American Nightmare

I liked the concept of this movie it was engrossing and made me really think. I had hoped this movie would push above average but with certain plot holes and a story that gets weak towards the end it fell within this category. None of the acting stood out apart from Lena Headey. You will want to watch the movie for its concept but find the final product a average thriller action.

Short and Simple Review by WubsTheFadger

First off, this film could have been amazing. The plot and premise are very original and had a lot of potential. But sadly, the story is full of clichés such as stupid teenage kids, bad decisions, and clueless villains. If they had only made the film in a way that we could see multiple Purge stories, it would have been better. The ending is the probably the best part of the story.

The acting is okay at best. Ethan Hawke and Lena Headey perform the best. Max Burkholder and Adelaide Kane play two of the most annoying, stupid, and idiotic characters I have ever laid eyes on.

The film starts off very slow and continues to have slow pacing until the end.

The blood and gore aspect of the film is very good. This is one of the highest points about the film.

Pros: Very original story, the ending, good acting from Ethan Hawke and Lena Headey, and a good use of blood and gore

Cons: Slow pacing, wasted potential with the story, annoying characters, Max Burkholder and Adelaide Kane and their terrible performance, and a lot of clichés

Overall Rating: 4.3

The Purge (2013)

* 1/2 (out of 4)

Annoying, dumb and eventually cruel film dealing with the one day of the year when America allows you to kill anyone who want without being punished. This "purge" is supported by a security system seller (Ethan Hawke) and his wife (Lena Headey) but during the 12-hour period they find themselves the target of a gang of murderers. THE PURGE pretty much gave away its story during the theatrical trailer and I thought to myself that we were going to get something fresh or something that has a few interesting ideas but just didn't work. Sadly there are some interesting ideas floating around but the screenplay is simply so bad and so clichéd that it pretty much kills anything positive. The biggest problem is that the film is never scary, which is just downright disappointing. Another problem is that the film itself doesn't know what to do with its "free day to kill" idea. It takes a while for the viewer to warm up to this futuristic world where we can kill but as soon as you accept this "law" the screenplay then pulls a quick one and starts to challenge the morals of such a thing. We then get a bunch of political non-sense thrown in just to make us question the whole thing. Why sell a film on an idea and then not know where to get with it? Even more annoying is that this film contains some of the dumbest and most annoying characters in the history of cinema. Yes, the history of cinema. The couple's young son is someone I wanted to be off the screen ASAP. The daughter isn't much better but just wait until the two twists that happen. Both Hawke and Headey give good performances as does the rest of the cast. If you're expecting a horror film then you're going to be disappointed because even though there's quite a bit of violence, for the most part this is nothing more than a rip-off of STRAW DOGS but set in the future with this one "change." Sadly, THE PURGE just never works and in the end you're left with a major disappointment and just a cheap excuse to kill.

The idea is intriguing. For twelve hours a year all crime is legal, including murder; do what you want and face no consequence. All emergency services are suspended and with the exception of an unexplained restriction on weaponry, and certain members of the public being out of bounds as targets, there is nothing to stop you doing what you wish. The result is a venting of frustration and anger, a purging of demons, as well as the eradication of the poor and those unable to defend themselves. The end result of this annual purge is extremely low unemployment and crime, and a fantastic economy; "a nation reborn", where the weak are prey and the strong survive. One of the strong is James Sandin, who sells security systems to fellow high-flyers; these obviously come in most useful on the night of the purge. Of course on the night in question, things go rather wrong and the Sandin family find their home under siege, following their son Max's generous act of letting a victimised stranger in.

For a second, put aside the rather obvious holes in the idea when considered as a practise encouraged at a national level, even put aside the cynical nature of the movie, and we can see the idea may have started out as a distressing vision of a near future, a terrifying "other reality". Indeed, 'The Purge' takes its cue from a lot of previous work that has done similarly; you don't have to look too hard to see various elements of 'A Clockwork Orange', '1984', 'Lord of the Flies' and 'Battle Royale'. The problem is that unlike those works, and unlike 'Straw Dogs', with which it shares more than a little DNA, this story has been watered down to a locked room domestic thriller; a potentially incendiary political fable is devoid of most of that which would have made it so. This is actually typical of writer/director James DeMonaco, who is responsible for the screenplay for the remake of 'Assault on Precinct 13', a film which again extracted a lot of the original's rough edges and tough moments to leave a flat, action driven thriller. Similarly, the scope of the film is rather narrow; with early implication that there will be a study of repressed violence and how the night is used as an excuse, it is then disappointing to see the story steers frustratingly wide of all matters other than murder. The film lacks the gumption to tackle the disturbing elements of our unchecked nature in a way that Cronenberg would have done.

So what we're looking at here is a film which, in different hands may have proved to be a controversial and stirring piece of work, but with DeMonaco scared to grasp the nettle, we end up with a flat, rather tame film, which is given some lift by its better elements, such as the performances and some of the fight sequences. Lacking bite, with a frustrating amount of exposition and not enough dissection of issues, 'The Purge' falls short of what it should have been.

This is not to take away from Ethan Hawke's solid performance, or some of the more effective scenes, but what we would give to have seen this in the hands of Michael Haneke.

From the producers of Paranormal Activity (as is all horror films these days) The Purge tells the story of a near future were crime is at an all time low and unemployment stands at under 1% of the US population, to compensate for one night a year all crime (including murder) is legal for 12 hours allowing society some kind of release.

The film revolves around the Sandin family who are confronted by a group of college students hunting a man on the night of the Purge who the family had allowed into their home after lockdown. The Purgers (lead by Rhys Wakefield) drastically try to break into the family's home causing James (Ethan Hawke) and Mary (Lena Headey) to protect their children from the invaders in order to survive the night.

The main problem with the film is the premise itself, whilst interesting is filled with flaws and holes that just make the whole idea ridiculous. Such as what happens to the serial killers and career criminals of this world? Do they just control their urges to kill or steal for the other 364 days until the next Purge, as well what if someone has a heart attack on the night of The Purge? Is it just a case of bad luck you chose the wrong night to need medical care?

Despite the flaws of the premise, the film repeatedly ignores the possibilities of the premise, instead of exploring the ideas behind the Purge or the events that occur on the night of the Purge from different perspectives and situations. Instead the film settles for a typical home invasion story that although done well, is nothing we haven't seen done in many other films. The Purge in the end seems to only be the premise of this film to stop the age old question of "Why don't they just call the police?" in home invasion films.

To the films credit it is quite subtle, there's a running theme that the Purge is just an excuse for the upper classes to exterminate the poor, driven by all the attackers wearing prep school blazers and the person they are chasing wearing dog tags around his neck. The film also contains some strong performances, especially from Ethan Hawke (Training Day, Lord of War) and Lena Headey (Dredd, Game of Thrones) who carry the film throughout. The film also has a twist near the end which allows the audience to get inside the heads of the people during this night.

That cant be said for the leader of the Purger's played by Rhys Wakefield (Sanctum, Home and Away)whose performance is slightly cringe worthy, hes trying to be psychotic yet in control of the proceedings but it just comes across as a amateur dramatics' version of The Joker. He just never seems like a really threat and just a creepy next door neighbour.

The film also contains some bizarre and just plain weird set pieces, such as the families' son who builds a spy camera on a chard baby doll on the top of a rhino tank from Warhammer 40,000. The thing looks like a demented contraption from Sid's bedroom in Toy Story.

Overall, The Purge is an OK home invasion film, there are moments of suspense and a couple of jump scares are effective. The wasted potential of the premise is the films main downfall which could have lead to a more effective and possible original film then what we got in the end.