent him from what she felt was her dad making an irrational decision. I liked some of the general conversation exchanges between brother and sister, as they put their differences aside.