The Americans

I am an American and when I was in high school around 1980, Ronald Reagan was elected president, and I was taught in school in no uncertain terms that the Soviet Union was our enemy. So here I am 4 decades later, astounded to find myself watching a TV series about Soviet agents impersonating Americans on American soil, and cheering them on to succeed!

This is not because I'm a sympathizer with Russia (quite the opposite, actually) but rather because Keri Russell and Matthew Rhys are so good at portraying their characters, I want to watch them continue what they're doing. I don't want to see them found out, arrested, or killed. That would ruin the fun!

These performances are amazing. They are Soviet agents from Russia, who have to pretend to be a normal American middle class couple in the suburbs. Raising a couple of kids who have no knowledge of their parents' real identity. While they are pretending to be Americans, they also have to assume alternate identities in the course of their spy work.

Meanwhile, as if all that wasn't enough, even though their work requires them to "be American" 100% of the time, they still must remain loyal to their motherland, and not get caught up in American capitalist values or consumerism, even though constantly being surrounded and enticed by it. I can't imagine what kind of mental gymnastics this would take.

Anyways this series is pretty amazing. I've been mostly isolated at home for the past 3 years (as of 2023), watching a lot of streaming video, and "The Americans" stands up there with the best.

I don't want to repeat everything that has been already said about this series.

However, I think Keri Russell's presence in this series is the key to everything. Only her could have this cold outside look hiding a wounded soul that hangs on to what she believes in.

It is not only about the plot, but also the human toll the Cold War claimed in its path.

I think the series is very well rounded in terms of casting and writing. It has a rhythm that keeps the audience on edge.

This is, in my humble opinion, the best of the genre since Alfred Hitchcock gave us Topaz and The Torn Curtain. I give it a 9.

The fifth season's first episode featured the "Americans" digging a hole - a BIG hole. The scene goes on a long, long time. This is pretty much how the whole season feels. The show downshifts a gear or two, the payoff is elusive, and you wonder where it's all going; until, that is, the end finally does come, when it's a shocker. It is all done quite intentionally so as to set up the final season.

The Sixth Season of "The Americans" continues to fire on all cylinders: character development, acting, suspense, photography, writing and spy craft, all are splendid.

The focus is increasingly on Philip and Elizabeth, their relationship and inner development, while the other characters recede somewhat into the background, like subsidiary planets orbiting about a double star. Under extreme pressure to prevent disaster, they commit acts that may cause many viewers actually to come to hate them. in the end, no one gets off unscathed, and everyone is simply striving to stay afloat amidst the wreckage....

Which, in a way, is the point:

On the surface, "The Americans" is one of those "mismatched buddy" shows: a young couple teamed together purely for reasons of expediency. However, it runs much deeper than that. Beyond maintaining the charade of a false identity and masquerading as someone you are not, lies the complexity of their developing relationship: exploring the nature of love when you live with someone who lies for a living; understanding what drives them, the far reaching consequences of their choices, & the rationalization of their acts of violence.

At the heart of "The Americans" is a family infected by the conviction that loyalty to country overshadows family or one's own soul. As viewers, we're asked the tough questions: If the couple wore blue instead of red, would it change anything? Are spies heroes - or pawns? Is patriotism formed by rational choice - or the product of where we're born? At what point is the loss of one's humanity too high a price?

The Americans is one of the best spy shows ever created. There are a million to choose from but The Americans is a true top among the best. It follows to KGB spies (Matthew Rhys and Keri Russell) posing as Americans in suburban Washington D. C. at the height of the Cold War during the Regan administration. We watch as the pressures of the job and raising their unknowingly American born children out them at risk of being discovered. To make it even worse, their best friend neighbor (Noah Emmerich) is an FBI agent who job is to uncover Soviet spies. I can't recommend this show enough. Just go watch it, but make sure you give yourself a lot of time because you're going to want to binge it as fast as you can. I loved every second of every episode!

It is very rare that you have a near perfect episode, especially of a series on commercial television. But FX has done it here with The Americans. It is nearly flawless. Great mind candy for the thinking person, with something to come back to after the first viewing. I credit the success of The Americans to 3 things: Great script, great music, and Matthew Rhys.

The script is adult, no-nonsense storytelling built on an original premise, the Cold War. Those of us who are old enough remember this period, a period of the Russians-are-coming hysteria that was second only to the Civil Rights movement the decade before. An era very under- represented in film and ignored on the small screen, comes to life for a new generation.

Of course this era would be nothing without the music of this time and again, The Americans is flawless. "Harden my Heart" opens the series, and how appropriate. Disguised, and ready to perform sexual acts for information, we first meet the series heroine, Elizabeth Jennings whose heart is truly hardened. Fast forward to a back alley chase and we are introduced to our hero(?) Phillip to the pulsations of "Tusk" by Fleetwood Mac. "Tusk" is appropriate here too. Just think about it.

Must mention these disguises too, which are not your silly, unrealistic mission-impossible disguises. No, the disguises in The Americans are really disguises and surprisingly, with very little disguise. What makes these disguises work for the Jennings is that the Jennings can act. With each disguise is a new personality. Elizabeth does her disguise well but the master of disguise is Phillip.

Phillip, played by Matthew Rhys, is special, or should I say, Matthew Rhys is special as Phillip. Rhys takes the art of disguise to the next stage. He is authentic, nerdy and funny in disguise talking to Martha, reminding you of a young John Ritter. And then as the kick-your-ass, baddest-ass-kicking daddy of them all over a barbecue pit, Rhys is wonderfully dangerous, stellar, and I can't get enough of him.

This series only has to live up to its pilot a little bit. The series has everything: originality, sex, espionage, suspense...did I say originality? And yes, Matthew Rhys who has the role of his life, I daresay, the role he has been waiting for, is the welcomed surprise here. Hat's off to casting. Can't wait to see what they are going to do with this.