East of Wall

Boyhood meets Cowgirl Power meets Chloé Zhao's "The Rider"! How anyone who loves humanity, horses, and nature could not love this gorgeous docudrama, I'll never understand. An extended family of young and younger people, mostly female, fight through the daily challenges of managing a horse ranch in the Badlands area of South Dakota, somewhere East of Wall.

They seek to combine fact and fiction to tell their unique story in unique ways, all on a shoestring budget with some amateur actors playing themselves. Three years of video footage and a mere twenty four days of low budget shooting later, what could go wrong?

But more importantly, what could go right? Apparently an awful lot because audiences don't hand out heartfelt standing ovations at Sundance festivals like children's candy. With many tears flowing the audience in Park City professed their sincere gratitude to these real life superstars of the silver screen and the silver spur.

When I saw the film yesterday I was spellbound by a number of shots that reminded me of my own disadvantaged childhood and my love of nature. Growing up in the city I didn't get to see much of it like this family does but the challenges of my youth were very much the same.

What's wrong with my family? Why are we broken? How did we get here? Who am I? Where am I going? How do I become someone I can be proud of being someday? Then ultimately, how can we help others to become what they can all be proud of becoming, and have a lot of fun along the way. How can I help them?

Something about seeing a simple jump cut to young Porshia's Championship buckles on a little shelf in her room held me in awe of the feeling it resurrected, that I also still remember from way back then. That someday maybe I could achieve something, and be happy, and be proud of myself and of my extended family. That maybe someday the world would make complete sense and I would enjoy and be grateful every minute of being alive.

Never mind that suicide is a central part of the story. Or that a young girl eaves dropping on adults in her family late one night revealed the awful truth of that heartbreaking event. This is a story that affirms everything good about life and death. You leave the theater grateful that such storytelling still exists in the world. That real people like this still exist!

It seems that from the report at Sundance of the reception of this amazing film in Park City, it gave them all that sense of accomplishment. It's so often is missing in the lives of the underdogs, the people living on the edge and barely getting by. That it was given by their peers who also love nature, and their animals, and their extended families, made the report all the more heartfelt and appreciative.

My only question is wanting to know more about the Native American connections in the family. Jesse Thorson let's out a few war hoops at the end on his horse, to make sure we all know where he originally came from. Other than a dedication to a person named Warhawk, I can find nothing on that Native connection. Jesse, and what appears to be his girlfriend and maybe even a better trick rider, are important characters in the story and deserve a bit more attention as to their own Native connections.

In any case, someone please give Kate Beecroft, Tabatha and Porshia, and this wonderful group of kids and adults more than just some applause or kind words so that their legendary story can be enjoyed by more of us. It is something that makes it crystal clear what life is all about. They've also earned a place in indie film history in my heart, a fellow underdog also made good. Giddeyup!

I saw East of Wall at a "Screen Unseen" event at my local theater. I hadn't heard of it before and went in completely blind, which I usually enjoy-but in this case, it didn't quite work out.

I found the movie hard to follow, both in terms of plot and pacing. It seems to center on a woman with a difficult past who trains horses and tries to move forward with her life. While the film clearly aimed to be emotional and character-driven, the storytelling felt disjointed and lacked enough clarity to fully connect with the audience.

On the plus side, the visuals were striking-the South Dakota Badlands made for a beautiful and atmospheric backdrop. The acting was generally solid, though nothing particularly stood out.

Overall, East of Wall had potential, but its narrative struggles kept me from becoming fully invested.

Still grieving the loss of her husband, Tabatha is struggling to keep her ranch afloat while managing her children and the other children she has opened her home to. The tables turn when an outsider offers her a way out, forcing her to re-evaluate her outlook and priorities.

An intriguing movie with potential and beautiful horses. There is one main story, with many different tangents, but none of them are given much detail or background. Most of the details of the stories are inferred based on the minimal dialogue. The one hour and thirty-seven minute runtime feels longer due to the slow pace of the movie and the dialogue being broken up by beautiful scenic shots and horse riding. It has the potential to be worth a stream.

Watched at the 2025 Sundance Film Festival.

A simple slice of life tale about a women trying her best to go through the troubles in life is emotional journey. And director Kate Beecroft does a fantastic job on presenting a low-budget feature with strong nature performances from the cast, realistic characters and engaging writing.

Presented through a docudrama presentation, this slice of life narrative carries many good themes about family, the struggles, being a cowboy/cowgirl kind, and trying the best to navigate despite the harsh realities. Filmed with beautiful camerawork and nature dialogue, you begin to feel the connection and emotions the characters are going through. Whether they aren't perfect, the characters are interesting as they never came off as unlikable or boring.

All of the performances are good, the score is good, and there are some sequences that does hit right in the heart successfully. Reminds me a lot of Chloé Zhao which her works focus on the American natural landscapes.

Overall, I really liked this movie and I love to see this director make another movie someday.

This movie has a lot going on -- land, family; feminism; horse whispering; class commentary; grieving; abusive relationships and coming of age.

..all jumbled into utter realism.

It takes some patience to watch because the the plot arc gets almost lost after the halfway mark. There are so many characters (who kind of look alike) I kept getting confused. Most of the characters are inarticulate.

But this just adds to the realism. (It very much reminded my of my working class, rural youth) I was emotionally touched and satisfied in the end.

I was expecting the director to take the movie to some horrific, morally outrageous plot turn and she does but in a very clever way that isn't cheap shock.

It reminds me of those "urban realistic" films of the 70s but set in modern South Dakota rather than New York. The cast seem like real people, not actors, even though the movie isn't shot like a documentary.

These days, a number of producers are trying to make "the modern western" and this one succeeds.

If you can tolerate "realistic messiness" -- this movie is very rewarding.