A woman revisits her childhood aspirations, endeavoring to achieve her old goals, only to discover that pursuing these lifelong dreams takes her on an unforeseen and surprising journey.A woman revisits her childhood aspirations, endeavoring to achieve her old goals, only to discover that pursuing these lifelong dreams takes her on an unforeseen and surprising journey.A woman revisits her childhood aspirations, endeavoring to achieve her old goals, only to discover that pursuing these lifelong dreams takes her on an unforeseen and surprising journey.
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Featured reviews
It was precisely a refreshing movie , something new, something unexpected(at least in the beginning).
I don't have much to say about the acting and the direction as I found it to be good, I am not completely moved by the characters but it was a good watching them unravel in their own essence.
The bond between the mother and the daughter stayed with me the most, the way a mother helps her daughter sort her life even after her death was a very good concept. The concept of CDs and the in the chase of inheritance the daughter ends up figuring out her whole life which was beautiful.
I found it to be very predictable , but anyone who watches this movie would surely enjoy the process of it. It makes you want to have a family like what Alexandra Caroline Rose had, I would say she was really lucky to have them by her side always and she also gradually figured out their importance in the movie.
I liked how the brother and sister bond was shown, how they actually communicated through their emotions and how it was shown that just because your brother doesn't say anything or acts indifferent is not because he dislikes you but he might have his own insecurities or envies.
I liked the character of Alexandra who was fearless, bold and yet coy and was proudly a mess.
Overall it's a good watch, one must definitely watch it to lighten up their mood. I watched it with my mom, you should watch it with your beloved ones too.
I don't have much to say about the acting and the direction as I found it to be good, I am not completely moved by the characters but it was a good watching them unravel in their own essence.
The bond between the mother and the daughter stayed with me the most, the way a mother helps her daughter sort her life even after her death was a very good concept. The concept of CDs and the in the chase of inheritance the daughter ends up figuring out her whole life which was beautiful.
I found it to be very predictable , but anyone who watches this movie would surely enjoy the process of it. It makes you want to have a family like what Alexandra Caroline Rose had, I would say she was really lucky to have them by her side always and she also gradually figured out their importance in the movie.
I liked how the brother and sister bond was shown, how they actually communicated through their emotions and how it was shown that just because your brother doesn't say anything or acts indifferent is not because he dislikes you but he might have his own insecurities or envies.
I liked the character of Alexandra who was fearless, bold and yet coy and was proudly a mess.
Overall it's a good watch, one must definitely watch it to lighten up their mood. I watched it with my mom, you should watch it with your beloved ones too.
I'm about to be offensive, but no offence, the lead actress seems like she hasn't ever lost anyone in her life, her line delivery especially the first time meeting the lawyer and saying "I just lost my mother" had absolutely no depth, no tears, no emotions, not even grief. No voice control, no empathy for the character shes playing. As shes watching videos from her dead mother there aren't even tears in her eyes, even as she watches the last video she seems to value looking pretty more than showing actual emotion. I really liked the male lead and all the other characters but I really wonder what happened behind the audition process that made her the lead. I could imagine so many young actresses doing a better job and making this a fantastic film. I'm not saying this as something like a hate comment, just that she really needs to think about loss and emotions and get in to the story. I often put my hand over her motionless face to at least try and focus at the story because she was just playing a pretty girl that doesn't want to get ugly. The story made me cry on multiple occasions imagining the young girls struggle yet the young girl acted like it was a vacation trip with her friend calling her on face-time not her dead mother continuously saying her last words to her from a dvd. Like she never even had her lips quiver for more than a milisecond (didn't want to be ugly, I guess, or just a bad actress) never had the horrible situation of not being able to finish a sentence, having words stuck in her throat because of grief or at least speaking like she has a lump in her throat -- actual real, raw and ugly human emotions after losing the most loved person. It made me so angry! Couldn't she at least try to take breaths before speaking? Even if we imagine that she was a cold and prideful character, we didn't even see her actually blocking the emotions that would almost come apparent. Never saw her swallowing tears, any despair, anything!! Absolutely horrible acting from someone in such a vulnerable role. Every actor should know their limits and not go for roles that they are not ready for.
After watching this film, I could say it was inspired by P. S. I Love You, but changing it to a mother's love and showing her daughter that when you walk down the road of life you can get lost, and to find yourself, you need to remember what you wanted to be. Sofia Carson acts cleanly, showing sympathy and involving you in her character; certain parts can be perfectly related to one's life, making it clear that not everything is fiction.
There are several lines from the film that I can take away. And although the film is predictable: love always triumphs even after death, and if a mother sees her son lost, even with her last breath she will try to advise him and make him understand that we can't settle for less. Yes, I recommend the film, so put it on your list.
There are several lines from the film that I can take away. And although the film is predictable: love always triumphs even after death, and if a mother sees her son lost, even with her last breath she will try to advise him and make him understand that we can't settle for less. Yes, I recommend the film, so put it on your list.
The Life List is a nice watch - warm, well-paced, and not overly dramatic. What stayed with me most is the message: pain and loss are part of life, but suffering is a choice. That idea isn't presented in a preachy way - it's just woven into the characters' decisions, especially as the main character starts reconnecting with what actually matters.
The portrayal of the mother-daughter relationship was especially well done. It shows how grief can create distance but also bring people back together, without sugarcoating the process.
It's the kind of movie that makes you pause - not because it's groundbreaking, but because it reminds you of things you already knew but maybe forgot. Like how helping others can also heal something in you.
The portrayal of the mother-daughter relationship was especially well done. It shows how grief can create distance but also bring people back together, without sugarcoating the process.
It's the kind of movie that makes you pause - not because it's groundbreaking, but because it reminds you of things you already knew but maybe forgot. Like how helping others can also heal something in you.
The Life List (2025) was surprisingly easy to sit through, even with its longer runtime. The pacing was pretty well-balanced, which helped a lot. I appreciated how the story packed in life lessons without getting preachy or feeling like it was dragging. It had this light tone that made it watchable while still trying to say something meaningful, even if it didn't always dig as deep as it could've.
The directing was a bit safe, and while that's not always a bad thing, I think the movie could've gone a little further with emotional depth. A lot of the focus is placed on how the main character reacts to situations, but sometimes it felt like the movie brushed past what actually mattered in the moment. The acting, though, made up for a lot of that. The leads did a solid job carrying the weight of the story. The supporting cast was hit-or-miss, but nothing that pulled me out of it.
Visually, it looked great. The cinematography was smooth, with a nice mix of bright tones and more grounded scenes that worked well with the mood. I also really liked the music choices. The soundtrack wasn't overwhelming but it blended in perfectly, adding just enough to keep the emotional beats working. The script had its flaws, sure, but it didn't feel forced. It served the story, and even if it leaned into familiar territory, it didn't lose its charm. All in all, it's not groundbreaking, but it's a comforting watch with a decent message.
The directing was a bit safe, and while that's not always a bad thing, I think the movie could've gone a little further with emotional depth. A lot of the focus is placed on how the main character reacts to situations, but sometimes it felt like the movie brushed past what actually mattered in the moment. The acting, though, made up for a lot of that. The leads did a solid job carrying the weight of the story. The supporting cast was hit-or-miss, but nothing that pulled me out of it.
Visually, it looked great. The cinematography was smooth, with a nice mix of bright tones and more grounded scenes that worked well with the mood. I also really liked the music choices. The soundtrack wasn't overwhelming but it blended in perfectly, adding just enough to keep the emotional beats working. The script had its flaws, sure, but it didn't feel forced. It served the story, and even if it leaned into familiar territory, it didn't lose its charm. All in all, it's not groundbreaking, but it's a comforting watch with a decent message.
Did you know
- TriviaSofia Carson learned how to play Claude Debussy's "Clair de Lune" on the piano for this role.
- ConnectionsReferences S.O.S. fantômes (1984)
- SoundtracksMyriad Harbour
Written by Dan Bejar (as Daniel Bejar)
Performed by The New Pornographers
Courtesy of Matador Records
Details
- Runtime
- 2h 3m(123 min)
- Color
- Sound mix
- Aspect ratio
- 2.00 : 1
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