Month of Madhu

Within this cinematic tapestry, the characters unfold as captivating enigmas, and the narrative woven around them exudes a subtle beauty. The pace of the narration, though deliberate, finds its rhythm, allowing the story to unfurl gracefully.

Naveen Chandra and Swathi, with their performances, breathe life into their respective roles, showcasing a profound commitment to their craft. Shreya Navile and Harsha Chemudu deliver impeccable portrayals in their respective roles, while the supporting ensemble complements the narrative admirably.

The musical score harmonizes seamlessly with the film's emotional cadence, enhancing its evocative power. Cinematography and the various technical aspects maintain a commendable standard throughout.

In this endeavor, the director demonstrates a refined artistic vision, crafting a work of superior quality.

For those who relish heartwarming narratives, the theater screen beckons, offering an immersive experience. However, if such tales are not your preference, I recommend an OTT platform, but do not overlook the opportunity to savor this beautiful film.

I loved this film - loved the acting, script, direction, cinematography, and score.

The pacing is slow and I felt the movie possibly could be trimmed a bit and maybe some more insight into the now of the couple be shown (we are shown mostly the old, their times before marriage).

There characters are all fleshed out really well (other than perhaps the parents of he NRI girl and the mobile shop guy - who was a promising character, but needed a better depth in the film )

The score and songs are good - especailly the score - it elevated the movie brilliantly without being intrusive.

Highly recommended for anyone into serious movies.

Month of Madhu is tale with real life characters who live next to us. The director Srikanth shown us what is cinema, and how is it done. Madhu (naveen Chandra) and Madhu (Shreya navya) belong to two different worlds happen to meet and what happens next. This movie shows us what true love looks like, the decisions made in love and out of love.

Lekha(Swati) is the most realistic character of any movie till date, she takes you to her life.

Vasuki (Gnaneswari kandregula) is an epitome of beauty and her performance makes you cry with her.

Viva harsha is the best comedy and actor ever. Mayya!

Camera man did great job. Music is awesome.

Madhusudhan and Lekha have been separated with Lekha applying for divorce citing his alcoholism as one of the major reason. He spends all his time drinking and hoping she would come back, refusing to divorce her. A 19 year old NRI teen Madhu arrives in India to attend a marriage. She feels alienated in both the countries and has frequent clash with her disapproving mother, be it the way she behaves or how overweight she is. How these two Madhus meet and why goes through their lives, will Madhu and Lekha divorce or will Madhu and her mom make up, forms rest of the story.

On paper, it definitely sounded far more decent than what was executed on screen. Definitely, the performances elevated the scenes quite a lot and the non-linear narrative helped to stay invested with the story. But, the way I was connected to the story of Madhusudhan and Lekha, I felt as disconnected with the story of Madhu and not that I couldn't follow her story but how her subplot felt had nothing to contribute to Madhusudhan, neither she takes away anything from his life. It's just two random strangers meeting and talking to no avail.

If I get to separate these two stories and entirely then it appears much better with Madhusudhan and Lekha story having much weight and most importantly being relatable. To put it simply, it was more wholesome. Here's a couple who loved each other and then they fell out of love. The mystery behind why the parted is well kept till the end though it's not hard to predict but is more satisfying in seeing the character remember and realise in the end. Overall, Month of Madhu is in a way a missed opportunity and could have been a far better film if the NRI story was handled more effectively.

Watch MoM on your mobile or your laptop when you've got a great game of tennis or something far more engaging is playing on the TV.

It's the pace of narration that gets to you at first, and then you start noticing that it's a story of a typical cocky, irresponsible and egoistic youngster who's, by local standards better looking than the rest of the unkempt lot. All Naveen Chandra had to do was rehash his role in Ammu. It's usually those girls with low EQ that fall prey to characters like these. And Swati did well as the ignorant teen and the practical young lady.

The US track looks like it was slapped on so that a short film can pass off as feature length movie.

While it's understandable that the mutton packet is kept a mystery until the end, it's criminal to parch the audience with hot air for the length of the film.

The chances of viewers tapping out in the middle of 2nd half are very high. This mutton biryani takes forever to cook.