IMDb RATING
6.4/10
9.4K
YOUR RATING
As Eve begins writing songs as a way to sort through some emotional problems, she meets James and Cassie, two musicians each at crossroads of their own.As Eve begins writing songs as a way to sort through some emotional problems, she meets James and Cassie, two musicians each at crossroads of their own.As Eve begins writing songs as a way to sort through some emotional problems, she meets James and Cassie, two musicians each at crossroads of their own.
- Awards
- 3 wins & 7 nominations total
Cora Bissett
- Miss Browning
- (as Cora Bisset)
Ann Scott-Jones
- Hairdresser
- (as Ann Scott Jones)
Kathryn Howden
- Ward Sister
- (as Kath Howden)
Michael M.
- Des from Wobbly Legged Rat
- (as Michael M)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I remember back in 2008 when I stumbled across the God Help the Girl album. A huge B&S fan, it was recommended by the I Tunes bot, and while i usually pass on those, I couln't help but be intrigued by a musical with music by Stuart Murdoch.
Loved the album, couldn't wait for the movie, though at the time, details were sketchy at best. As years past, the album remained a mainstay on my pod rotation, but I'd essentially forgotten that it was intended as a soundtrack to something.
Then a few months back, I came across the God Help the Girl, the actual soundtrack, and found that it was finally coming out. I knew it was a small Indie movie, and it would be a while before I got to see it, and I expected that. Then last night, the Gods of awesome smiled upon me when my wife told me that it was On Demand in the In Theatres section. And all was well.
Anyway, to the movie. Again, it is what I expected. To some up the story, such as it is, you only need two words; hipsters and music. It is all shot in very retro fashion, and nails that part. Like the Beatles movies of the 1960s, the story is essentially a vehicle to travel from song to song, most of which are essentially music videos, and shot as such. And again, knowing what to expect, that's wonderful. What's even better is that the actors are well aware of this. Emily Browning may mot be Jennifer Lawrence in terms of name recognition, but she's a bigger name than I would have expected here, and effortlessly believable.
The only blemish is that some of the songs feel shoehorned in. Act of the Apostle (which is actually Act of the Apostle II in the B&S catalogue,) feels random and out of place as an opening number. Again, such is the nature of this type of film, but this one feels like they just wanted to eek i in, so used it as an opening number. Also, the title song, as well as my favorite, Perfection as a Hipster are not done justice, especially the later, which plays softly in the background via the radio, though be it in an appropriate scene.
All and all, like the afore mentioned Beatles films, this ones about the music. While the acting's wonderful, the story isn't going to reel you in. My recommendation is to listen to the music first, be it the 2008 studio album or the movie soundtrack. Or both. If you like the music, watch the movie. If not, you'll probably be, dare I say...bored out of your mind.
Loved the album, couldn't wait for the movie, though at the time, details were sketchy at best. As years past, the album remained a mainstay on my pod rotation, but I'd essentially forgotten that it was intended as a soundtrack to something.
Then a few months back, I came across the God Help the Girl, the actual soundtrack, and found that it was finally coming out. I knew it was a small Indie movie, and it would be a while before I got to see it, and I expected that. Then last night, the Gods of awesome smiled upon me when my wife told me that it was On Demand in the In Theatres section. And all was well.
Anyway, to the movie. Again, it is what I expected. To some up the story, such as it is, you only need two words; hipsters and music. It is all shot in very retro fashion, and nails that part. Like the Beatles movies of the 1960s, the story is essentially a vehicle to travel from song to song, most of which are essentially music videos, and shot as such. And again, knowing what to expect, that's wonderful. What's even better is that the actors are well aware of this. Emily Browning may mot be Jennifer Lawrence in terms of name recognition, but she's a bigger name than I would have expected here, and effortlessly believable.
The only blemish is that some of the songs feel shoehorned in. Act of the Apostle (which is actually Act of the Apostle II in the B&S catalogue,) feels random and out of place as an opening number. Again, such is the nature of this type of film, but this one feels like they just wanted to eek i in, so used it as an opening number. Also, the title song, as well as my favorite, Perfection as a Hipster are not done justice, especially the later, which plays softly in the background via the radio, though be it in an appropriate scene.
All and all, like the afore mentioned Beatles films, this ones about the music. While the acting's wonderful, the story isn't going to reel you in. My recommendation is to listen to the music first, be it the 2008 studio album or the movie soundtrack. Or both. If you like the music, watch the movie. If not, you'll probably be, dare I say...bored out of your mind.
although I'm sure I could have never been so obnoxious.
three young adults drone on about music and the meaning of life. despite the global recession, glasgow is a pretty peachy place to live; there's a distinct lack of food insecurity, job scarcity, impossible rent and heating bills. that guy who chats you up at the gig isn't a total skeeze. maybe this is is all on purpose; maybe it's supposed to be a fantasy.
I've been following b&s for quite a while, despite the twee label. reading thru old interviews many of the events of the fiim are in fact quite autobiographical; there's a depth to the music which has been earned. I got the distinct impression that ms browning did not have quite that same depth, furthermore she seemed to struggle to relate to her character. this is fine is mr murdoch's intention was to create a light romantic-comedy-musical, but if so, why include the darker elements? it's possible that I'm entirely too close to the subject matter. a painful watch, and, what's worse, poorly acted.
**edit** let's face it; this really wanted to be a film about ME but murdoch was either frightened of being so honest or didn't think it would sell tickets. as someone who had ME, I know what he is trying to say but won't say. it doesn't work! I can totally understand the compartmentalization at stake here: the need to exist in a state of semi-bourgeois lightheartedness; to lie; but the script betrays itself.
maybe some day someone can write a feature film on what it's like to have your life totally stripped away from you before age 20; to exist in a twilight zone of the barely living; to have to pretend that it's not happening to you and you are "only" anorexic and depressed. this wasn't it!
three young adults drone on about music and the meaning of life. despite the global recession, glasgow is a pretty peachy place to live; there's a distinct lack of food insecurity, job scarcity, impossible rent and heating bills. that guy who chats you up at the gig isn't a total skeeze. maybe this is is all on purpose; maybe it's supposed to be a fantasy.
I've been following b&s for quite a while, despite the twee label. reading thru old interviews many of the events of the fiim are in fact quite autobiographical; there's a depth to the music which has been earned. I got the distinct impression that ms browning did not have quite that same depth, furthermore she seemed to struggle to relate to her character. this is fine is mr murdoch's intention was to create a light romantic-comedy-musical, but if so, why include the darker elements? it's possible that I'm entirely too close to the subject matter. a painful watch, and, what's worse, poorly acted.
**edit** let's face it; this really wanted to be a film about ME but murdoch was either frightened of being so honest or didn't think it would sell tickets. as someone who had ME, I know what he is trying to say but won't say. it doesn't work! I can totally understand the compartmentalization at stake here: the need to exist in a state of semi-bourgeois lightheartedness; to lie; but the script betrays itself.
maybe some day someone can write a feature film on what it's like to have your life totally stripped away from you before age 20; to exist in a twilight zone of the barely living; to have to pretend that it's not happening to you and you are "only" anorexic and depressed. this wasn't it!
I loved this movie just because I had a Great love for God Help The Girl and Belle & Sebastian
Their music helped me get through so many things and seeing this movie full of their songs made it just Amazing. It's cozy and fun movie.
If you know God Help The Girl you will Love it.
If you don't know them you will fall in love my dear.
What's not to like about this twee movie? The story is the songs brought to life by the twee singers themselves. I found the film charming and naive.
Eve, James, and Cassie seem to have way too much time on their hands. Eve, (with an eating problem) is in and out of a clinic and finds writing songs helps her emotionally. Eve, James, and Cassie are all musically oriented, so they form a band. Eve, gets a big break and off to London she goes.
This is just simple young people living the dream, and we get to watch their happiness, confusion, pain. They are very much 'in season' for their age and tomorrow it will be different for them. And you get to hear some pretty good songs! Stuart Murdoch kept it a consistent format.
Eve, James, and Cassie seem to have way too much time on their hands. Eve, (with an eating problem) is in and out of a clinic and finds writing songs helps her emotionally. Eve, James, and Cassie are all musically oriented, so they form a band. Eve, gets a big break and off to London she goes.
This is just simple young people living the dream, and we get to watch their happiness, confusion, pain. They are very much 'in season' for their age and tomorrow it will be different for them. And you get to hear some pretty good songs! Stuart Murdoch kept it a consistent format.
Something I unfortunately (?) hadn't discovered prior to watching the movie. This being a musical of some sorts, it won't be everyones cup of tea (be aware of that prior to watching, not to blame the movie after wards). The acting is good, the issues are relatable. Relationships are sort of obvious (as are feelings, even if the main characters sometimes seem to be oblivious to them for whatever reason that is and the viewer won't be able to tell).
As with every good musical there's also a lot of drama (this is going for the relationships and growing up, friendships and so forth). It's nicely told with an easy pace to follow. I liked the ending, which also might not be to everyones taste, but I didn't feel anything super special from the movie. Decent/good effort then
As with every good musical there's also a lot of drama (this is going for the relationships and growing up, friendships and so forth). It's nicely told with an easy pace to follow. I liked the ending, which also might not be to everyones taste, but I didn't feel anything super special from the movie. Decent/good effort then
Did you know
- TriviaAmong boys in queue outside Eve's bathroom are Hannah Murray with a mustache and Anton's dummy.
- ConnectionsReferences I Love Lucy (1951)
- How long is God Help the Girl?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- 戀夏小情歌
- Filming locations
- Glasgow, Glasgow City, Scotland, UK(on location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,850,000 (estimated)
- Gross US & Canada
- $102,757
- Opening weekend US & Canada
- $11,330
- Sep 7, 2014
- Gross worldwide
- $423,306
- Runtime
- 1h 52m(112 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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