Le Parfumeur

What did I just watch??? The movie started good with interesting storyline and it kept me wondering how the end would be. However, after 40-50 minutes watching, I 'smelled' something fishy or suspicious about this movie, yet I have been successfully seduced and could not rejected this movie scent. If I can be honest to you, I still don't know what was happened to me and why I have spent my precious time to watch this movie. This movie had left me confused, lost and stranded in a strange land without any food, gas or communication tools to seek for help. Please, please do watch this movie and help me to find out the whole points of this life.

This movie features some of the most talented actors in Germany, in my humble opinion, such as the fantastic August Diehl and the wonderful Ludwig Simon, or the talented Emilia Schüle. I'm still trying to figure out what lured them into this project...

"The Perfume" by Patrick Süskind is such a great novel and is mentioned to be the source of inspiration for this movie. Unfortunately there is neither any kind of intriguing storyline, nor do we get to know the characters or their ambitions in depth, which inevitably leaves the viewer with this fragmentary piece that is hard to engage in. Some of the more odd characters, such as the female accomplice Rex, would need so much more explaination in this narrative. The viewer just can figure out what drives them to their action (despite total madness?).

It's such a pity, that the script is so bad, because the actors are as great as always. I'm suffering while watching them saying some of the most pathetic nonsense-lines from the script. They are struggling hard to make the lines work, but the dialogues and monologues are just too strange. I'm very sorry on their behalf.

Where to start, where to end? What a terrible German movie drivel, once again. Too many just can't write good scripts, it seems, and just don't understand story, character development, suspense, protagonists. Woven in is once again that bland wokeness that Netflix has come to represent. The original, Perfume: The Story of a Murderer, is a pretty much perfect movie, great visuals, acting, story, tragedy. This here is just a grand muddle, from beginning to end. The acting is okayish, as are the technical-artistic aspects like camerawork, music etc. Altogether, when will there be good script writing film schools in Germany?

German movies and dramas used to be good but now they're just low budget with very poor acting , no plot , disappointments This film tries to be 'arty farty' with a 'Laura Ashley ' vibe going on , in the way it's filmed . Then you also have the nod to Silence of the Lambs with the serial killer type of character and a blonde transvestite in this film . So suddenly it tries to be serious . There's no plot . Nothing makes sense . It's like the person who wrote this jotted down some gibberish when they were bored . What's astounding is that this story got the funding to be made into a movie!

I watched half an hour and just couldn't watch anymore. I knew it couldn't get any better and reading other reviews I was right I'd give this rubbish a minus score if I could . IMBD How about introducing minus scores for movies ?

This epic novel has already been perfectly adapted to the cinema by a German director, Tom Tykwer. I will never understand why the Germans made a disgraceful adaptation of a movie that left its mark on cinema. The acting is bad, the cinematography is mediocre, the adaptation made to the present is incredibly bad, it has failed in terms of scenario. If I were Nils Willbrandt, I would try to prevent this movie from being released. The only good thing about this movie is that it makes you want to watch the Tom Tykwer version again. I'm sure the budget spent on this movie is more than the budget in Tom Tykwer's movie. The worst movie is Netflix Germany.