God Help the Girl

I remember back in 2008 when I stumbled across the God Help the Girl album. A huge B&S fan, it was recommended by the I Tunes bot, and while i usually pass on those, I couln't help but be intrigued by a musical with music by Stuart Murdoch.

Loved the album, couldn't wait for the movie, though at the time, details were sketchy at best. As years past, the album remained a mainstay on my pod rotation, but I'd essentially forgotten that it was intended as a soundtrack to something.

Then a few months back, I came across the God Help the Girl, the actual soundtrack, and found that it was finally coming out. I knew it was a small Indie movie, and it would be a while before I got to see it, and I expected that. Then last night, the Gods of awesome smiled upon me when my wife told me that it was On Demand in the In Theatres section. And all was well.

Anyway, to the movie. Again, it is what I expected. To some up the story, such as it is, you only need two words; hipsters and music. It is all shot in very retro fashion, and nails that part. Like the Beatles movies of the 1960s, the story is essentially a vehicle to travel from song to song, most of which are essentially music videos, and shot as such. And again, knowing what to expect, that's wonderful. What's even better is that the actors are well aware of this. Emily Browning may mot be Jennifer Lawrence in terms of name recognition, but she's a bigger name than I would have expected here, and effortlessly believable.

The only blemish is that some of the songs feel shoehorned in. Act of the Apostle (which is actually Act of the Apostle II in the B&S catalogue,) feels random and out of place as an opening number. Again, such is the nature of this type of film, but this one feels like they just wanted to eek i in, so used it as an opening number. Also, the title song, as well as my favorite, Perfection as a Hipster are not done justice, especially the later, which plays softly in the background via the radio, though be it in an appropriate scene.

All and all, like the afore mentioned Beatles films, this ones about the music. While the acting's wonderful, the story isn't going to reel you in. My recommendation is to listen to the music first, be it the 2008 studio album or the movie soundtrack. Or both. If you like the music, watch the movie. If not, you'll probably be, dare I say...bored out of your mind.

There was a lot to like about God Help the Girl but despite a few good individual scenes, but it didn't flow together as a story that well. Maybe writer/director Stuart Murdoch needed more creative feedback and better editors than he got. Certain scenes and characters just show up out of nowhere with little connection to the rest of the story, like the WTF scene of Eve going on a bender with some girl we never see before or since. The main character of Eve was weakly written. Her past and her motivations were vague. The movie would have been far better with James and Cassie as main characters and Eve as a side character.

You could see God Help The Girl as a culmination of Belle & Sebastian's (a band named after a fictional band that Murdoch's songwriting centered on) characters and themes spanning their nearly 20 years as a band. James, Cassie and Eve seem derived from the archetypal characters from B&S's songs. The movie though develops them in a shallow and haphazard way that doesn't really do justice to the insights and characters brilliantly explored in the individual songs. I think Murdoch could make a good movie, but God Help The Girl was just so-so. The music was excellent at least.

God Help the Girl is a very unusual film because it is like combining an old fashioned musical with a modern angst-ridden coming of age movie. The overall results are extremely enjoyable and I was surprised that this hip film still appealed to a tragically un-hip old fogy like me!

Emily Browning plays Eve, an exceptionally depressed anorexic young woman who has been getting in-patient treatment for her illness. However, she disappears one day and soon meets a very nerdy looking guy, James. They are later joined by James' friend, Cassie, and the trio decide to form a band. Now this isn't the normal sort of indie/hipster band and the trio find that they actually have a really great sound (I was very impressed by the singing). What's next? See the film.

Throughout the movie, Eve breaks into song and the film has little surreal breaks during which the lyrics tell about her life and inner struggles. While Gene Kelly or Dick Powell might have done this during the golden days of Hollywood back of yesteryear, this is not something you'll see in films today. This gives the movie uniqueness. This, combined with the real likability of the quirky characters, gives the movie a charm that make it impossible to dislike. Try it yourself...I think you'll probably feel the same. And, you might just find yourself singing along with Eve or breaking into song yourself after the movie has ended.

although I'm sure I could have never been so obnoxious.

three young adults drone on about music and the meaning of life. despite the global recession, glasgow is a pretty peachy place to live; there's a distinct lack of food insecurity, job scarcity, impossible rent and heating bills. that guy who chats you up at the gig isn't a total skeeze. maybe this is is all on purpose; maybe it's supposed to be a fantasy.

I've been following b&s for quite a while, despite the twee label. reading thru old interviews many of the events of the fiim are in fact quite autobiographical; there's a depth to the music which has been earned. I got the distinct impression that ms browning did not have quite that same depth, furthermore she seemed to struggle to relate to her character. this is fine is mr murdoch's intention was to create a light romantic-comedy-musical, but if so, why include the darker elements? it's possible that I'm entirely too close to the subject matter. a painful watch, and, what's worse, poorly acted.

**edit** let's face it; this really wanted to be a film about ME but murdoch was either frightened of being so honest or didn't think it would sell tickets. as someone who had ME, I know what he is trying to say but won't say. it doesn't work! I can totally understand the compartmentalization at stake here: the need to exist in a state of semi-bourgeois lightheartedness; to lie; but the script betrays itself.

maybe some day someone can write a feature film on what it's like to have your life totally stripped away from you before age 20; to exist in a twilight zone of the barely living; to have to pretend that it's not happening to you and you are "only" anorexic and depressed. this wasn't it!

What's not to like about this twee movie? The story is the songs brought to life by the twee singers themselves. I found the film charming and naive.

Eve, James, and Cassie seem to have way too much time on their hands. Eve, (with an eating problem) is in and out of a clinic and finds writing songs helps her emotionally. Eve, James, and Cassie are all musically oriented, so they form a band. Eve, gets a big break and off to London she goes.

This is just simple young people living the dream, and we get to watch their happiness, confusion, pain. They are very much 'in season' for their age and tomorrow it will be different for them. And you get to hear some pretty good songs! Stuart Murdoch kept it a consistent format.