Milli Vanilli, de la gloire au cauchemar

I really enjoyed this movie so much, I'm leaving a review 10 minutes after the credits. I remember when Milli Vanili hit the scene when I was in college. Their dance moves were so hot, music so upbeat, their act was so fresh and their international vibe so cool. Who cares if they lip synced, they were entertainers. This movie did a wonderful job explaining their quick, huge ride to the top, and their precipitous hard fall. The actors who portrayed the duo looked like them and did a great job. I had to do a double take at times. The film is very well made. Living in LA, I've seen my share of one hit wonders. This movie is a grim reminder of the cost of fame.

Most memorable is the music. This movie brought back memories of how great their songs were. I really wished they could have made more before the gig was up. 'It's a tragedy to think the dream is over', so apropos.

Rob & Fab were the Superstars of 1989 and although I wasn't a fan back than, the hype was felt by everyone. And suddenly it was all over... Simon Verhoeven made a great biopic about the rise and fall of those two guys, that works on different levels. The wall breaking was a nice touch, but what really worked, was the acting of the two leads, who fit perfectly. Combined with Matthias Schweighöfer as Farian the casting was top notch. Of course the script tried to shift the blame from the protagonists and yes, you will feel sorry for them, but what stays, is the fantastic product of Milli Vanilli, that wouldn't have worked without Rob &Fab. The movie tries to give them the credit they deserve. All in all, "Girl you know it's true" is really worth a watch, especially for everyone who was around when it all happened.

To the writers, producers, and storytellers of Girl You Know It's True:

First, thank you.

I came into this film expecting to revisit the pop scandal of my youth-Milli Vanilli, the Grammy, the lip-syncing, the fall. That was the version of the story the world fed me back then. I loved the music. I believed, like many others, that we'd all been duped.

But what I watched was not a scandal.

It was a tragedy.

A human one.

And one that hit me harder than I ever expected.

What you gave us wasn't just the truth behind the band- You gave us Rob Pilatus, the person behind the image.

And as an adoptee, I recognized that boy immediately.

When Rob said,

"I knew why they adopted me. They had something to prove," it was like someone reached into my chest and gripped my heart.

That was not a throwaway line. That was a life sentence.

A truth that every adopted person I know understands too well.

And that brings me to what I need to say:

This film should have included a trigger warning.

You gave us suicide. You gave us addiction. You gave us exploitation.

But the part that broke me-and that will break countless adoptees who watch this-came without a whisper of caution:

The portrayal of Rob's adoption trauma.

You showed the way he was abandoned, shaped, discarded, and ultimately destroyed by a system and a society that never saw the child behind the performance. And of course, as so often happens in real life-the adoptee is the one who dies in the end. The one who carries the most pain. The one who is never allowed to fully heal.

We live in an era where even fictional stories are prefaced with content warnings.

But this? This was a real story.

And you told it well. So well that it triggered something ancient and agonizing in me.

What I want the world to understand is this:

You think adopted children are "better off." You think we're lucky.

You think we're saved.

But unless you've been through it, you'll never truly grasp what it feels like to be

removed from your roots

stripped of origin and story

used as proof of someone else's goodness

and then asked to smile for the camera and be grateful.

Rob was a brilliant, broken, beautiful soul who never got the closure he deserved.

He was a boy who wanted to be seen.

And he died trying.

So again, I say thank you.

Because you told his story.

You honored his pain.

And now, I will honor it too.

But let this be a reminder to Hollywood, to storytellers, to audiences:

Adoptees are not props.

We are not plot twists.

We are not here to be tragic and then disappear.

We are still here.

We are still carrying it.

And some of us-like Rob-don't survive it.

Let his story stay with you.

Because it will never leave me.

Sincerely, Catherine An adoptee A witness A survivor And now-one voice louder.

First of all let's appreciate the actors! Good cast, good work with them, it worked out well. Then again I was not expecting that it would be bad either, both men favor real life Rob and Fab.

The character who portrays Frank is also a good actor as well. I almost felt that I was right there as the events were taking place.

This movie centers around Milli Vanilli obviously, the story speaks about their chaotic ending in the music industry. Two young men who are blamed for lying about their music and who they were as artist. Yet, it was not just them who played a part in the entire scandal at the end of the day. This film also depicts how shady the music industry can really be!

With this tale, it dives deep with Rob, and why he even had a love for entertaining in the first place , same thing for Fab, both were dancers. Not knowing that later on they would be used as puppets for someone else's work.

Great film, would not mind watching it again. Rest in paradise Rob, you was and still are a great man.

Not bad! I hadn't expected that. I would even attest to the international standard of the production. A brisk production, an interesting story, of course, that's what it was, but with a few shortcomings in the acting. An entertaining biopic designed to entertain.

Of course Schweighöfer is, as always, a minus point at first, but that neutralises itself at some point. Either you get used to his eternally identical performance over the course of the film or he finds his way into the role quite well. He's always got a mischievous side to him and somehow can't be taken seriously.

As I said, the story is a self-runner. Exciting, tragic, sometimes simply unbelievable. A wonderful journey through time.