The Queen of Versailles

I knew the back story to "Queen of Versailles" before I saw it, but I wasn't prepared for the extreme revulsion I felt for these characters, particularly David Segal. These folks are poster children for the worst extremes of our materialistic, narcissistic culture. Their values are money, ostentation, self-aggrandizement, acquisition and mindless hedonism. They are venomous leeches on society.

Yet I felt pity for them as well, particularly Jackie. She's something of an enigma. She boasts about getting an engineering degree so she wouldn't have to work as someone's assistant, yet she mostly devotes herself to keeping young-looking and voluptuous (those breasts of hers deserve some sort of special effects award) so she can snag and keep a rich hubby. As her world starts to fall apart around her, she begins to have some insights about what life is really about (not building the world's biggest house), yet still can't abandon her out-of-control shopping sprees or torturous visits to the beauty clinic.

The children, also, seem to be far more aware than their parents of the emptiness and ridiculousness of their lifestyle.

Fortunately, I saw very little of myself in this abhorrent couple, but I did see some similarities to friends and family. Everyone is susceptible to greed and an inflated sense of self. This film shows what happens when that proceeds unchecked and fueled by obscene wealth.

"The Queen of Versailles" is an extremely unusual documentary, and I can only assume the histrionic nature of the Siegel family is why the film was ever made. It consists of a camera crew following this family (and in particular Jackie and her husband David) during a period which appears to be about two years to three. I honestly cannot expect most families being willing to have their lives chronicled and disrupted like this--particularly because the second half of the film shows the family at their worst. Odd, that's for sure.

When the film begins, David Siegel is an incredibly wealthy man. He's made his fortune with his vast empire of time share properties and because he is so wealthy, he and his wife are in the process of building a new home they nickname 'Versailles'. It is projected to be the largest single family home in America! During most of this period of the film the camera follows Jackie--a woman who seems to love the attention and who lives a charmed life of luxury.

Part-way through the film, however, comes the market and housing crash of 2008. And with it, disposable incomes have diminished--making selling of time shares almost impossible. Additionally, bank financing, which had previously been easy to obtain by David, suddenly evaporated--leaving his heavily leveraged empire on the brink of collapse. During this period of the film, Jackie has come to accept that she WON'T be moving into the new palace--and they might lose their current home as well. She handles this by shopping.

It's rather hard to adequately rate this film. On one hand, the filmmakers have provided a wholly unique film showing these folks--warts and all. And, it is well constructed and compelling. But on the other hand, there really is nothing to like or admire about these folks. Despite their wealth, they seem spiritually impoverished, self-centered and sad...profoundly sad. In fact, after seeing the film, my entire family felt depressed and insisted we watch something uplifting or fun. Seeing this film is anything but fun and it's not even good for someone wanting to laugh at the Siegels. They aren't funny....just profoundly sad. A very sad marriage, spoiled kids, a love of money, looks and possessions...all quite depressing to witness.

This movie was planned to be a documentary about the biggest house in America, but after the crash of 2008 occurred shortly after filming began, the director turned it into a story of the economic collapse. We're familiar with the stories of the many ordinary people who lost their jobs in 2008-09; this film is a story of people who despite being very rich--at least on paper--were also victims although perhaps mostly of their own bad judgment. I expected to hate the Siegels, but I did not. Although they're not people with whom I would want to spend personal time, they come across as merely shallow, immature and maybe even naive people who became addicted to money and spending and suffered the consequences.

The film shows laughable yet slightly shocking scenes of people who equate stuff with happiness and excess with success. "Versailles" is never finished (the house plays a bit part in the movie) but the home they live in is ridiculous in its own way: It's luxurious, but also filthy. Unhousebroken dogs poop all over the place, every room is cluttered, stuff spills out of closets, one daughter is obese and it's obvious the hired help can't keep up.

The movie takes time to give personal histories of both Mr. and Mrs. Siegel and it's easy to see how they turned out the way they did: Mr. Siegel's parents were gamblers, and although they lost their money in Las Vegas and their son became rich, the movie shows how really he is a gambler and big spender as well. Mrs. Siegel is not merely a "trophy wife" although her sexist husband sees her that way; she has an engineering degree and made money as a model before her marriage. Despite her shopping addiction, disorganization and extremely poor housekeeping skills, it's clear she's a savvy survivor who has a tendency to get what she wants. The movie also features some interviews with other family members including two teenage daughters. Their comments are extremely honest, both about their parents and about wealth. The heartbreaking interview, however, is with the Filipina nanny. In her brief tale, she gives a glimpse into Third World poverty that shows how lucky the Siegels really are.

From what I've read the Siegels are back on their feet; like most rich people, they did not suffer in the way that most of us have suffered. Yet it is clear that they did suffer. The film is not judgmental and I have to give the Siegels credit for allowing the filmmaker to film intimate details of their life, giving us a glimpse into the lives of people who are addicted to money and spending. In the end you'll have to judge for yourself if you envy or pity the Siegels. My own take was that their view of life is so foreign to mine that what they would call happiness I would only call boredom.

After reading the top 2 IMDb reviews for this documentary using words like "appalling", "revolting", "tasteless", "classless" and everything short of "Nazi" to describe the subjects, I figured this would be a fun way to forget my own financial inadequacies by relishing in the multi-million dollar tragedy of a bunch of monsters who deserve to suck slime. So with that in mind I poured myself a cup of fresh blood and got my vampire on.

Immediately I was "disappointed" because, aside from having a pair of ivory tusks displayed in their living room, these people didn't display anything worthy of being flogged publicly as I was led to believe. Sure, their lifestyle was extravagant to a fault. But, ask any third-world kid who can't afford a pair of shoes, and you'll learn that extravagance is relative. No matter, thought I, wiping some drool off my non-designer jeans, this show is just getting started; I'm sure they'll spit on a few beggars in good time!

Actually quite the opposite. As the family begins to realize it's financial decay, instead of telling the laid-off employees to eat cake, Jackie actually started donating goods and volunteering at a local charity for their benefit. Aw man, way to kill a good feeding frenzy, thought I. Well, at least I can still hate her for all the excessive cosmetic treatments she keeps getting for her own vanity. Oops, wrong again. Those of us paying attention soon realize that she's not doing it for sheer vanity's sake but to try to please her husband as psychologically she seems insecure in that department. And as we learn more about the titular Queen of Versailles, we see many parallels between her and the other unfortunate queen, Marie Antoinette in her paper mâché marriage to Louis XVI. Yes, the interpersonal drama runs thick, between all family members in different ways. And just as the French eventually realized that they maybe went a little too far with that whole guillotine thing, you see that the Siegels, while guilty of clueless indulgence yes, don't nevessarily deserve to get their financial heads lopped off. These people are not aberrations of humankind as you'd been led to believe by some reviews, but instead, this is the story of a normal American family that has been subjected to abnormal extremes.

True, the husband (a man of 1 emotion: stoic), did at one point talk about how he personally got Bush re-elected by means that "may not have been legal", but he immediately counters it with "but then we got involved in this Iraqi War, so maybe I didn't do that much good after all." That statement is the key to understanding this powerful documentary. It is NOT a spectacle of seeing Emperors thrown to the lions. Rather, it is a very Faustian tale of pride and arrogance that gets the best of humans, and humans eventually accepting or at least admitting to the possibility that they were wrong. I'm talking about all humans, not just these people.

I have to hand it to the tragic family for bearing their downfall much more nobly than their rise. In the end (especially after watching the deleted scenes showing more of their human side), I felt good--not because I had just witnessed a gruesome car crash like other viewers, but because these people (except maybe 1 individual? I won't spoil) had all evolved into something better.

In that respect, this is a very complex story which requires your full attention. It's not like a sporting event that has 1 good guy, 1 bad guy and 1 outcome. It's really one of the best illustrations of pride under pressure. And although my greatest financial hurdle consists of how to pay my $75 parking ticket, I can somehow associate with these ex-billionaires on how money, and lack thereof, changes us all.

Before I say anything, let me be clear: Ms. Siegel comes off as a nice person. I honestly do like her.

I just find what she is representative of disgusting: A generation that has ZERO regard for ANYTHING other than SELF GRATIFICATION - in EXCESS.

Within the first 5 minutes of The Queen Of Versailles, you are exposed to so much of the conspicuous consumption of this clan - it's like watching a modern-day Beverly Hillbillies.

Ms. Siegel has obviously not skimped on her 'upfront assets,' nor the many (nauseating) 'outfits' (some - featured in horrid 'paint-by-numbers'-like paintings) that look more like PIECES of togas, to focus does attention on her aforementioned assets.

Yet, also within these first few minutes, one is shown Mr & Mrs. in close-up, and, it's very apparent - from the yellowed, really bad looking - teeth, that what's most important to Ms. Siegel ISN'T oral hygiene.

It's sad (for me) to say 'I wasn't surprised' at that, as this society in general has devolved into people living (mostly) on credit - and most of them, living on credit they should've ever been given.

As for the tale of Mr. & Mrs. Siegel, Mrs. Siegel's story is a modern day 'rags-to-riches' tale, which I don't say kindly.

In the 'old' days, that type of tale would've been about someone who started by selling newspapers on a corner, or working in a mailroom, and their HARD WORK eventually led them to becoming a big muckety-muck.

In Mrs. Siegel's tale, we're told of how she started at IBM, then gave that up to move to NYC (to 'model') where she married a man (it's not a stretch to figure if he had big money prior to this marriage), with whom she moved to Florida to (sigh) 'model' and enter beauty pageants.

Through these 'jobs,' Mrs. Salamon (her name before becoming Mrs. Siegel) met her future husband and film co-star, Mr. Siegel.

The reason Mrs. Siegel gave up working at IBM is NOT because of anything more serious than a fellow worker saying he built a countdown clock program that counts down the time until he retires - at which point, he said, his life would begin.

It depressed Mrs. Siegel, and was the 'reason' that Mrs. Siegel decided work wasn't for her.

Seeing this - as a person who's parents put me through the best schools, and wanted the best for me - is sickening.

In Mrs. Siegel, we see a person who's a microcosm of the greater ills and shallowness of today's society (America in particular) which places 'hard work,' EDUCATION (!) at the BOTTOM of the list, with 'is he/she rich?' fame, and (oy!) celebrity at the top - as a very, very sad state of affairs.

So, while I do like Mrs. Siegel (I'm no fan of Mr. Siegel, who around the time this was being made had financial setbacks and just comes off as odious), I'm utterly repelled by what they stand for as a couple, and to this country as a whole.