High Potential

The original French version, Haut Potential Intellectuel, was much smarter. The first episode was virtually the same as this first episode except they left off the first part where it is established that she lacks patience with people she talks to. This was at an employment she had besides working as a cleaning person at the police department. She gets fired from that job for disrespecting the customer. After that missing scene the rest of the first episode was basically the same. The biggest difference is the main character, Morgan, who is far more quirky than the one depicted in the American version. After watching the original version it is extremely difficult not to compare. This could be as entertaining because I do like Kaitlin Olsen. I'm hoping the character she had in The Mick who was irreverent and funny shows up in future episodes.

Why does Hollywood use the same old formula whenever they start a series where a genius has insights with evidence that others miss? They can't be normal with high intelligence. They need to have some odd condition that makes them quirky in some manner. Unless it's an updated Sherlock Holmes then he's just plain a jerk to most people he comes into contact with. The genius here is pretty so naturally she being a genius with three children is going to fashion herself so she looks like a street walker. Her mind is like an encyclopedia, but apparently her real expertise is in all things related to what a domestic cleaning lady knows. None of that is necessary. She has a famil to create enough actual back story without making her an oddball. Start letting her dress nice without looking like a lot lizard down at the truck stop. Watching her solve things is the real attraction after all..

Examining her TV resume away from Always Sunny, and topping her role on The Mick, Olson glides onto screen in a not-so shot-for-shot remake of this French procedural, but she's definitely on vibes with it.

Throughout the episode you can tell Olson was attracted to this project by the way it portrays a struggling, body-empowered, capable woman. Comedy is stitched in through her delivery, much the same as the tongue in cheek of its French take.

What this series does better though is keep you captivated by a seasoned cast led by Judy Reyes, whose stern eyes and soft voice invite the audience to develop a sense of empathy towards the players her character cares to collect around her to seek justice.

The first episode was well done, though editing could use some work. The series would be lifted by more scenes between Reyes and Olson.

After seeing the pilot, this seems like a 90% scene-for-scene reshoot of the original French series (tt14060708) - which would be ok, if not for the fact that it has been softened for the US audience. The characters and the flow of the series seem less complex. This still makes for a good show though, but not on the same level as the original, sadly.

EDIT: I have seen 10 episodes at this point, and the show has strongly deviated from the French show. First, the US version has added several original storylines instead of just copying everything. But more importantly, while the original Morgane is a self-absorbed, ignorant, loud, unlikable egocentric throughout the whole show, American Morgane is is a way more likable character. Her quirks are significantly toned down.

This gives the show more feel-good quality. I am not sure if this is a good thing though - while French Morgane is a terrible human being, she surely makes the show unique. American HIP is nice and cute and all, but as a result it's just another "funny" crime show starring a main protagonist with a goofy flaw/skill and it that sense it is not much different than Monk, Unforgettable, Lie to me, The Mentalist and dozens of other, similar shows.

I loved, loved, loved the original. I'm not expecting this to be the same (the original was French for goodness sakes, with an amazing cast, and that certainly added to the flavor and frantic pace of the show). Still, the high potential concept and stories are solid (assuming they tell some of the same stories), so I'm giving the US version a chance, certainly more than one episode, and I'm allowing this cast to make it their own. At the end of the season I hope it turns out to be as good as the original or is close, even if it's slightly different and Kaitlin isn't the incredible Audrey Fleurot (but who is?). This version certainly has high potential of its own.