Shut Up and Play the Hits

I really had looked forward to this movie, being a big LCD Soundystem fan for years, but it really opened my eyes to the ego of James Murphy, who I had once thought to be one of the coolest guys making music today. Everything felt staged or scripted. The movie opens with Murphy "waking" to his phone ringing, but was there a camera man filming him all night waiting for him to wake? I don't think so. There are several other moments like this peppered throughout the film.

The interview that forms the backbone to the documentary is more cringey than anything else. Murphy's ego can't be kept in check and some of his answers make you wish he would stop talking and cut back to the farewell concert in Madison Square Garden, which is really the only thing that feels natural here. It's a fantastic, huge performance and is captured brilliantly.

Towards the end, where we see Murphy going to the store where all the band's gear is kept and breaking down and crying in an Oscar-worthy performance. Again, it all feels staged: "now for the emotional bit". I actually ended up feeling slightly sorry for the guy, crying over a few synthesizers.

They were a great band but they were only around for 9-10 years. I think the guy needs some perspective. "Shut Up and Play the Hits" is a more apt title than they probably realized.

This was a pretty solid "music" documentary. The concert footage from MSG was nothing short of spectacular (I'm looking forward to seeing the entire show on DVD).

The dialogue between Murphy and interviewers was incredibly weak however. Murphy seemed uncomfortable with truly expressing what he was thinking, obviously he was put on the spot constantly and didn't know how to respond. I also found it humorous that he insinuated that he loves taking the subway... yet he was riding around in a town car or Escalade the entire time... child please. I used to really like Murphy but after seeing this film I totally understand why the band folded, he is incredibly egotistical. See it for the excellent concert footage, ignore Murphy rambling.

If you are a fan of popular music, whether it's Rock or Post Punk or Club Music, I think you'll really enjoy this Rockumentary. I was woefully unaware of LCD Soundsystem until I saw the preview for "Shut Up and Play The Hits" about a month ago or so. I was intrigued, so I checked out some of their stuff online and was really amazed to discover songs that I could dance to ( more of a dance from the neck up for me, the rest of my moves are not terribly smooth) but at the same time these songs are funny, intelligent, cynical and emotional all at once.

At last, I saw the movie yesterday and it really floored me; Great cinematography, great insights into the meaning of Rock 'n Roll fandom, legend and lore, 20C. youth culture vs. 21C. youth culture, great odes to New York - both musical and visual.

What you realize about James Murphy, the driving force of LCD Soundsystem, is that he is first and foremost a Rock 'n' Roll devotee who then decided to have a go at it himself. Not only does he have a knack for the art form but he has a great perspective lyrically that has real heart and playfulness as well as a world weariness that is somehow very comforting. It's clear that Murphy is torn about his decision to stop performing, which leads to an interesting exchange between interviewer Chuck Klosterman and Murphy about life choices as one moves into mid life.

Please Go See This Movie EVEN if you are NOT familiar with LCD Soundsystem, - maybe check out a couple of their songs before hand for the fun of it - you'll definitely Get Yer Ya-Ya's Out!!

"Hey", Steve Albini wrote, "breaking up is an idea that occurred to far too few groups". However, it's definitely an idea that occurred to LCD Soundsystem, as frontman James Murphy decided to disband the group, not long after their third album was released, despite the fact that they were now at the peak of their fame and acclaim. Nothing bad had happened – there were no bust-ups between members, drug troubles or any other music clichés – Murphy simply wanted to wave goodbye to his dance-punk creation and respect should be given to him for that. He chose to go out with a bang, by staging the group's largest gig to date on the 2nd April 2011, in New York's Madison Square Garden to a crowd of nearly 20,000. That gig is chronicled in this excellent Will Lovelace-and-David Southern-directed documentary. The live footage on display here is superb, with an Arcade Fire-featuring rendition of 'North American Scum' and the emotional climactic performance of 'New York, I Love You But You're Bringing Me Down' proving to be highlights.

However, 'Shut Up and Play the Hits' isn't strictly a concert movie, as it also features some backstage footage, an interview recorded a week before the gig and clips of Murphy rambling around New York, often with his little bulldog in tow. This may sound boring when compared to the palpable energy of the concert footage, but these intercuts are anything but. They're revealing and engaging as we are given a glimpse of Murphy leading up to the final gig and the day after it. In particular, the interview is the most interesting with Murphy offering an overview of LCD Soundsystem and refreshingly frank responses to the questions he is asked.

This film isn't just for LCD Soundsystem aficionados; it's one for anyone who enjoys music documentaries. And if you are a fan of James Murphy, I struggle to imagine any reason why you wouldn't like this. Its offstage clips are poignant, while its beautifully shot concert footage is absorbing. If this truly is the end of the group, then this is a terrific way to say farewell.

This is a documentary about James Murphy and the final concert of the LCD Soundsystem in Madison Square Garden just before the band's temporary break up. The concert excerpts are some of the best I have ever seen and heard. The camera work is particularly great - sometimes unusual perspectives are taken, not just filming the stage frontally with an occasional glance at the individual musicians. No, some cameras had been positioned in the middle of the audience or the audience was even filmed from above, plus all musicians - not just Murphy - get quite a bunch of screentime. The editing is great, too - constantly changing between the different camera perspectives, but not too hectic either. Likewise the sound mixing: the audience is always audible, but when it matters, the music is mixed into the foreground. All these qualities result in the effect that only occurs in very few concert films: you really have the feeling of being there. I had been given goose bumps quite a few times. The only thing I didn't like about it was that on the one hand you get into a party mood, but on the other - due to the many interruptions - it is slowed down again and again. Between the live footage montages of interviews, Murphy home videos, backstage and afterparty footage, etc. are shown - a concept I can relate to, but I would have appreciated if the filmmakers sometimes would have let the music speak for itself longer. It was particularly annoying when the band played "Losing My Edge": during the instrumental passages the music was mixed into the background while those snippets were played in parallel. It took away a lot of the power of the music and this was a shame. Nevertheless: a very likeable and recommendable music documentary.