Aventure d'un soir

This was an interesting premise for what might have been a great funny romantic comedy...but the more I watch this movie, the more I can't stand the character of Megan.... She is the most irritating female romantic lead I have ever seen.... reminding me of every single passive-aggressive, direction-less and uninspiring gal I have ever known.... I mean if she was meant to be a bitchy sort of character, that aspect never came through correctly in the film.

She is not a strong person, or even focused... nothing in the exposition of her life tells me that she is a strong, modern woman.. and if that is what the movie is trying to go for, it falls super flat.

I find her character dull and plays a lot on the stereotypes of certain types of small-town girls....

Alec was okay. I think his humour and easy, lazy style saved his character and made things interesting to watch.

I think that the lead actors don't have a lot of screen chemistry. I mean, I can't feel the sizzle of on screen sex between them.

Some parts were pretty yawn inducing and I had to fast forward those bits...

As I said. it is a great premise.. could have been better with more interesting characters.... I mean I dun watch a movie to see everyday people... and these are some of the not so great examples of everyday people. The characters in particular need to be better thought out.

Analeigh Tipton, Miles Tiller and a crackling script help elevate this 90 minuter. Analeigh Tipton is just delicious to look at and Miles Miller comes across as a thoroughly nice chap.

There's nothing original or new to see here and some of the plot turns are a bit contrived. But nonetheless it works.

The movie doesn't have the gravitas of Notting Hill, or the 'touchy feely' dreck of Music and Lyrics. It's a small town date movie for small town folk.

The peripheral characters supporting the two leads are almost invisible and are barely worth mentioning.... apart from Samuel Ray Gates who plays a cop. (Why isn't this guy more famous?)

It doesn't get deep or heavy, there's not too much gloom when things go wrong... it's a fluffy teen flick that this 55 year old male enjoyed.

If you get drained by the overly emotional garbage that usually accompanies American 'romcom' type movies, this one will surprise you in a good way.

On a bit of a Miles T kick rn but wanted something kinda light. Gave this a shot and so glad I did! Thought the actress would get annoying right away bc the only thing I've seen her in is Crazy, Stupid, Love in such an irritating part, but she was really funny and I even got used to her bangs by the end (almost). Totally unpredictable twist 2/3 of the way through and I even rewound part of it to rewatch a few scenes. Great chemistry btwn the 2 and super funny writing. Miles was hilarious and I lol'ed through most of it so much I'm surprised I didn't wake up the kids. He's got perfect timing and genuinely seems funny in real life. Don't know if it was actually shot in ny but def some authentic footage from past snowstorms. Also Michael Showalter was amazing as the weather guy. I had the cc on and was able to read some dialogue that I probs would have missed others wise. Jessica from gossip girl and her bf were almost scene stealers esp at the end. Could have been such a stupid, throwaway rom-com set in New York but the details and delivery and casting saved it. Will def rewatch and recommend!

Thhis movie, although obviously not the greatest of the year, knows what it is, and it fully at ease with it. As a fellow young-adult going through tribulations on the love front, I did feel a connection with the characters. Miles Teller confirms that he has potential, and the other actors do their jobs, without being amazing (s.a. Scott Mescudi, who is apparently attempting a reconversion from rap to acting. He isn't bad, but he isn't quite there yet, and he still surfs on his fame to get his roles IMO). OK directing. Some funny moments, and an (expected and expectable) heart-warming ending. I recommend watching this if you are in the same situation as the characters, ergo stuck with a chick/guy you like on a snowy day.

Megan (Analeigh Tipton) is a beautiful young woman troubled by her own singularity. She hates being single and fears she is seeing the best years of her love-life rush by her and can do nothing but passively watch them dissolve before her eyes. Catering to her desperation, she creates an account on a website dedicated to matching singles up with one another and connects with Alec (Miles Teller). The two meet and wind up having great sex together, with Megan presuming she can just leave as soon as she wakes up the next morning. This method of avoiding anything in the way of romantic feelings, however, is prevented given a huge blizzard is taking place outside, making travel of any kind next to impossible. Megan is forced to reside at Alec's until further notice, making for an ostensibly awkward but thoroughly revealing evening as the two talk about past relationships, critique each others sexual practices, and spend time nosily prying into the lives of one another.

The premise for Max Nichols' Two Night Stand is made slightly more original given the fact that the idea of millennial relationships is a fairly topical, sociological talking point at the moment. I just recently saw an article stating that numerous young people don't even know the status of their own relationships, as the modern world has populated so much of romanticism with casual hookups, "hangouts," and acts of "seeing" people with little or no commitment involved. The characters, the structure, and the ending of Two Night Stand, however, make the film something of another romantic comedy, but exploring a reasonably believable scenario about failing to have your cake and eat it too. They thought they were getting carefree sex without any kind of personal relations to follow...what they got was a window to themselves from a complete stranger.

Two Night Stand's commitment to perfunctory plot-points (including a pretty senseless ending) are saved by screenwriter Mark Hammer's reliance on conversation in the film, and, most importantly, the performances of Tipton and Teller, two young actors to watch in the coming years, with Teller being the more prominent one. Starting out finding his footing in amoral comedies like 21 & Over and Project X, Teller has grown into a seriously likable and human screen-presence, inhabiting the role of the cocky yet vulnerable young adult, determined, but somewhat directionless, and friendly, but also contemptible at times. His versatility is the glue holding Two Night Stand together when lengthy conversations between the two parties take place, resulting in pleasantly lyrical discussions about topics that are finally starting to find themselves more prominent in film.

Sex is not an uncommon thing to see in films anymore; the discussion of sex, romance, love, and marriage from the perspective of the people who most often engage in it - teenagers and young adults - are a bit harder to find. Two Night Stand finds itself released and promoted around the same time as #Stuck, another film about an extended hookup that results in the male driving the female home and both of them getting stuck in a record-breaking traffic jam. The evasion of feelings and any form of commitment is something that we can see in films with millennial characters, and when they finally are forced to tackle it is when we have an intriguing film on our hands.

As I said before, Two Night Stand is burdened by an ending all too conventional and a structure far too similar. However, the recommendation in this case is for you to see two talents, who will soon find themselves in roles with more potential and possible accolades to affirm that, tackle material, as of now, rarely committed to film. It's a treat to watch Tipton and Teller interact with one another, and an even greater one to know the best is yet to come for both of these young actors.

Starring: Miles Teller and Analeigh Tipton. Directed by: Max Nichols.