Si da ming bu

surprised this movie got such a low rating, i would personally rate this a 7. if i was not a fan of this genre then it would at least still be a six. the main reason i think that people don't like this movie is because the story is very convoluted and the main leads love triangle is not explained farther...hence the convoluteness.

there are a lot of things to like about this movie, the cinematography was first rate, the locales were beautiful and enough night and rain scenes to satisfy me. the action scenes were very well done, the acting was not bad, the male leads were better then the female. i love the wuxia genre movies ever since i was a little kid growing up on shaw bros. and golden harvest movies. the wuxia here is very well done although sometimes it felt like a superhero movie( another detriment to this movie...although very well done ). action, martial arts and cgi fans will like this movie, there is a lot of eye candy. the cgi is very good, pretty much seamless interaction with the live-action. some of the locales were breathtaking...the movie is beautiful to look at even though it is not the best made movie.

for me personally, i liked it and can't wait till the second one comes out. i'm hoping that the script will be better because that was one of the main things that kept it from being really, really good. again, if you are a eye-candy movie fan, you're going to like this one.

Based loosely on the Chinese X-men-meets-wuxia comic, Four Constables, upon being impressed by their Capcom-style bar fight, the benevolent Professor X-type character recruits two CGI-enhanced fighters to join his team of ultra-top secret police as they hunt for the criminal mastermind behind a money-counterfeiting ring.

Maybe some of you had to read the above sentence twice. Unfortunately, the film isn't in any way as clear, as the jumbled mess of a plot isn't something that requires attention to comprehend, rather, it just skips along from part A to C and hopes that no-one will mind.

But that's not The Four's biggest problem.

Seemingly convinced that if Hollywood can get away with shallow, green-screened action turds, they can too, the producers blatantly insult viewers by compiling a film they obviously thought nobody would have anything to moan about as long as it looked good. And, to their credit, it did look good.

So, if you like soulless entertainment thinly veiled as a film (something which requires plot and character development components to really work), then you may just find this worthy of your time; if, however, you're looking for something that won't leave you scratching your head or wondering why there are a million characters when none of them have anything remotely interesting going on, you've been warned.

First, to get one of the major negative points out of the way. Whoever directed and had a hand at editing the very first big action sequence, deserves to get his or her head checked, and then shot at. The major misconception adopted was that fast-paced editing, with every shot lasting mere milliseconds, and flitting amongst countless of characters, even for a flash of the eye, does not get interpreted as fast paced. What this only achieves, is to irritate the audience, since everything's a blur, and nobody can see anything with everything whizzing by, and the camera work not helping. Perhaps it's to capture the adrenaline rush of the moment, but seriously, it just demonstrates amateur skills at play to mask poorly shot martial arts, or just plain incompetence on the filmmakers' part.

Thankfully, that was the only badly done fighting scene, with subsequent ones picking up in design, pace, and editing to provide a decent semblance of who's battling whom. The Four has a shaky start, but it improves from there, so between the two directors in Gordon Chan and Janet Chun, the latter having cut her teeth in comedies such as All's Well Ends Well 2011 and The Jade and the Pearl, one can only wonder who had more say. The story in this big screen installment deals with the proliferation of counterfeit coins, culminating in what many would have seen in trailers as a zombie-pocalypse, but what it truly is, was to take its time in the introduction of the titular characters, and then some, complete with politicking amongst factions, and individuals caught up in a web of deceit.

Essentially, it's a tale of two investigative functions, the Department Six Constabulary, and the Divine Constabulary, with the former now infiltrated by a shadowy group of six female inspectors, led by the ambitious Ji Yaohua (Jiang Yiyan), and the latter being that group with elite powers as granted by, and answering directly to the Emperor himself. Led by the evergreen Anthony Wong as Zhuge Zheng Wo, he is like the chaperon always on the lookout for gifted individuals with special prowess, whom he bands together under his investigations banner. Yes that's right, think of it like Professor X's School for Gifted Youngsters, with similarities in this version being quite like taking a leaf out of familiar Marvel heroes.

Which isn't really a bad point, given that this shares similar ambitions in wanting to tell a quality story, filled with intriguing, powerful characters who bicker more than they cooperate. It's a successful fusion of martial arts and special effects without going overboard with the latter, making this somewhat like a movie with oriental medieval mutants on display, out to help rid society of ills and those with evil intentions. And story aside, with its twists, turns and really extended fashion in going from point A to B, it's the characters that stand out, and make it fun to watch.

Liu Yifei headlines the quartet as Emotionless, a girl paralyzed from the waist down, but blessed with psychic abilities, a familiar looking wheelchair and having a penchant for hidden darts as deadly projectiles. Her movie outings of late has been period films from White Vengeance to The Forbidden Kingdom, but her character has to stay pretty serious looking for the most parts, despite romantic interest shown from Deng Chao's Cold Blood. A cross between the Incredible Hulk and Wolverine for being brought up by wolves, he finds an attraction toward Emotionless, and these two serve up, as best as they can, as the central emotional anchor for this film, which didn't play off too well.

Ronald Cheng, on the other hand and to great surprise, nails it as the comical loafer type as Life Snatcher, a new recruit whose fighting abilities resemble more like Storm Warrior's Cloud with focus on lower body limb attacks, contrasted against Collin Chou's Iron Hand, who is the team's blacksmith, and has ample opportunity to show off his bronzed abs. Their roles are pretty one-dimensional here, especially Chou's, and it's quite a long wait before these two get a chance to flex their muscles against enemy forces, forging a rivalry / partnership ala Gimli and Legolas in the Lord of the Rings trilogy, given their contrasting abilities.

Wu Xiubo also deserves mention as the chief villain here known as The God of Wealth, a conniving schemer who has no qualms at disposing allies once they serve no further purpose, and while he may not be the greatest martial arts villains out there, he's certainly one of the most memorable. The score by Henry Lai also stands out, especially its banjo sounding main theme that hints of an upcoming big fight each time it airs, though the film sometimes lapses into unnecessary posing for the sake of, atop watch towers, or lingering in bath waters to witness six female warriors letting their armour down.

As already reported, this film is now the first part of a trilogy, and that the sequels have already begun shooting. So far so good, as the story picked up as it went on, with the requisite finale with everything and everyone coming together for that last hurrah big battle, with enough twists and double crossings that lead the door wide open for follow up films. Hopefully by then, all the titular Four constables will be given screen time to build up characterization, and we should be in for quite a ride in this Chinese fantasy franchise!

there's no way to describe this god-awful crap originated from another pure junk of the original novel. so pretentious and so shamelessly shallow. there's no word to describe this childish and brainless adaptation from a bloody awful cow dung. why this film would have turned out so horrible? do you know how people describe 'junk food' and how it affects your digestion and your whole body system? 'garbage in, garbage out' that's what i find quite appropriate for this horrible movie. those guys who could jump so high and run so fast, yet when they ran on the roof, all the tiles were cracked by their nimble feet, when they jumped up by the help of cables, then jumped down to the ground with loud thumps, ran so heavily with thumping sound....what the $^@#?! then we got psychic, inhuman zombies, fiery kung fu, icing kung fu, werewolf....whatever you could throw into the pit, you got it. the absurdity has reached another new level. i am speechless, because i have turned into a huge jumbo couch potato after watched this amazing product of Chinese civilization.

I was genuinely surprised with the movie and I hadn't expected it to turn out to be such an entertaining movie. If you try to imagine mixing movies such as "X-Men" and "Hero" together, then the end result come out to be "The Four" (aka "Si da ming bu"). This is a historical Kung Fu drama spiced up with mystical powers.

The storyline is interesting from the very beginning and just starts to work up in intensity and depth from the very beginning.

To shortly summarize the story; counterfeit bills appear in the capitol and two special government departments work hard to unravel the criminal activities.

This movie makes heavy use of wires, so if you dislike the Wire Fu genre, then chances are that you want to skip on the movie. However, if you enjoy this particular genre, then there is a lot of great wire action to see.

The fighting and action sequences are well-choreographed and equally well executed.

As a story-based movie, it is important to have outstanding and memorable characters. And "The Four" has that. Lots of layers to the characters, and the cast was well picked for the roles and characters. I will say that the cast in the movie was nothing short of impressive. I was particularly impressed with Anthony Chau-Sang Wong and Yifei Liu.

"The Four" is definitely a movie to watch if you enjoy Asian cinema.