Cyberstalker also known as Offline is a made for cable Lifetime television film starring Mischa Barton who plays Aidan whose parents were murdered 13 years earlier. The killer was never caught which still taxes the detective in charge. Now she spends time as a reclusive artist but it seems the cyberstalker is back to terrorise her.
The film is low budget, quickly shot, formulaic but rather watchable if you switch your brain offline. The culprit could only be the characters we have been introduced to which could be the detective, her new boyfriend, the Svengali gallery owner or the wheelchair bound computer expert newly employed by the police.
I reckon there is no need for Columbo or Sherlock to solve this whodunit. There is plenty of silliness as our cyberstalker can hack into and control traffic lights for example. Still Lifetime know which audience to aim their films at, its female friendly with enough thrills to keep you mildly entertained.
Literally the worst acting, and the fact it is so miscast made it even worse. Two stars instead of one since it was bad enough to made me right a review
It is nice. Just nice because it is the good choice after a work day. Three things are good in its case- the splendid predictability- you know the hustler too easy, Mischa Burton and, maybe, the smile and pectorals of Marco grazzini. Low budget, not high ambitions, a comfortable story, absurde, full of cliches, decent. And it is enough for see it out of expectations.
Simple but mildly effective thriller starring Barton as a once carefree young woman stalked by a maniac for thirteen years, struggling to adjust to society whilst her tormentor remains on the loose. Whilst the game's up prematurely, it's still fun finding out how many of those close to Barton will suffer the consequences by association.
Whilst she's perhaps better known for her off-screen exploits, Barton knows how to act and she makes it look effortless as it should; she's timid as the character would be in the circumstances, but doesn't overact the part. Lea playing the dedicated detective is reliable in support, and there's a range of would-be suspects to entice the patient viewer, although the answer isn't especially well disguised, and waiting for a red herring which never appears is disappointing.
Low budget but appropriate for a telemovie, this Canadian thriller lacks logic but achieves its aim of a few cheap thrills and is elevated by Barton's balanced performance.
When Dayton pulled up the files on his computer showing the personal information of both Paul Rogers and Detective John Bonham, the personal and business phone numbers in each file were exactly the same.
