You'll Never Find Me

Great first act of tension building and mysterious intrigue... starts to lose itself pretty quickly and by the final act it's a complete and total mess with zero resolve. There seems to be this recent trend of writers just completely unable to create an ending. In this case it feels a bit like they not only ran out of ideas, but budget as well- as the finale just ends up being a disjointed pile of cheap horror imagery. Great performances, and there's probably a movie in here somewhere that could have been great- sadly it just feels like it has no idea what it wants to be, and never recovers from the confusion. Ends up being a waste of time unfortunately.

The challenge with single-location thrillers or Chamber Pieces (as they call it in cinematic term) is the scarcity of inciting incidents.

Due to the narrative being confined to a singular space with limited number of characters and resources, there is minimal room to expand or experiment

As a result, stories often become repetitive, caught in tiresome cycles. Only exceptional performances from the ensemble and a captivating script with impressive dialogue writing can elevate these elements beyond the anticipated stillness.

I'm pleased to report that "You'll never find me" possesses all of the above qualities and more.

The remarkable cinematography and stunning sound design immediately draw us in from the opening shot, The narrative style keeps us on our toes, with morsels of information prompting us to question the unfolding events. Not to mention, the dynamic between the two central characters maintains our interest until the very end.

There were indeed some moments of ambiguity in the storyline that mandated clarification, I still consider it to be one of the standout psychological thrillers that came out in the recent times.

Well made smaller Horror flick from Australia!

Good and slower paced, what a nice surprised this one has been. Good acting, minimalistic and well worth the watch.

Wasn't expecting much but it was very enjoyable. The ending wasn't perfect but as with most movies that I end up enjoying alot, the adventure to the end was the best part.

Taking its time to sink its teeth into you instead of going crazy right off the start like many horror movies do these days. They don't earn all the crazyness, but this movie knows how to do pacing very well. Some might find it a tad to slow but for me these are my favorite horror movies, taking there time to sink there teeth into you.

Also its caustrophobic, it takes place pretty much mostly in one small trailer home and it works very well doing it like that. Good, but not great, do to the average ending.

There will be no middle ground on this one. If you don't like slow burns, and psychological horror then move on. Other viewers will be in for a treat.

There are fair comparisons to "Maniac," but unlike the 1980 cult classic, I don't think you'll see the twist coming. Brendan Rock is phenomenal in the lead role of Patrick. The cat & mouse game of paranoia between him and Jordan Cowan keeps you guessing.

No spoilers here, but stick with the film to the end. It is absolutely a slow burn. But the third act grabs ahold, takes you on a psychotic ride, and makes you ask "What the Hell is happening?!"

Then it all comers together in a really clever ending. Everything was laid out for you the whole time. Just pay attention and enjoy.

What a mixed experience this turned out to be! The writing constantly keeps you guessing for the first two acts, and the fantastic sound design and lighting choices add to the underlying mystique. The two lead performances are deliciously first-rate, making us question their inner motives with each passing scene.. at least for a good chunk of the film's first hour. The framing in these sections consists of several uncomfortable, unforeseen close-ups. But by the time it moves into the final act, a sudden wave of "oh no!" just takes over, replete with overblown edits and messy color patterns.

And to think, the same film effortlessly made me feel on edge during the initial (often philosophical) exchanges between the two characters, further deflates the experience overall. The woman character, especially, is oddly written. There are stretches where we as audiences are made to think she's harboring some dark secrets (or questioning if she's even a real person or just a manifestation?), and a little later, the same applies to the man. This leads to random jumps in character perspectives, albeit for short periods. Also, while the man's state of mind gets somewhat better detailing in the final act, the woman's side of things lacks a finite arc (..and was that even intentional?).