5 Caméras Brisées

5 Broken Cameras (2011) is a Palestinian documentary film directed by Emad Burnat and Guy Davidi. The movie is narrated by Emad Burnat, who films life and strife in his village in the occupied West Bank.

Living in an occupied territory will always be frustrating and, at times, humiliating. However, the major issue that the film follows is the building of huge Israeli "settlements" in the occupied territory. (The "settlements" look like large, fortress-like, apartment complexes.)

Although we have all seen footage of Palestinians throwing rocks, and Israeli soldiers responding with teargas and rubber bullets, Burnat films less dramatic instances of nonviolent resistance by Palestinian villagers. As a participant-observer, Burnat is himself vulnerable. He was seriously injured in one skirmish. The title "Five Broken Cameras" refers to Burnat's own cameras, which were smashed during confrontations with Israeli soldiers. (Some of the cameras were purposely destroyed, while others were hit by rubber bullets.)

Whatever your position is about the Israeli-Palestinian conflict, it's useful to see a film that presents the Palestinian perspective. We saw this movie at Rochester's Little Theatre as part of the excellent Witness Palestine Film Series. It will work better on a large screen, but it's worth seeing on DVD if that's the only option available. Five Broken Cameras was nominated for an Oscar in 2012 as Best Foreign Film.

This document received so many Awards From Sundance festival to others, Can someone explain me why the hell every other movie on IMDb has Award section popping out immediately on a website but this movie NOT????

"5 Broken Cameras won the World Cinema Directing Award at the 2012 Sundance Film Festival. it won the 2013 International Emmy Award.The film also received the Special Broadcaster IDFA Audience Award and the Special Jury Award at the International Documentary Film Festival Amsterdam in 2011. In addition, the film won the Golden Apricot at the 2012 Yerevan International Film Festival, for Best Documentary Film, the Van Leer Group Foundation Award for Best Israeli Documentary at the Jerusalem Film Festival in 2012, and the Busan Cinephile Award at the 17th Busan International Film Festival in 2012. 5 Broken Cameras was nominated for Best Documentary Feature at the 85th Academy Awards Nominated for Best Documentary Feature in the 85th Academy Awards, and for the Asia Pacific Screen Award for Best Documentary of 2012...

Naturally this movie will be a minefield to review without people bringing their personal, national, or religious beliefs into the equation. As can be seen in the handful of incredibly low ratings here, this is sadly already occurring.

This is the conflict viewed through the eyes of a Palestinian villager, warts and all and as such does not shy away from recording the trials and tribulations that the cameraman and his village (and subsequently country) are confronted with on a daily basis. The argument that this movie is one sided is somewhat valid, although how anybody could expect anything else is beyond me due to the method utilized in gaining the footage. There is no secret agenda, no propaganda, it is simply the conflict as viewed by somebody who is currently living it.

Regardless of your beliefs, sympathies or country of origin this movie is worth your time for the rare insight, at ground level, that it provides. Whether you agree with either sides position in the conflict is a different debate entirely and should not be included in any kind of review. All I can say is if you are unfamiliar with what is occurring or unaware entirely this film will give you food for thought.

Retributive Justice...Oh How Sweet It Is !!

Today, Sunday, February 24, 2013, the Oscars will be hosting this first ever Oscar nominated Palestinian documentary, whose content, we all know full well, will never be shared with the estimated one billion worldwide viewing audience, nor will it ever be permitted to win.

Nevertheless, it just happens to fall on the Jewish Holiday of Purim, which commemorates the deliverance of the Jewish people in ancient Persia, in the wake of a plot by Haman. It is a story recorded in the Biblical Book of Esther. Understandably, this day of deliverance has become a day of Jewish feasting and rejoicing. It is celebrated by the giving of mutual gifts of food and drink, the offering of charity to the poor, the consumption of a celebratory meal, and in addition to the prayers and the grace after the meals, there is often a public recitation of the Scroll of Esther. Other customs include the drinking of wine, the wearing of masks and costumes, as well as the exuberant display of celebrations in public. Like Hanukkah, Purim has more of a 'national' (Israel) than a 'religious' (Judaic) character, and its status as a holiday is on a lesser stature than those days ordained by the Torah. Accordingly, business transactions (including the Oscars), and even manual labor are allowed on Purim.

As early as the 5th century, there was a custom to "BURN AN EFFIGY" of Haman on Purim.

However, the first religious ceremony ordained in the celebration of Purim, is the reading of the Book of Esther (Megillah) in Synagogues. The Megillah is read with a scintillation (a traditional chant) differing from that used in the customary reading of the Torah. When Haman's name is read out during the public chanting of the Megillah in the Synagogues, which by the way occurs 54 times, the congregation engages in boisterous noise-making to "BLOT OUT THE NAME".

Over time, a custom developed of writing the name of Haman on two smooth stones, thereafter knocking them together until the name was blotted out. Others write the name of Haman on the soles of their shoes, and then at the mention of the name, loudly and repeatedly stomp their feet as a sign of contempt. Most though, employ the use a loud and noisy ratchet, called a ra'ashan, or in Yiddish a grager. Although some rabbis have protested against these uproarious excesses (raucous stomping and deafening ratcheting), considering them to be a disturbance of public worship, nevertheless, these two customs in particular, have continued to be universally carried out in almost all Synagogues on Purim.

Just a thought ?!

I wonder if during the Oscars, the Zionists of Hollywood plan to conduct an 'L.A. Festival of Burning', wherein all copies of the "Un-Israeli" film '5 Broken Cameras' will be incinerated, not unlike that conducted by the Nazis in May of 1933, during which upwards of 25,000 volumes of "Un-German" books (predominantly Jewish) were burned ?!

Or worse yet, publicly humiliate themselves during the announcement of the film's nomination for an Oscar award, by stomping their feet and twirling permitted Ra'ashans, in a feeble attempt to 'Blot It Out'?!

After all, just the other day, they did attempt to prevent the film-maker Emad Burnat, together with his wife and 8 year old son, from attending, by way of harassment and intimidation at the hands of Immigration Officials at L.A.X.

Perhaps, it was because a 'Film' or even a 'Broken Camera' in the hands of a Palestinian now constitutes a potential 'Terrorist Threat' ?!

this documentary was a true and honest eyes to what really happening in the occupied territories by the Zions in Palestine, the events show how the people of the small village Bil'in suffered by the army of the Zions that burned and killed and brook the laws, not humans laws, not world's laws, but them own laws. it has a very real touching scenes witch can make a one shed the tears without he knows, when I watched those scenes and slices from lives of real people I seen those Zions as really they are, not what their press and media whas trying to show us every day in every movie we see. this documentary make me live with El-Phil and Emad and Adeeb and Dabaa for ninety minutes and I wished to live with them some more.

I've some many documentaries and movies,an Oscar winning ones. they can't be as good, honest, realistic and lively as this.

I'm really wondering and questioning why this can't win an Oscar?!