Ludik

Daan Ludik is a successful furniture business owner based in Pretoria; he uses his firm's regular deliveries to Zimbabwe to smuggle diamonds. One day an arms dealer wants Daan to uses his route to take an arms shipment across the border... to persuade him he has Daan's brother kidnapped and tortured. The first shipment goes horribly wrong and this brings problems for Daan; most obviously the police start asking questions for the first time. He also has various family problems. Intertwined with this we see flashbacks of Daan's childhood where his family is dominated by his bullying father.

I thought this was a pretty decent six part series; it may not be the best Netflix has to offer but it is refreshing to have another series from South Africa. It is a shame we don't get more series from this interesting country... or indeed the wider continent of Africa. The story is solid and provides plenty of tension and excitement. The cast is pretty good; most obviously Arnold Vosloo as Daan. The end of the sixth episode answered some questions but raised others; hopefully an indication that more is planned. Overall I'd certainly recommend this to fans of crime dramas looking for a less cliché location.

These comments are based on watching the series in Afrikaans with English subtitles.

I am a big fan of Arnold Vosloo. If only the rest of the cast could have lived up to his ability. This could really have been a good show bar two things: appalling soap opera performances and the most awful soundtrack and sound design. I nearly stopped watching because of the dreadful din coming through the speakers. The 3 stars are because I wanted to see how Ludik got out of his dilemmas so it had me hooked in that way, but I confess I did fast forward some scenes with the bad guys. This was a good example of how not to play bad guys: try to look and sound like a bad guy.

The difference between good acting (Vosloo) and soap opera acting (Sean Cameron Michael) is that Vosloo underplays emotions so the viewer can interpret them. Michael shows you everything, all the time and over eggs it like crazy leaving nothing to our interpretation. Anyway, my opinion.

I wish I knew there was a choice in watching this in Afrikaan and not the horrid choice that netflix made for me . The English compilation/dubbing, I do not know if its the right word, was awful. The sound was AWFUL.

This is the second time that happens .The first one I tried to watch a German show and the actors spoke English, so I knew that something was off. But this time I honestly didn't suspect anything.

Every language is unique and beautiful and I prefer to listen to the original and read subtitles.

I give an extra point for that mistake ,for which I blame netflix I liked the story, the pace, the characters. It kept me interested and it was enjoyable.

Gave this a chance based only on the trailer. I really enjoyed the story, nicely paced. The set up is good and the framework of the plot promises a taut thriller and for the most part delivers.

Unfortunately we're it falls down is with some of the supporting characters who are one dimensional mad in some instances annoyingly so. The other big issue is the acting. With the exception of Arnold Vosloo and Diann Lawrenson you watch the rest in disbelief that the us is the best South Africa has left to offer. It is very distracting.

Special mention goes to Sean Cameron Michael who is so bad you just can't have any sense of him being a mob boss as no one would take him seriously.

If you can disregard the acting though it's worth a watch.

Great potential. Poor delivery.

It starts off with a great premise but over-acting and hamming by most of the cast ruins what could have been a great series.

Arnold Vosloo does a good job but the rest of the actors are many classes below.

The storyline seems to go around in circles too. I am not holding out hope for a second season. I really hope though that the South African TV industry starts to do better and better.

The flashbacks to Daan's childhood seem to serve no purpose except to satisfy some whim of the director. The music is good but overwhelms the dialog and makes it hard to follow.