Lullaby

Andrew Levitas makes his screen writing and directing debut in this little film LULLABY and for a first time effort, despite all the rough unfinished edges of the canvas, he gives notice of a man with a fairly keen perception of the complex interrelationships of dysfunctional families.

Jonathan Lowenstein (Garrett Hedlund) lives in Los Angeles attempting to become a singer of note and has been estranged from his wealthy New York family for years, always feeling as though he was unable to live up to his father's expectations. One day, he suddenly receives word that his terminally ill father Robert Lowenstein (Richard Jenkins) wishes to be taken off life support after a 12 year struggle with lung cancer and has 36 hours to live. When he agrees to visit his father, he unintentionally sets up a family conflict with no easy resolution. His mother (Annie Archer) has been caretaker of Robert and is happy to have the family reunited: Karen (Jessica Brown Findlay), the younger sister in law school, struggles with resentment for Jonathan, Jonathan detests the fact that he must observe the dying wishes of Robert (including setting up Seder when Jonathan has a history of disregarding his Jewish heritage), cope with Karen's acerbic flairs, deal with a stranger Meredith (Jessica Barden) who is 17 years old and dying of bone cancer who shares her needs with Jonathan and he with her, and re-encountering his lost love Emily (Amy Adams). Some of the best moments are provided by Jennifer Hudson as the potty mouth bitchy nurse, Terence Howard as the attending physician who is to aids Robert's 'assisted suicide', and Daniel Sunjata as a policeman who joins in the Seder. Though there are funny moments the story hangs on the subject of death and end of life situations, sharing the manner in which we evaluate our lives and our purposes in this life at that transformative moment of death of a loved one.

Though falling frequently into the overplayed anger/grief/sobbing triad the actors are very fine and they make the film worth watching. Grady Harp, July 14

This is a wonderful spectacular and emotional film. It grabs at the heartstrings. It makes you think. It makes you fall in love with a wonderful cast of dynamic characters, which are flawlessly performed on screen by an all-star ensemble of a cast. I think this was directed wonderfully.

I believe the story-line came together in a believable fashion. I think the viewer becomes a part of the overall story. You can relate to the characters. You seem to meld into the mindset and the actions and the emotional reality of the story. The story-line is something we all can become a part of and relate to and feel like we have gone through it or know someone that has gone through it.

It shocks me that this movie has got such bad ratings. The critics are absolutely wrong on this one. This is a touching story. A wake up call so you can say what needs to be said and done before it's too late. Like I say this is a film that is a true drama that needs to be seen. It's almost as if coming to a point in your life when you realize what needs to be done, has to be done now, there's a deadline and it makes you experience that reality.

It's great and funny at times. Nice originality and a relatable cast, relatable story and a flow of the direction, we all can become a part of. The film is very fresh. It seems like it's a moment of everyday life that you come in-sync with at what's taking place. At times you laugh, you're moved through an emotional journey of life and death and choices.

You can finish my review here: http://www.abucketofcorn.com/2014/07/lullaby-2014.html

Don't let the present 6.2 rating here fool you. This movies is below the average. And please do not watch it because you like Amy Adams. She barely appears in the movie.

The whole plot looks forced, specially Adams' character, which was there probably to fool viewers into watching this. The story does not lead anywhere and tries too hard to be a lesson in life.

Pretentious, without any new ideas, and pointless are the best adjectives to describe it. It's the first work of this director, who clearly intended to make a emotionally loaded movie with a message, but ended with a broken piece.

One of the many problems of this movie is the cast. People like Amy Adams and Terence Howard are wasted in small roles. RIchard Jenkins as always is great but he can't rescue the bad script, bad dialog and bad direction that often feels so forced and at times really cringeworthy. Look out for the scenes where the family falls into "fake" laughter. So you potentially have some really good actors but what do you do? You center the movie about the one who is attempting to act. Garrett Hudlunds acting is horrendous. I have never seen him being good but also never as painfully bad as here. I am sure he is trying but it just never works. And I don't know if it is him or the director but in every scene you get the feeling he is positioned in the scene a certain way to accentuate his looks. His pseudo artsy hair- and beardstyle doesn't help. He is a good looking dude but this is not a RomCom it is a drama. Focus on the acting not on looking good.

This film tells the story of a dysfunctional family, who is reunited by the terminally ill father's decision to pull himself off life support.

"Lullaby" is named quite the opposite of what it really is. It is a dark film with a lot of arguments and dysfunctional interactions. It is not easy to watch. The pacing is very slow, and I think the film can be a lot shorter, especially by cutting out the music scenes that are unnecessarily long. Jennifer Hudson is memorable as a nurse with attitude, I am quite unsure if nurses in the States really act like that! The ending speech by the daughter is very touching, but it is still not enough to save "Lullaby" as a tedious film.