Jang-e jahani sevom

The movie World War III by Homan saydi states a law; Anyone with any characteristics in the situation and conditions of any person acts like that person.

World War III comes out of World War II The structure of the film is similar to the structure of the atom, which has a nucleus inside itself, and the most mass is concentrated in the nucleus of the film. In the forest, when the set is being built, the mirrors give the news of the reflection of the world inside the core of the film to the outside, which means that the disaster is going to come out of the core. Shakib turns World War II into World War III in Hitler's cover. In order to prove that he can be the author, Homan Sidi has done the production, directing, writing and editing of the film, and also by choosing the topic of paying homage to authors such as Chaplin, Spielberg, Tarantino, he has shown the theme and color of his film. Sometimes it reminds me of Tarkovsky's film Mirror and There Will Be Blood by Paul Thomas Anderson.

Why do Iranians make beautiful dramas? World War III is one of the best Iranian movies produced in recent years. The acting was convincing. Premiered a few months ago in Venice's Orizzonti strand, where it won Best Film and Best Actor. The same festival also unveiled "No Bears," from Seyedi's embattled compatriot Jafar Panahi: To say that Iran has a fraught relationship with some of its most revered filmmakers would be putting it extremely lightly. While Seyedi isn't as overtly political here as the likes of Panahi, he's still quite bold: One hopes his film will receive Stateside distribution. Whether censored or celebrated by its government, daring work like this deserves to be seen by the widest audience possible. Don't miss out watching this movie.

It's not easy to watch I don't like this type of movie and decided to leave it several times but I didn't.

Only some people enjoy watching these movies and those people are film critics.

The story is not complicated, at the beginning everything is normal, and then something will happen that concerns main character, it goes by and continue the same system till the end.

Fortunately it has a satisfying ending. Even though I don't recommend it to watch.

If I wanted to describe it in a sentence I would say: When you spend enough time with evil (or in this case evils) soon you learn to become one.

Houman Seyyedi has found his own genre. It's as if Houman Seyyedi's signature is at the bottom of the film, even if his name is not in the credits as the director and producer and writer and editor of this film. The brilliant performance of Mohsen Tanabandeh in this film cannot be easily overlooked. The simple story of the film moves slowly, but it reaches the climax and attracts the audience and leaves the audience speechless like the female character of the film. You can see how a character can sink into the role he is playing and how a dictator can devour his actor in this movie. In general, it can be said that this movie is attractive and has a different place among the recent movies of Iranian cinema.

It always gets under my skin, the ending scenes that could have been amamzing, but the directores just ruin it completely, so why not keeping the camera working while they fall like flies, in front of them Hitler watching them suffer and dying like he did in all of his scenes in the movie they were shooting, watching them dying and then the camera get a shopt from his back with all of them died on the floor or on table. This could have been so good and it will leave a mark with any viewer. The director did great sitting up for this ending but he didn't continue it perfectly. Overall it was a good movie, I enjoyed the main character's acting so much.