Sugar Man

Greetings again from the darkness. I make no apologies for my tendency to have higher expectations and be more demanding of documentaries than other films. When dealing with a real subject, event or person, there is no place for fabrication or embellishment. The truth must stand (and entertain) on its own. Filmmaker Malik Bendjelloul has no such issue given his fascinating, almost jaw-dropping story of musician Sixto Rodriguez.

Described as Dylan-esque, Rodriguez was a folk singer and songwriter who put out two albums: Cold Fact (1970) and Comng from Reality (1971). Despite critical raves, the album sales were minimal and Sussex/A&R dropped him. After that, the story got a bit hazy. Urban Legend had Rodriguez dousing himself with gasoline while onstage, and committing suicide by lighting himself up. Mostly he just seemed to disappear, not simply fade away.

Nearly incomprehensible in today's age of internet communication, the Rodriguez songs became anthems for the anti-apartheid whites in South Africa. The music reached the country through bootleg copies and the popularity grew. We meet a Cape Town record store owner and indie music supporter names Stephen Segerman who describes Rodriguez as "bigger than Elvis" in South Africa. In the late 1990's a world wide web manhunt began.

What happens after that ... I will leave it to the film. Just know that this documentary is a blend of Mystery, Intrigue, Urban Legend, Who-done-it, and Where are they now? There is a brief interview with Clarence Avant, the owner of now-defunct Sussex Records, during which he provides the only real insight into the music industry underbelly. Additionally, so much of the story goes unexplained. So many questions unanswered ... even unasked! However, the story itself, and Rodriguez the man, are so amazing, that the entertainment and intellectual value of the film remains intact.

Since the vast majority (99% plus) of us have never previously heard of Rodriguez, the film does a nice job of integrating his songs in a manner that allows us to get a real understanding for the musical genius and why the critics (and South Africa) fell hard for it. This is a fascinating story and captivating film, despite lacking in "the rest of the story" department.

This documentary really grows on you. As the story and the search begins, you slowly but surely get caught up in the narrative. For me the amazing part of this journey is the composure and serenity of Rodriguez himself. Despite the lack of recognition in his own country, he continued to lead a rich life filled with hope and creativity. Just looking at his 3 beautiful daughters is testament to this. The sound tracks are really wonderful and take you back to the 60s and 70s. Another interesting facet of this movie is the exploration of the overthrow of Apartheid. Many who embraced the music of Rodriquez were Africaaners who were looking for change and a better life for everyone in their country. You come out of this movie believing in a better world.

This is one of the best music docs ever made! The story about Sixto Rodriguez misfortunes and fortunes is almost to good to be true. It's like a fairy tale, only that this is real life. Swedish film maker Malik Bendjelloul treats the story with great respect and construct the film in a way almost like a thriller without a dead second and the end will not leave a single eye dry. Cinematographer Camilla Skagerstrom made an excellent job in creating a beautiful movie and the music (all by Rodriguez)makes a great soundtrack and it is hard to believe that this musical treasure was forgotten for so many years. Not only is this a strong personal portrait of a grate musician but it also makes you wonder about the mechanics of fame, success and the music industry.

This film was by far our favorite at the True/False Film Festival in Columbia Missouri this past spring.

The delights of "Searching for Sugar Man" are revealed along the way, as the story unspools over decades and continents. I BEG YOU to cover your eyes and ears if you happen to see a trailer at your local indie theater - the art of the trailer is apparently a lost one, and most of the surprises are spoiled in the promotion prepared for this film.

The director received a well-earned standing ovation at True/False, and wept - he and other directors said that T/F was the first audience of "real people" to see their respective films, apparently Sundance is peopled with "not real people"?

And be prepared to have the music playing in your head for some time to come.

Rodriguez (Sugarman), is one of the greatest men I have ever known.

This isn't a review, at least I don't consider it one; I don't review on IMDb, and there's a good chance I never will; but I feel compelled to leave my experience and thoughts, though briefly, here.

I saw this movie today knowing nothing about the subject material or the man himself; after leaving the theatre into a dimming sunset I texted my friend "I have a new hero."

That is probably the greatest praise I have ever gave a film.

Soulful, touching, heartrending and uplifting, this film------ you cannot write this, you cannot make this up, it is a story of true brilliance and daunting inspiration. There is so much to commend, praise, remark about this movie... but honestly I don't want to cite any one thing because it would spoil the experience of watching the story unfold and the mystery of Sugarman being shaped weakened. The bottom line is: It is a story that is too real, poignant, and far-fetched to exist anywhere on a writer's board or in a screenplay; this is why documentaries will never die, and they will always have a reserved place in the realm of cinema, films of fiction and artistry just cannot pierce the depth that this one finds. It is one of the greatest documentaries I have ever seen, possibly the greatest.

I cried throughout the picture. A must-see.

I write this review with the intention that I hope to encourage others to go see this movie: If you do you won't regret it and if you see it years later on television, you'll regret you didn't take the chance when you had it.