Michael left home when he was a teenager and never looked back. Now, after the death of his sister, Chloe, he's returning home with his fiancee Juliette and his angst ridden nephew Brandon. ... Read allMichael left home when he was a teenager and never looked back. Now, after the death of his sister, Chloe, he's returning home with his fiancee Juliette and his angst ridden nephew Brandon. On arrival, they realize that home isn't exactly what it used to be. With high walls surro... Read allMichael left home when he was a teenager and never looked back. Now, after the death of his sister, Chloe, he's returning home with his fiancee Juliette and his angst ridden nephew Brandon. On arrival, they realize that home isn't exactly what it used to be. With high walls surrounding the house and security cameras in every nook and cranny it's more of a military com... Read all
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The story works. It offers characters with interesting drama and characterization, and a villain with a purpose. There are a few forced moments, where the emotion just shows up instead of being earned organically, but that could be in part to the directing and editing, which I will get to later. The story definitely had potential for thrills, and each character is memorable in their own way, and that is something you don't often find in indie horrors/thrillers, especially first timers like Geerlings.
The acting was weak. Muse Watson, the patriarch with dementia, often felt way over the top as he went in and out of lucidity. Sometimes it felt like dementia, sometimes if felt like he was tired and ready to go home. Tyler Mane will always feel like a giant to me, and it was hard, but not impossible, to see him as a family man. I think his strengths come from playing more fringe characters, less 'everyman'. Alex Saxon was a point of awkwardness for me. He fear noises really drew me out of the moment.
I think, even with the acting, there is potential in the film, but it all fell flat due to the direction/editing. I'm going to group those since they were done by the same guy, Anthony J. Rickert-Epstein. First, a look at his page reveals he is a cinematographer (he was also DP on this film, that's a lot of hats for a feature). And it shows. There were some technical shots going on but usually at the cost of performance and story telling. The film plays slow, and not "slow burn", just slow. The action scenes feel forced. I felt like I was supposed to be scared or thrilled but everything was moving so slow I was usually left just watching, unengaged. There were moments that didn't fit the rest of the film. I can't say it enough: everything felt forced. It felt like they wanted us to be scared, but didn't know how to pull it off, so they just copied a lot of techniques with sound and editing and tried to make it work. And for me, it didn't.
I think it was a good first effort. Hopefully they learn from the mistakes, mostly of letting one man head three departments, and can produce more films.
Compound Fracture isn't a great movie, but it shows that this team has potential, and I look forward to seeing what they come up with next.
For the most part this one was just a bland, awfully lame and tired effort that has very little to like about it. The main issue striking this one down is the fact that there's just no horror elements at all within the first hour or so of the film, all taken up with utterly lame drama scenes of the family getting together and showing off the concern for his worsening condition. Not only does that not endear the film to anyone for having to force them to sift through that length of time to get the good parts on-screen but these really make it hard to make us care for what goes on since this one tends to rely on the same old set- up of the father trying to get them aware of something only to make a minor mistake in the facts, either by getting dates or names mixed up, and then have everyone gang up on him like his mental condition is deteriorating and everyone begins yelling at each other. Due to that and the utterly irritating factor of presenting all these scenes as dramas based on his condition there's very little appeal in them anyway before realizing that all they do in the mean-time is drag the pace down to a sluggish, barely-moving crawl that takes forever to get to the point and by then you've lost interest. These are nowhere near interesting or enjoyable since nothing's happening and what's going on anyway doesn't warrant that kind of behavior or reaction possible, and by making all of this reliant on a storyline that is never explained or makes sense compounds matters by keeping us in the dark about the true nature of not only the origins of the curse but also the reasoning behind it. There's a small amount given at the beginning of it being used to tie the family together, but nothing about the true purpose or intent behind it since all it seems to do is allow vengeful ghosts to be able to haunt the area and nothing else. Otherwise, there's not much else here that's worthwhile as the attacks in the house at the end are about all that's good here with the creepiness of his appearance making for a chilling, imposing villain and the action contained to some admittedly impressive supernatural battles involving the use of spells and tomes to completely finish him off. That does bring up some nice gore and kills because of the creepy action, but as this is contained all in the final minutes it's too little too late.
Rated R: Graphic Language, Graphic Violence and supposed scenes of child abuse.
All those things considered may help you like this or at least enjoy it while watching. Having Tyler Mane in a role that is against the stereotype we have seen him is also a nice touch. A nice horror movie with an interesting story to boost ... also the action towards the end helps make it more exciting. The stunts work quite well ... as well.
Did you know
- TriviaCast contains three iconic killers, Tyler Mane (Michael Myers in Rob Zombie's Halloween), Derek Mears (Jason Voorhees in Friday the 13th (2009)) and Muse Watson (Ben Willis in I Know What You Did Last Summer).
- Quotes
Michael Wolffsen: Wow!
Annabelle: This is what I wanted to talk to you about.
Michael Wolffsen: What is this!
Annabelle: His panic room.
Michael Wolffsen: I'd panic too, if I had all this crazy shit in my house.
- ConnectionsReferences Gigantor (1964)
- SoundtracksBlood Ties
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- Поместье зла
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- Runtime
- 1h 30m(90 min)
- Color
- Aspect ratio
- 2.39:1