The Rocket

Trekking through the dangerous jungles of Laos, 10-year old Ahlo (Sitthiphon Disamoe) is determined to convince his superstitious family that he is not a lightning rod for bad luck.

Blessed with a nutty uncle obsessed with James Brown (Thep Phongam) and caught in the middle of a village relocation program over the building of a dam, Ahlo's eventful journey takes him through the scarred landscape of his home, littered with Vietnam-era bombs that are still waiting to go off.

Australian writer/director Kim Mordaunt was inspired to make this wistful, often lyrical film after his 2007 documentary Bomb Harvest, which told of the annual toll claimed by the unexploded bombs in Laos.

Thankfully he layers the unavoidable political notes with real warmth, humour and character, a quality that clearly benefited from using a mix of professional and non-professional actors. Mordaunt also knows how to use irony without pushing it; as Ahlo aims to prove his worth at a big rocket festival, we're reminded that The Rocket is not a political allegory, it's an offbeat, celebratory coming-of-age story about a kid.

"The Rocket" is a very strange film that was made in both Laos and Thailand by an Australian crew. It's an almost fairy tale-like story about a little boy, Ahlo, who is thought to be bad luck. His family is displaced from their village and then bad luck strikes several times. However, instead of feeling sorry for himself, this just makes him more determined throughout the film. Ultimately, there is a rocket contest in a village...and little Ahlo is determined to win even though he's just a kid and the rest of the entries are by adults.

This is a good film because it is so very different. Also, for a kid who looks like he's only about 8 or 9, Sitthiphon Disamoe was awfully good in the lead as Ahlo. Very interesting and a decent film for the family--even with its many references to urine, testicles and the like.

Wonderful documentary style story. Scenes still have great impact on me. The casual acting styles of the children were captivating & led to credence all the way through the film. Confronting issues & imagery were simply presented without sentimental or 'fluffy' enhancement. The stories of each character were presented so realistically by apparently unsophisticated actors, with the cinematography displaying facial & scenic imagery so beautifully & again simply, so as to encourage the feel of realism & the documentary style. Would expect more awards to be coming this films way. Started out as a 'bookclub' task & left me with a lifelong impact.

There have been some outstanding child performances this year including that of Tye Sheridan, Liam James, Kacey Mottet Klein, and others, but none better than little Sitthiphon Disamoe's in Kim Mordaunt's The Rocket. A hit at the Berlinale, The Rocket also took top prizes at the Tribeca Film Festival including the Best Narrative Feature, Audience Award, and the Best Actor award for Disamoe. An Australian, Laotian, and Thai co-production, the film can be accused of being formulaic, but it is so full of spirit and genuine warmth that it more than earns its audience appeal.

Shot in northern Laos, Mordaunt does not hesitate to remind of us of the legacy of American bombs dropped during the Vietnam War and still visible in the vegetation, nor does he flinch from depicting the reality of poverty and exploitation. In the film, Ahlo (Disamoe) is a ten-year-old full of high energy but burdened with having to prove that he is not the carrier of bad luck. Born in a small hut in a remote Laotian village, Ahlo is a twin whose sibling died during childbirth and whose grandmother Taitok (Bunsri Yindi) proclaimed that he was cursed from the outset. Sadly, distressing events in his young life seemed to give credence to the prophecy.

As their village was being torn down to make room for a dam, Ahlo (now ten-years-old) and his family are relocated to a shantytown that is worse than their former home; the boy's mother Mali (Alice Kaohavong) is involved in a tragic accident, and Ahlo's relationship with his father Toma (Sumrit Warin) becomes distant and strained. Feeling alone, he develops a friendship with Kia (Loungnam Kaosainam) a young girl whose family died from malaria, and who lives with her quirky "Uncle Purple," (Thep Phongam), a heavy drinker and ex-soldier who models himself after American singer James Brown.

After taking food from a holy place, Ahlo's attempt to return it causes serious problems for his family and they are forced to go on the road looking for a new home. When they stumble on an annual rocket festival where top prizes lure participants to build and launch the best rocket into the sky to beseech the sky gods to bring rain, Ahlo seizes the opportunity to bury his image as the carrier of bad luck. While The Rocket requires a suspension of disbelief, it is only a small possibility that you will leave the theater unmoved.

An Australian co-production that deserves to be seen by a lot more than would've currently experienced it, The Rocket is one of those feel good films that is impossible not to fall for despite it not quite going on with the early promise of the possibility of a new classic.

Director Kim Mordaunt clearly has a spot in his heart for the people of Laos (where this film is set), no doubt stemming from his time filming his scary and touching documentary on the amount of unexploded bombs left over in the country in the 2007 doco Bomb Harvest. Weaving his knowledge of this true life aspect of the country Mordaunt tailors a touching story around it that features some stand out child actors and a particularly groovy uncle in the form of the James Brown loving Uncle Purple played very well by Suthep Po-ngam, but in the end it is the aforementioned child actors that steal the film and make it what it is.

As determined and supposedly cursed young boy Ahlo young actor Sitthiphon Disamoe does a supreme job of portraying a boy that unfortunately bares the stigma of being born a twin into a village that believes twins carry a curse. Ahlo's journey that he takes with family is fraught with both sadness and joy and it's here that the film struggles to lay hold onto what it's setting out to achieve with moments of emotion not played out to full effect and comedic elements feeling misplaced amongst them. Mordaunt must of found it hard to place all these varying emotions into the right place and the films last 20 – 30 minutes really shows this. Mordaunt however excels at capturing the beautiful and at times scary images of the country and his direction of Disamoe and also young actress Loungnam Kaosainam as Ahlo's friend Kia is exemplary, a fine achievement for an Australian director in what is an area that often trips up other compatriots.

Submitted as Australia's entry into this year's Academy Awards foreign film category and playing well to festivals the world over its clear many feel an affection for this unique and often heart-warming tale. Australia should be proud of what Mordaunt has achieved here and even prouder of his efforts to highlight the horror of what Laos still has to deal with today thanks to a war that is now sadly largely forgotten.

3 and a half unwashed purple suits out of 5