A well-to-do husband who allows his wife to have affairs in order to avoid a divorce becomes a prime suspect in the disappearance of her lovers.A well-to-do husband who allows his wife to have affairs in order to avoid a divorce becomes a prime suspect in the disappearance of her lovers.A well-to-do husband who allows his wife to have affairs in order to avoid a divorce becomes a prime suspect in the disappearance of her lovers.
- Director
- Writers
- Stars
- Awards
- 2 nominations total
Brendan Miller
- Joel Dash
- (as Brendan C. Miller)
Devyn A. Tyler
- Mary Washington
- (as Devyn Tyler)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'Deep Water' offers a dark psychological thriller with themes of jealousy and revenge. Ben Affleck and Ana de Armas' performances receive mixed reviews, with some praising their chemistry and others finding them unengaging. The pacing and plot structure are criticized as slow and meandering, while the climax is seen as rushed. Despite these issues, the atmosphere and suspense are appreciated, though the supporting cast and subplots are deemed irrelevant.
Featured reviews
Ofcourse i watched this for affleck and ana, movie is just full of ana, the story had so much potential but they just messed up and it felt too flat, idk why two talented actors chose this kinda script, overall its a below average watch.
What an utterly, utterly frustrating movie this was to watch, I had really high hopes, sadly they were dashed about ten minutes in.
The first half of the movie, there are several words I could use, but let's just go with awful, it was dire, the second half of the movie was much better, but the damage was done.
Ana de Armas is good, and of course looks glorious, her character is hideous though, Vic isn't much better. I did like Affleck in this though, his rather emotionless performance is odd at first, but makes sense as the movie progresses.
The final sequences are incredibly over the top, you'll need to see it to believe it.
Ultimately, it proves one thing, autocorrect is a setting on your phone best avoided. 5/10.
The first half of the movie, there are several words I could use, but let's just go with awful, it was dire, the second half of the movie was much better, but the damage was done.
Ana de Armas is good, and of course looks glorious, her character is hideous though, Vic isn't much better. I did like Affleck in this though, his rather emotionless performance is odd at first, but makes sense as the movie progresses.
The final sequences are incredibly over the top, you'll need to see it to believe it.
Ultimately, it proves one thing, autocorrect is a setting on your phone best avoided. 5/10.
Greetings again from the darkness. Based on his work, arguments can be made on both sides. Director Adrian Lyne is either a staunch believer in monogamous marriages, or he enjoys mocking the concept altogether. Surprisingly, this is his first film in 20 years since UNFAITHFUL (2002). To refresh your memory, he's also the force behind 9 ½ WEEKS (1986), FATAL ATTRACTION (1987), and INDECENT PROPOSAL (1993). Co-writers Zach Helm and Sam Levinson have adapted the script from the 1957 novel by Patricia Highsmith, who also wrote "The Talented Mr. Ripley" and "Strangers on a Train".
"Do you know I love you?" When one spouse feels the need to ask about love rather than declare it, you know it's an unusual marriage. And in the category of unusual marriages, you'd be hard-pressed to find an arrangement more bizarre than the one between Vic (Ben Affleck) and Melinda (Ana de Armas). Thanks to real life public drama for Will Smith and Jada Pinkett, we all know that "open marriages" are a thing. But this with Vic and Melinda is neither fully "open" nor fully a marriage. Vic invented and sold a computer chip used in drones (mostly for warfare) and he's so rich, that he'd rather watch his free-spirited wife drag home new boy-toys than give her an expensive divorce. But that's as much explanation as we receive for what seems like a lose-lose-lose scenario. That third lose is for Melinda's gentlemen friends who seem to mysteriously disappear once Vic becomes aware of them. One is gone before the movie even starts, and he's followed by Jacob Elordi, Brandan Miller, and Finn Wittrock.
Perhaps the biggest mystery here is in deciding who displays more charisma, Affleck in this role or the snails that his character Vic breeds. We've joked about actors sleepwalking through roles before, but there are scenes here where that may actually be happening. Affleck mostly just dead-eyes Melinda and her men, though we are supposed to interpret his lack of expression as a combination of anger, jealousy, and lust. Fortunately, we have Ana de Armas to liven things up. She's a full-grown party girl going through various stages of designer dress and un-dress. The supporting cast is comprised of Dash Mihok, Lil Rey Howery (who is in every movie these days), Kristen Connolly, Grace Jenkins as the smarter-than-parents kid to Vic and Melinda, and Tracy Letts as a curious novelist constantly side-eyeing Vic as research for a new book.
Is it cheesy? Yes. Is it sleazy? Yes. Despite twenty years of no movies, director Lyne delivers another high-gloss, play-pretend trashy erotic thriller that will fit perfectly in the streaming world. Affleck disappoints here after strong turns in THE TENDER BAR (2021) and THE WAY BACK (2020), and Ms. De Armas will next appear as Marilyn Monroe in BLONDE. Ben and Ana had their tabloid moment as a romantic couple after filming, but she is now the gone girl, and he has since reunited with JoLo. There are too many gaps in the story and characters for this to be considered a serious movie, but it's sure to be entertaining enough for many.
Premiers on HULU beginning March 18, 2022.
"Do you know I love you?" When one spouse feels the need to ask about love rather than declare it, you know it's an unusual marriage. And in the category of unusual marriages, you'd be hard-pressed to find an arrangement more bizarre than the one between Vic (Ben Affleck) and Melinda (Ana de Armas). Thanks to real life public drama for Will Smith and Jada Pinkett, we all know that "open marriages" are a thing. But this with Vic and Melinda is neither fully "open" nor fully a marriage. Vic invented and sold a computer chip used in drones (mostly for warfare) and he's so rich, that he'd rather watch his free-spirited wife drag home new boy-toys than give her an expensive divorce. But that's as much explanation as we receive for what seems like a lose-lose-lose scenario. That third lose is for Melinda's gentlemen friends who seem to mysteriously disappear once Vic becomes aware of them. One is gone before the movie even starts, and he's followed by Jacob Elordi, Brandan Miller, and Finn Wittrock.
Perhaps the biggest mystery here is in deciding who displays more charisma, Affleck in this role or the snails that his character Vic breeds. We've joked about actors sleepwalking through roles before, but there are scenes here where that may actually be happening. Affleck mostly just dead-eyes Melinda and her men, though we are supposed to interpret his lack of expression as a combination of anger, jealousy, and lust. Fortunately, we have Ana de Armas to liven things up. She's a full-grown party girl going through various stages of designer dress and un-dress. The supporting cast is comprised of Dash Mihok, Lil Rey Howery (who is in every movie these days), Kristen Connolly, Grace Jenkins as the smarter-than-parents kid to Vic and Melinda, and Tracy Letts as a curious novelist constantly side-eyeing Vic as research for a new book.
Is it cheesy? Yes. Is it sleazy? Yes. Despite twenty years of no movies, director Lyne delivers another high-gloss, play-pretend trashy erotic thriller that will fit perfectly in the streaming world. Affleck disappoints here after strong turns in THE TENDER BAR (2021) and THE WAY BACK (2020), and Ms. De Armas will next appear as Marilyn Monroe in BLONDE. Ben and Ana had their tabloid moment as a romantic couple after filming, but she is now the gone girl, and he has since reunited with JoLo. There are too many gaps in the story and characters for this to be considered a serious movie, but it's sure to be entertaining enough for many.
Premiers on HULU beginning March 18, 2022.
6.4/10 Deep water was ok, but it's sort of like seeing a bad car wreck, it's awful but you still can't really stop looking at the aftermath. We weren't really bored watching this flim ethier so it's worth a viewing if you have nothing else your wanting to watch.
6a13y
Most ingredients for a good movie are there, there is suspense, romance, betrayal, sex and excellent acting.
But the movie itself is not greater than the sum of its parts. There is the opportunity to play with the characters and build a story around them that could have been a lot better. You will watch this movie from start to finish because the suspense is there but you are left with a great sense of « that's it? ».
But the movie itself is not greater than the sum of its parts. There is the opportunity to play with the characters and build a story around them that could have been a lot better. You will watch this movie from start to finish because the suspense is there but you are left with a great sense of « that's it? ».
Did you know
- TriviaAdrian Lyne's first film since Infidèle (2002).
- Goofs(at around 1h 6 mins) Vic is riding his bicycle. When he stops to look at a car, he has racing handlebars, but a few seconds later, he has a straight mountain bike handlebar.
- Crazy creditsDuring the end credits, Trixie is singing and coloring her book at the back of the car.
- SoundtracksBefore I Ever Met You
Written by Banks (as Jillian Banks) and Jesse Rogg
Performed by Banks (as BANKS)
Courtesy of Harvest Records
Under license from Universal Music Enterprises
- How long is Deep Water?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Aguas profundas
- Filming locations
- Urbania, Lower Garden District, New Orleans, Louisiana, USA(Van Allen house)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $48,917,499 (estimated)
- Runtime
- 1h 55m(115 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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