Detropia

This movie is phenomenal for all the wrong reasons. Upon watching this film, I found myself laughing at idiocracy of the residents. They constantly miss the point. The UAW bosses, workers, the citizens of Detroit, and the mayor they elect are just classic showings of people who simply do not understand. The opening scene of the movie sums it up. They won't close the plant down on us, we need to be paid a fair living wage above $13.00 an hour. The basic understanding of supply and demand economics are simply lost, and that is what truly makes the film great. I am sure the director did not intentionally do this, but it becomes clear immediately the disconnect. $13 an hour in Detroit is a living wage. Compare that to China for $2-$3 an hour, the Chinese will soon be able to demand $9 an hour, which will make you middle-class to upper middle-class in China.

The citizens do not understand they are the ones driving away the jobs. GM needs to make profit, and they haven't in years. Even now, as they are doing a little better, we all know it is just another recession, another crappy brown sedan, before they are bankrupt once again. The best part of was the mayor, as he was watching his redistricting plan, and then denied any tax incentives or tax cuts as a way to stimulate job growth. The citizens simply demand things, and then blame it on everyone but themselves. The best part was when one of the citizens in the film begged for more government services, not realizing that in order to provide those services they need revenue.

This film is hilarious to anyone that knows the basic fundamentals of the economy. "Please, please don't take our transportation away". Sums up their just misunderstanding for the basics of business. This movie is able to highlight this on all levels, and is only for the truly intellectual to come to that conclusion. Everyone else will continue the tradition of mediocrity. Don't expect a statement from the film either way, all it takes is common sense.

All I ask for out of a documentary is that it teaches me something and makes me feel. Although Detropia doesn't belong in the trash heap, it did not live up to these simple expectations I have put in place. Detroit definitely has an interesting story; in the 1930's it was one of the most populated states in the country, certainly the easiest place to find a good job. Slowly (with the passing of NAFTA in the late 90's- thanks Clinton) jobs left, followed by people. Detroit has seen the largest mass exodus in the country. The film informs us that almost 10,000 houses per month are torn down because they have been abandoned. The city is in ruins. I thought this would make for a good documentary.

First of all, why is the city going through such problems. I think the directors blame the North American Free Trade Agreement, which is fine because it's probably true. However, they assume that the viewer knows all about NAFTA and exactly how it effected the Detroit auto industry. All they explain is that NAFTA happened and CEO's moved their jobs to Mexico, which caused factories to shut down. I would have appreciated a little more depth into NAFTA; maybe a 90 explanation of why NAFTA meant that companies could move down south, why it passed, who was for it, who was against it? Maybe an interview with a proponent and an opponent. Maybe try to get in touch with spokespeople from these companies. Instead we are left having to pause the movie and do our own research.

As a drifter in his early 30's, I'm interested in cities like Detroit. I think places like this are where the revolution is gaining steam. The documentary spends a few minutes describing what is happening. Very briefly they say that there is a plan in the works to move people who live on the outskirts into the city, in order to create more density. Then, they would convert the outlying area to potentially urban gardens. This is a fascinating idea, revolutionary even, yet that's pretty much all we hear about it. We are shown clips of what appears to be a town hall meeting about the proposal, and then we hear three elementary school dropouts saying, "they be playing gardens? That's dumb yo. People be shooting each other over tomatoes." That's it. That's all we're told about the future of Detroit.

Finally, I understand that a city that poor obviously has a pretty dismal education system (although that doesn't explain why the older people, who lived most of their lives during the boom, are also dumb as cow poop), but surely they could have found someone to interview who had the ability to put together intelligent sentences. The main characters are a video blogger (the closest of the bunch to an average IQ), a burned out owner of what appears to be a Blue's club, and a union leader/pimp. Are there no professors? Are there no community groups? Talk about lazy; it seems like the directors had a few friends in the area and interviewed them. Or maybe they just found the first few people they saw, and mic'd them up. Regardless, the documentary sucked. The only positive is that I'll now to more research on the city.

This film is interesting to watch, especially the tour through the ruins of Detroit, a fascinating graphic representation of the collapse of a major American city. The haunted landscape with its empty houses and buildings (often very large buildings) evokes emotions of loss and decline, both sad and romantic at the same time. I was thoroughly entertained while I was watching those scenes. This documentary also interviews some of the residents of those devastated areas, and while those survivors are likable and interesting in themselves, they seem to have little insight into what's going on around them or why. This video provides a paucity of information about what brought about those alarming conditions, instead focusing on allowing the pictures to tell the story.

There are a couple of major omissions that are quite glaring, as if the videographers just had to avert their eyes from the truth because of ideology or just a personal aversion. First is the alarming crime rate. Only about 21% of the homicides are solved. There is no indication here about how dangerous Detroit has become. Another omission is the abysmal condition of the public schools. Without decent schools there is literally no hope for the kids still having to live in the Detroit area. My understanding is that it is not due to lack of money because Detroit schools receive more per pupil than the national average. Only 25% of high school students graduate. A young student is more likely to wind up in prison than in college. A third glaring omission is the fact that the city has been ruled by Democratic politicians for 50 years. The city's problems are to a large extent the result of bad politics, misspent money and cronyism. Without a viable opposition who was there to keep the politicians honest?

I don't mind that much if the documentary was just meant to show the wasteland that was once Detroit as a series of visual images for their own sake. However there seems to be something under the surface that is hinted at but never developed. Why did Detroit take such a nosedive in the last decades? I would have preferred a more in-depth analysis. Why couldn't Detroit adapt to changes in the global market? Auto plants in other parts of the US are doing okay. Did the unions kill the auto industry in Detroit? This is a question that is never asked in "Detropia." Perhaps because the filmmakers didn't want to face the answer.

I read an article not long ago that cited the TruTV program Hardcore Pawn as one of the biggest boons to Detroit's failing economy in a long time. The pawn shop depicted in the show, American Jewelry and Loan, located in the 8 Mile, has become famous in the town of Detroit and has become a notable tourist attraction, receiving hundreds of customers a day. I can't help but find it somewhat depressing that one of the town's biggest economic successes in recent times is thanks to an exploitative, unsubstantial Television program with almost no redeeming merits when it used to not need any assistance because of its unstoppable job growth thanks to its many factories.

Heidi Ewing and Rachel Grady's new documentary Detropia opens with a frightening statistic; in 1930, Detroit, often labeled "Motor City," was the country's most booming city because of its auto industry and manufacturing plants all across its land. Today, it is one of the fastest declining cities with over 100,000 vacated homes and lots. Its economy is in shambles, its townspeople exhausted and underpaid, and overall appearance mirroring that of a desolate wasteland. Clint Eastwood starred in a Super Bowl commercial about two years ago that informed citizens of the world that it's only halftime in America and our second half was to begin shortly. Tell that to the locals in Detroit who, in 2013, still, are waiting for the buzzer to go off and for the game to resume.

"We're not in a recession, we're in a depression," says retired public school teacher Tommy Stephens, now owner of the Raven Lounge in Detroit. "They're just not saying it cause it would scare the American people." I would've loved to have this man as a teacher for any subject. He is one of the most friendly, charismatic, and intelligent documentary figures in recent memory and his final scene where he discusses the greatness of capitalism, yet recognizing its unfair treatment and exploitation of the poor is terrifically compelling. Stephens later attends a car show where he himself is being taught about how China can make an electric car appearing more stable than an American-made car for $20,000 and America makes and sells one for around $41,000. He informs the gentleman selling the $41,000 car, who is anything but happy. It is then he and we, as the audience, realize that the future may be outsourcing, but then where does that leave the United States? Looking like the metropolitan area of Detroit, I suppose.

We are not given a central moral or theme in the film, but we do not need one. We have been bombarded with news about the economic standing of Detroit for several years now that we have subconsciously blamed whoever we feel responsible, rather it be the political left, right, the town's mayor, the unions, the townspeople, whoever. Ewing and Grady aren't here to give us a moral but a somber experience with little light at the end of the tunnel. We focus on various townspeople in Detroit, including a stressed and frustrated union manager whose American Axle plant has just been closed, townspeople who sit on their porch and mock all efforts of the politicians who are trying to bring Detroit back to its roots, a Vlogger on Youtube named Crystal Starr who attends many town hall meetings and explores the ruins of the town (she goes into an empty building and looks out at the desolation that has consumed the entire town and tells us, "this place used to be bangin'"), and even the mayor, Dave Bing, who is completely at a loss, unable to cope with the ruins of the town or the immense decrease in population. He proposes solutions, like relocating people to replace some of the urbanization with farmland, to which many people are understandably disgusted at. It's the unwillingness to input change and the unwillingness to carry out change that is ruining Detroit, yet where do you go and what do you do when you're bankrupt and desperate? Had it not been for the narration and statistics, I would've went out and assumed this was a film done by the filmmaker Frederick Wiseman, whose Titicut Follies I don't hesitate to call one of the finest American films ever made. The filmmakers do not put us in a position to judge, blame, or accuse, but simply give us an unbiased, objective look at the guttural decay and hopelessness Detroit has accentuated over a period of several years. Ewing and Grady's approach to this delicate material is similar to the way I believe Wiseman would've approached it, by letting the townfolk tell their stories and share their opinions and do not plan on sharing your own, even if you have the liberty to.

The only faint light that we are provided with is the idea that Detroit will soon become the area of idealistic young people who want to emerge in careers of technology and the fine arts to hopefully revitalize the American spirit in the currently hopeless town. The marketing points for the film are the Coys, Steven and Dorota, respectively. They are two local artists who wear gold-painted gas masks and walk listlessly along the landscape of Detroit (which is photographed bleakly but beautifully) and hope to spread their creativity and vision throughout the land. More power to 'em.

The question we are left with is the same one we emerged with and that is how will we keep Detroit alive in these rough times? The documentary doesn't provide an answer and neither can I. Better make some more reality TV shows. Hopefully one starring Tommy Stephens.

Read the more complete review at http://stevethemovieman.proboards.com

An opera singer calmly walks thru a large room inside a beautiful piece of architecture, a deserted and dilapidated building being devoured by nature. His beautiful song bounces off walls littered with graffiti. Broken windows, piles of rubble, lost jobs, a city in decay, nowhere to go but up, welcome to Detropia.

This movie briefly takes us around Detroit and into the hearts & minds of its sparse population. We see that the only thing surviving and thriving is the indomitable spirit of its citizens. Most documentaries take the approach of inundating us with information. Don't expect to talk to economic experts or politicians, we talk to the ordinary citizen. We watch them live with their difficult day to day existence as they watch the city decay around them, all the while trying to understand complex causes to a complex problem. Solutions seems so distant all they can hope for is a miracle.

Detropia shows the viewer a microcosm of the human condition through conversations with ordinary folks amidst a sea of ruins. The lovely cinematography continuously compares and contrasts beauty with ugliness, despair with hope. We see small flowers growing among the rubble, a bird rests upon a heap of garbage, people smiling and clinging to what little joy they have as they struggle to make ends meet.

This is a wonderful and calm film that will require the viewer to have patience and be in a sombre mood. Expect sadness tinged with brief glimpses of hope and the answer to the question of whether your cup is half full or empty. I'm left with the feeling that the spirit may be strong in Detroit's citizens, but the realities of the world are slowly crushing them. Let us hope the spirit conquers all.