Unicorns

UNICORNS is a breathtaking exploration of identity and connection, beautifully woven through the lives of its diverse characters. Set against the backdrop of a vibrant South Asian nightclub scene, the film delicately navigates the complexities of self-discovery and acceptance. The performances are mesmerizing, drawing you into the emotional journeys of the main characters. Their unlikely encounter sparks a profound exploration of their own identities and desires, creating a narrative that is both tender and powerful. The cinematography captures the energy and intimacy of their world, enhancing every heartfelt moment. UNICORNS is not just a film; it's a celebration of authenticity and the courage to embrace one's true self. A masterpiece that lingers in your thoughts long after the credits roll.

What a lovely movie, the trailer did not represent the gritty British move you will receive. Its a beautifully written film which just dark enough. Unicorns is lifting the curtain on a world many of us never see. You will ride a slow rollercoaster through this film, watching how an unexpected friendship grows. Luke is a 'geeza' a single dad and a mechanic, Ayisha a Gaysian Drag queen. The characters are thrust together as Ayisha needs a driver and Luke needs cash, their friendship and how it grows has been told in a way only certain filmmakers manage. Bravo

Both main actors were brilliant whoever cast them was bang on.

Really enjoyed this film. A great cast with some fine acting. Ben Hardy and Jason Patel are great as the two leads. It's another in a long line of LGBT movies that we Brits make so well. There is no sad ending and the main characters aren't tragic. Which usually happens in Hollywood movies in this genre. A realistic story that draws the viewer in and makes you root for the characters.

The story has several arcs, mixed racial relationship. Straight man meets gay man. Cultural dilemmas. And all handled with sensitivity.

Direction, cinematography and script are spot on. I was expecting another of those dreadful Netflix movies that I switch off after 20 minutes. However, this film was so good I watched it twice.

Luke is a mid-20s white man in London, divorced, with custody of his 5-year-old son, working as a mechanic in his father's garage. One night, he stumbles upon a south Asian nightclub, meets alluring woman Aysha, and they kiss, before he realizes that "she" is a drag queen.

Aysha feels an interest in Luke, and also needs a driver to drive her to various gayasian events where she performs. She tracks down Luke, and he agrees to the job because he needs the money. However, this develops into at least a friendship, as they do other things together, like sing karaoke.

So here are two people who are divided by race, culture, religion (Aysha's family in Manchester is Moslem), sexual orientation, and gender identity. Can they overcome all these differences, and be each others' unicorns?

I saw this at the world premiere at the Toronto International Film Festival, where the director said he was inspired by an out British Asian drag queen. He noted that South Asian drag was realistic rather than glamorous, and a certain number of the background characters were actual drag queens in their customary attire.

"Luke" (Ben Hardy) stumbles upon a bar where the largely young and beautiful Asian clientele are enjoying a dazzling performance on stage from "Aysha" (Jason Patel). Despite the fact that he's only just got laid in a field, he's captivated by her and so when she comes to say hello after her routine, he is quite besotted. Thing is - well those Adam's Apples - they are a dead giveaway and "Luke" flees in polite terror, but terror nonetheless. This leaves "Aysha" with a problem, though, as her possessive pal "Faiz" (Sagar Radia) goes off in a strop leaving her without a lift to a lucrative gig in Birmingham. She was also a bit smitten by "Luke" so tracks him down to the garage he works in with his father, and offers him £200 to be her chauffeur. Reluctant, he remembers that he has promised is son "Jamie" (Taylor Sullivan) a trip to Disneyland, and that's not going to pay for itself. The journey isn't really that far, but when a few other drag queens cadge a lift, too - well, let's just say that "Luke" gets a look at a culture he's never experienced before. The plot itself is fairly predictable, not dissimilar to "Femme" from last year, but there's a fun degree of chemistry between Hardy and Patel that maybe a little too simplistically, but still entertainingly, both challenges and reinforces stereotypes. What's eminently clear is that "Ashiq" is an unhappy and unfulfilled man who comes alive when his alter ego takes over, but is there any future at all in a friendship quite so viscerally at odds. It's tightly cast, and works best when it's just the two lead actors engagingly messing about, getting to know and trust each other and, well... who knows? To be fair, it doesn't need a cinema screening but it is an amiable, occasionally bitchy, film and I quite enjoyed it.